E. Katherine Kerr Movies

Janet McTeer follows up her Oscar-nominated performance in Tumbleweeds (1999) with this period drama set during the 1910s. Dr. Lily Penleric (McTeer), an uptight musicologist, is furious after getting denied tenure again at an elite all-male East Coast university. She promptly quits out of protest, and having nowhere else to go, she joins her sister in a remote mountain school. Her high-minded, refined ways quickly clash with the locals, yet her academic interests are peaked when she realizes that this bucolic mountain culture is thoroughly infused with music that harkens back to traditional English and Scottish folk ballads. After retrieving some tools, including a primitive recording device, from the East Coast, she sets out collecting songs. The locals react with a mixture of amusement, bafflement, and suspicion. Meanwhile, a mining company is strong-arming the impoverished residences into selling their coal-rich land for a pittance. Lily soon realizes that the culture she's seeking to preserve is quickly being torn asunder. Aidan Quinn and David Patrick Kelly also appear in this film, which was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

A newspaper columnist is murdered, thereby reopening a 20-year-old homicide case. Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) track down the central character in the original case, who was a juvenile at the time. This leads to a tricky dilemma for the D.A.'s office -- a dilemma eagerly pounced upon by the defense attorney. ~ Hal Erickson, All Movie Guide

A janitor is found murdered in a college science laboratory. The prime suspect is a student employee (Mark Bateman) with a troubled past. In a spectacular, suspenseful, and emotional climax, the D.A.'s office goes after a college scientist (John Bedford Lloyd) indulging in experimental drug research -- a prosecution which hinges upon a suppressed medical report. ~ Hal Erickson, All Movie Guide

The first feature film from director Phil Joanou (State of Grace), Three O' Clock High chronicles a high school nerd's much hyped after-school bout with the infamous class bully. When the impish Jerry Mitchell (Casey Siemaszko) is assigned to interview the new transfer student with a supposedly violent past, Buddy Revell (Richard Tyson), he makes the fatal mistake of touching his subject. Revell, who hates being touched, responds by challenging the unwilling Mitchell to a fight at three o'clock in the parking lot. Spanning the course of the school day, the film follows the disaster-bound Mitchell as he soils his good-boy image through various misguided attempts at averting the fight. Also making noteworthy appearances in the film are Jeffrey Tambor and Philip Baker Hall. ~ Rachel Deahl, All Movie Guide

A star-studded cast portrays political movers and shakers in this drama about politics and the media. Richard Gere is Pete St. John, a gilt-edged "image" advisor to the likes of powerful and often crooked politicians -- including a South American candidate for the top office in his country and, reluctantly, a conservative industrialist named Jerome Cade (J.T. Walsh). Cade is after a Senate seat vacated by Sam Hastings (E.G. Marshall), a liberal politician who fits in with the views that Pete once upheld. When things start to go wrong, it looks like Cade's gruff advisor Arnold Billings (Denzel Washington) might hold one of the keys to Pete's discovery of the truth about Cade -- and may be the reason why Hastings is leaving his job. ~ Eleanor Mannikka, All Movie Guide

Tom Conti stars as a drunken Scottish poet who preys upon the lasses of a New England college town by swooning over them with poetry and bedding them with a passion. He'd probably have continued in such fashion for who knows how long, were in not for his encounter with a lovely homespun gal (Kelly McGillis), who sets his head spinning in a lovesick swirl and forces him to get his life on track. ~ All Movie Guide

Based on a true story, Silkwood begins and ends with Karen Silkwood (Meryl Streep) driving along a lonely road in 1974, heading to a meeting with a New York Times reporter to deliver evidence of negligence at the Kerr-McGee Plant in Cimarron, Oklahoma. The balance of the film flashes back to Karen's ribald private life with her lover (Kurt Russell) and her loose-living friends (Cher and Diana Scarwid). This is in contrast to her humdrum job at Kerr-McGee--or it least it was humdrum until Karen and several other employees become contaminated by radiation. The higher-ups want to sweep this incident under the rug, but Karen thinks that something's fishy, and informs the union of that fact. X-rays of the faulty fuel rods and written proof of the inadequate safety measures that caused Karen's illness are tampered with, forcing Karen to conduct her own private investigation. As she gathers evidence, Karen becomes a pariah to her boyfriend because of her obsession. She finally organizes the evidence into a briefcase, and heads off to her meeting with the Times reporter. She never makes it; the "official" report on her fatal auto accident is that Ms. Silkwood had been drinking and was under the influence of tranquilizers. Kerr-McGee was eventually forced to pay the Silkwood family an enormous settlement because of her contamination, but the full facts behind her convenient accident have never been revealed (though the filmmakers clearly indictate whom they hold responsible). Director Mike Nichols and screenwriters Nora Ephron and Alice Arlen surround this true story with a lively, improvisational atmosphere that gets the best out of Streep, Russell, and Cher, while providing perhaps the fullest on-screen realization of Nichols' theater-based techniques of realistic, character-centered, dialogue-driven filmmaking, as well as one of the first movie screenplays from future director Ephron. ~ Hal Erickson, All Movie Guide