Elizabeth Kerr Movies

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

In this romance, a woman, her sister, and her teen-age daughter find Summer love. ~ Sandra Brennan, All Movie Guide

Having gone to his Heavenly reward in 1948, lawyer Arthur Morton is "reborn" in 1987 as Jonathan Smith (Michael Landon), a probationary angel who in order to earn his wings must return to Earth and offer help and support to unfortunate mortals. In this debut episode of Highway to Heaven, Jonathan is assigned to Havencrest, a retirement home that is facing demolition. Adopting the earthly guise of a handyman, our hero sets about to improve the quality of life of Havencrest's surly and sullen residents. Originally telecast as a two-hour TV movie, the opening episode of Highway to Heaven has since been divided into two one-hour installments for syndication. ~ All Movie Guide

It's "Maltese Falcon", Hazzard-style, when Bo (John Schneider) and Luke (Tom Wopat) purchase an old vase from the Widow Partridge (Elizabeth Kerr) for ten dollars. When it is revealed that the vase is extremely valuable, Boss Hogg (Sorrell Booke) vows to get his mitts on it--if he can locate the elusive artifact, which has passed through many hands since the original transaction. Complicating matters is the presence of a Sidney Greenstreet-style art connoisseur (Byron Webster) who will stop at nothing to claim the vase. And how did Sheriff Roscoe (James Best) end up behind the wheel of the "General Lee"? Originally scheduled to air on March 13, 1981, this episode ultimately aired as The Dukes of Hazzard's third-season finale. ~ Hal Erickson, All Movie Guide

A young mother looks to her own mother for help when her child begins rebelling, similar to the way she did in the past. Harry Chapin makes a special appearance. ~ John Bush, All Movie Guide

Howard is even more upset than usual; his son, Howie, has announced his intention to quit school and become a comedian. That's quite a quantum leap for a kid who hasn't even reached his teens yet, and Howard hopes that he -- or Bob -- will be able to talk him out of it. Bobby Ramsen, who made a brace of fifth-season appearances as Johnny Carson Jr., is here cast as comedy teacher Mickey Melnick. Written by David Lloyd, "My Son, the Comedian" originally aired on November 12, 1977. ~ Hal Erickson, All Movie Guide

Another entry in the vast nature-amok horror subgenre of the late '70s, this murky low-budget woofer stars David McCallum as a pontificating college prof who begins to suspect something is amiss when the canine populace of a small college burg begin leaping at their owners' throats with wild abandon. As the professor spouts scientific double-talk in an effort to provide exposition, the locals spout copious amounts of blood, thus sparing audiences their abysmal attempts at acting. Finally, McCallum and his lady friend work up enough sense to pack up and leave before they get snarfed up by marauding packs of feral pups -- ranging from the fierce-looking (Dobermans and German Shepherds) to the downright silly (Poodles and Pekingese). The "surprise" final shot will probably provoke more groans than gasps. Released to theaters as Slaughter. ~ Cavett Binion, All Movie Guide

When it seems as if nobody understands his grief over the death of the schoolroom guinea pig that had been left in his care, Jim-Bob (David W. Harper) runs away from home. Although he may be forced to miss a long-awaited public appearance by a prominent author, John-Boy (Richard Thomas) agrees to conduct a search for his missing brother. Ultimately, John-Boy catches up with Jim-Bob--and, much to his surprise, with the author! ~ Hal Erickson, All Movie Guide

This exciting caper outing is loosely based on the famous robbery of Brinks in Boston that netted the crooks $2.5 million. The story covers the six years small-time hood Jerry Florea (Tony Curtis) spent planning the heist. The story begins with the events that led a young Florea (played by Sal Mineo) to become a crook. Hoping to save him from a life of crime, a kindly policeman and his wife take him under their wing. Though he appreciates their kindness, Florea seems destined to become a criminal. As a young man, he begins pretending to reform and even gets a job at Brinks. The loving couple have no clue that it is only a ruse and that he is preparing to rob the establishment. It is only after he and his gang pull-off the job that Florea reconsiders his actions and then makes a daring attempt to make amends. ~ Sandra Brennan, All Movie Guide