Donald Kerr Movies

Character actor Donald Kerr showed up whenever a gumchewing Runyonesque type (often a reporter or process server) was called for. A bit actor even in two-reelers and "B" pictures, Kerr was one of those vaguely familiar faces whom audiences would immediately recognize, ask each other "Who is that?", then return to the film, by which time Kerr had scooted the scene. The actor's first recorded film appearance was in 1933's Carnival Lady. Twenty-two years later, Donald Kerr concluded his career in the same anonymity with which he began it in 1956's Yaqui Drums. ~ Hal Erickson, All Movie Guide
1940  
 
Add Mad Youth to QueueAdd Mad Youth to top of Queue
"Exploitation" king Willis Kent was both producer and director of the deathless cautionary fable Mad Youth. Because she doesn't have proper parental supervision, heroine Mary Ainslee falls in with an unsavory crowd and ends up working in a clip joint.Things come to a sorry pass when both Ainslee and her "playgirl" mother Betty Compson find themselves both in love with the same oily gigolo (Willy Castello). As often happened in films of this nature, all action stops dead in its tracks half-way through the proceedings for a series of risible production numbers, staged in this instance at the La Golondrina Café in Los Angeles. The most talented of the bunch is tap-dancer Betty Atkinson, who also figures peripherally in the plot. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Mary AinsleeBetty Compson, (more)
1940  
 
Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide

Read More

Starring:
George RaftJoan Bennett, (more)
1940  
 
West of Carson City remains one of the best of Johnny Mack Brown's Universal westerns. The story takes place in a gold-rush community where the locals are taken to the cleaners by duplicitious Eastern gamblers. When it becomes obvious that the local constabulary has been "bought off" by the crooks, two-fisted cattleman Jim Bannister (Brown) swings into action. The film's highlight is an outsized fistic brawl between the hero and secondary villain Breed, played by loose-limbed comic stuntman Frank Mitchell. Peggy Moran, one of Universal's most overworked ingenues, provides the nominal romantic relief. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Johnny Mack BrownBob Baker, (more)
1940  
 
In his final release of 1940, Monogram's answer to Gene Autry, Tex Ritter, played a United States Marshal assigned to investigate a gang that is taking advantage of the prison honor system. Helping unsuspecting prisoners escape, the gang enlists them in bank holdups. As the escapee demands money, a member of the gang shoots him down to claim the reward money. Tex, however, deputizes a couple of inmates and can soon bring the gang to justice. A very minor entry in the Ritter oeuvre, Rollin' Home to Texas featured future Western lead Eddie Dean as a sheriff. Ritter performed seven musical numbers, including Under Texas Stars and Wabash Cannon Ball. ~ Hans J. Wollstein, All Movie Guide

Read More

Starring:
Tex RitterCal Shrum, (more)
1940  
 
Responding to star George Sanders' complaint that his role of "modern Robin Hood" Simon Templar was becoming a bore, RKO Radio permitted Sanders to essay a duel role in The Saint's Double Trouble. This one finds Templar, aka the Saint, heading to Philadelphia to catch a gang of diamond smugglers. It so happens that the head of the criminals, Duke Plato, is an exact double for Templar (so guess who plays Plato?) Bela Lugosi is wasted in the role of a secondary hoodlum, though it is amusing to watch his double--take when he's confronted with two Sanders. Based on characters created by Leslie Charteris, The Saint's Double Trouble was the fourth entry in RKO's Saint series. ~ Hal Erickson, All Movie Guide

Read More

Starring:
George SandersHelene Whitney, (more)
1940  
 
Reporter Albertson works to solve a murder case in order to clear his name and get a great story for his paper. ~ All Movie Guide

Read More

Starring:
Frank AlbertsonConstance Moore, (more)
1940  
 
Diminutive Frankie Darro was always a lot of fun to watch when given his head in a leading role. In Monogram's Chasing Trouble, Darro plays a fella named Cupid, who fancies himself a handwriting analyst. He tries out his dilettante talent when a gang of spies begins covert activities in his community. He wins the day, and the girl (Marjorie Reynolds). Two future TV-series regulars show up in the supporting cast of Chasing Trouble: George Cleveland, beloved old "Gramps" in Lassie, and Milburn Stone, cantankerous old "Doc" in Gunsmoke. Produced by actor Grant Withers and written by Mary McCarthy, Chasing Trouble is positively lavish by Monogram standards. ~ Hal Erickson, All Movie Guide

Read More

1940  
 
The moral of Preston Sturges' first directorial effort The Great McGinty seems to be: If you're a crook, stay a crook, because honesty will get ya every time. Brian Donlevy plays Dan McGinty, a Chicago hobo who is hired by local political bosses as a "professional voter", casting ballots under a variety of assumed names in various districts. McGinty chalks up $74 worth of votes, and when local ward heeler William Demarest can't pony up, McGinty takes direct action by trying to beat up The Boss (Akim Tamiroff). Though the two men can't get through an entire day without trying to kill each other, McGinty and the Boss are impressed by each other's raw abilities and become political partners. Through the Boss' patronage, McGinty works his way up to the mayor's office, with his politically expedient bride (Muriel Angelus) at his side. Though he never goes so far as to fall in love with his "arranged" wife, Donlevy is fond of both her and her children by a previous marriage, and for their sake he begins to reform--much to the dismay of the Boss. With the Governor's mansion within his grasp, McGinty makes the fatal error of fessing up to a graft-ridden bridge contract. It is this impulsive moment of honesty, rather than any of his past crimes, that gets McGinty thrown in the slammer, sharing a cell with the blood-in-his-eye Boss. Demarest separates the two combative men long enough to arrange an escape to South America, but not before McGinty has assured the financial security of his wife and family. The story is told in flashback form in a seedy South American dive, where McGinty works as a bartender and the Boss is the manager. The film ends with the two friendly enemies duking it out over a minor infraction, while bouncer Demarest looks on in disgust. Sick to death of watching other directors mangle his screenplays, Preston Sturges sold this rollicking political satire to Paramount only on the condition that he be allowed to direct (for the princely sum of $10). Paramount hedged its bets by giving Sturges a slim budget and inexpensive stars; as a result, the film made back its cost several times over, and Preston Sturges' directorial career was off and running. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Brian DonlevyMuriel Angelus, (more)
1939  
NR  
Add Mr. Smith Goes to Washington to QueueAdd Mr. Smith Goes to Washington to top of Queue
Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide

Read More

Starring:
James StewartJean Arthur, (more)
1939  
 
An heiress gets a crash course in the simple life when she marries a penniless man in this comedy. Calvin Jordan (Henry O'Neill) is the prosperous owner of a successful steel mill, and the apple of his eye is his daughter Cora (Myrna Loy). Cora stands to inherit Calvin's firm, and he's taken it upon himself to find a good husband for her. However, free-spirited Cora doesn't think much of her father's skills as a matchmaker, and makes it clear she's going to marry whomever she pleases. One day, Cora meets Bill Overton (Robert Taylor), a jobless and homeless man camping out on a park bench. After bumming fifty cents from a cop, Bill offers to take Cora out to dinner; instead, they end up gambling, and turn the four bits into a bankroll. After a few too many celebratory drinks, Bill and Cora decide true love and good fortune are shining upon them, and they get married the same evening. However, the next day the newlyweds realize they are indeed husband and wife, and after defying her father Cora can't count on her dad's help in paying the bills anymore. ~ Mark Deming, All Movie Guide

Read More

Starring:
Myrna LoyRobert Taylor, (more)
1939  
 
Paramount's Sudden Money has all the earmarks of a Charlie Ruggles-Mary Boland vehicle, except that this time Ruggles is teamed with Marjorie Rambeau. It all begins when Sweeney Patterson (Ruggles) and his brother-in-law Doc Finney (Broderick Crawford) win $150,000 in the Irish sweepstakes. All of a sudden, Sweeney and his wife Elsie (Marjorie Rambeau) are besieged by relatives and "friends" whom they've never seen before, all of whom want a piece of the action. After a series of not-so-merry misadventures, the Pattersons decide that they were better off when they were poor. Not bad for such a familiar plotline, Sudden Money benefits from the byplay between Ruggles and Rambeau, who play together as if they'd been a team for years. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Marjorie RambeauCharles Grapewin, (more)
1939  
 
A remake of Racetrack, King of the Turf stars Adolphe Menjou as a seedy, alcoholic bookie with a long-dormant streak of decency. Roger Daniel is a young stable boy whom Menjou befriends and offers advice. The bookie and the stable boy purchase a racehorse, with Daniel training to be a top jockey in order to ride the horse to victory. When Menjou's ex-wife (Dolores Costello) arrives on the scene, she reveals that Daniel is in fact Menjou's son, who'd run away from home to pursue a racetrack career. She begs Menjou not to allow the boy to throw away his life--and not to reveal the truth behind their relationship. The next day, Menjou gets good and drunk and orders Daniel to throw a crucial race. The disillusioned boy does so, is disqualified for life, and turns his back on Menjou. Never realizing the true identity of his fallen idol, Daniel returns to his mother, while Menjou, having done the "right thing," disappears into the crowd. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Adolphe MenjouRoger Daniel, (more)
1939  
NR  
Add The Roaring Twenties to QueueAdd The Roaring Twenties to top of Queue
Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide

Read More

Starring:
James CagneyHumphrey Bogart, (more)
1938  
 
Fannie Hurst's Sister Act was the source for this money-making Warners weeper. The four daughters of the title are played by the Lane Sisters--Priscilla, Rosemary and Lola--and by Gale Page. All are musical prodigies, and all are daughters of master-musician Claude Rains. To help make ends meet, Rains rents several rooms of his home to boarders--most of whom, thanks to the dictates of the plot, seem to be marriageable men. We're supposed to care the most about the mutual attraction the daughters feel towards handsome Jeffrey Lynn, but the film really belongs to John Garfield, making his movie debut (no, he wasn't in 1933's Footlight Parade) as an embittered piano genius. Garfield has us in the palm of his scruffy hand the moment he begins philosophizing about "the fates:" "So they flipped a coin...heads he's poor, tails he's rich....they flipped a coin--with two heads." Aware that he can bring only unhappiness to Priscilla Lane, the daughter who cares most for him, Garfield obligingly drives into a heavy snowstorm and is killed in an auto accident (but it's not staged as a suicide, lest the Hays Office spank). John Garfield made so powerful an impression in Four Daughters that Warners was compelled to write him into the sequel Four Wives, first as a flashback and then as (implicitly) a ghost. Another film, Daughters Courageous, was hastily constructed using the same cast, but with different character names so as to accommodate a happier denouement for Garfield and Lane. Four Daughters was remade in 1954 as Young at Heart, with Frank Sinatra and Doris Day in the John Garfield and Priscilla Lane roles. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Claude RainsMay Robson, (more)
1938  
NR  
Test Pilot is one of those irresistible MGM potboilers of the 1930s that coast along on sheer star power. Clark Gable plays a courageous test pilot, who compromises his achievements with his frequent bouts of drinking. Gable's mechanic, Spencer Tracy, does what he can to keep his boss out of trouble. While testing a new aircraft, Gable is forced to land on a Midwestern farm, where he meets and falls in love with Myrna Loy. Gable and Loy marry, whereupon he is fired by his boss Lionel Barrymore, who is of the opinion that flying and dames don't mix. Gable goes off on another bender, compelling Loy to leave him. Once more, Tracy comes to Gable's rescue by reuniting the couple and arranging for Barrymore to give Gable his job back. Later, Gable and Tracy are assigned to test a huge army bomber. Something goes wrong, and the plane goes into a dive. The self-sacrificing Tracy sees to it that Gable is saved from a flaming death--at the cost of his own life. Gable is so devastated by Tracy's death that it looks as though he'll never fly again. But with Loy's help, Gable regains his self-confidence. As one can see, there's little in Test Pilot that hasn't been done before. But with Clark Gable, Spencer Tracy and Myrna Loy at the controls, the film proved a real audience-pleaser in 1938. In fact, it's still pretty good today. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Clark GableMyrna Loy, (more)
1938  
 
Preston S. Foster and Frank Jenks play Bill Crane and Doc Williams, the pulp-novel detectives created by mystery writer Jonathan Latimer. Crane and Williams tackle the case of a morgue robbery; the missing body is that of a young woman who died mysteriously. As the detectives follow the clues, they uncover a deeper mystery, seemingly unconnected with the stolen corpse. Ultimately they discover that the person or persons unknown who swiped the lady in the morgue has a great deal to hide, and won't stop at thievery to hide it. Lady in the Morgue was the third film in Universal's Crime Club series. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Preston S. FosterPatricia Ellis, (more)
1938  
 
Ace the Wonder Dog, RKO's Rin Tin Tin-wannabe, plays Picardy Max, a mongrel dog adopted by Dan Preston (James Ellison) when both are thrown in jail for vagrancy. Dan's legal problems are quickly done away with but his pretty boarder, Shirley Haddon (Helen Wood), is increasingly troubled by Dan's obsessive competitiveness with fellow dog owner Robert Mabrey (Robert Kent). In fact, the young man's grudge against the entire Mabrey family threatens to ruin his burgeoning relationship with Shirley but everything works out fine when Picardy helps locate a kidnapped Marian Mabrey (June Clayworth). Almost a Gentleman was the second of three programmers starring Ace the Wonder Dog and produced by RKO 1938-1940. Ace also worked for Republic Pictures and was featured in the 1943 serial The Phantom. ~ Hans J. Wollstein, All Movie Guide

Read More

Starring:
James EllisonHelen Wood, (more)
1938  
 
Add Born to Fight to QueueAdd Born to Fight to top of Queue
This Frankie Darro-Kane Richmond vehicle benefits from the brisk direction of onetime serial star Charles Hutchison. Richmond plays Bomber Brown, a pugilist forced to go on the lam after he punches out crooked gambler Smoothy (Jack LaRue). Travelling incognito bomber befriends aspiring boxer Baby Face (Darro) and trains the boy for the Championship. Smoothy tries to sabotage Baby Face's career, but Bomber cleans the villain's clock once and for all. Produced independently by the parsimonious Maurice Conn, Born to Fight is at its best in the boxing scenes, photographed with all the slick efficiency of an "A" production. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Frankie DarroKane Richmond, (more)
1938  
 
Add The Deadly Ray From Mars to QueueAdd The Deadly Ray From Mars to top of Queue
You wouldn't know it from the title, but Deadly Ray From Mars is a feature-length abridgement of the 15-episode serial Flash Gordon's Trip to Mars. Space traveller Flash Gordon (Buster Crabbe), his lady love Dale Arden (Jean Rogers), and scientific genius Dr. Zarkov (Frank Shannon), blast off for Mars, where a mysterious force is sucking the nitrogen from the Earth's atmosphere. The three adventurers hope to pinpoint the source of this power and destroy it. The villain behind the Earth-threatening scheme is the never-popular Ming the Merciless (Charles Middleton), who also foments a deadly feud between Prince Barin of the planet Mongo (Richard Alexander) and the Clay People of Mars. Ming hopes that this battle will allow him to conquer the universe in the confusion. But the Clay People ultimately align with Barin and Flash Gordon's party, and Ming is defeated. Deadly Ray From Mars, also known as Flash Gordon: Mars Attacks the World, has been rendered a confusing hodgepodge by its insensitive editors; viewers are advised to check out the original, full-length serial instead. ~ Hal Erickson, All Movie Guide

Read More

1938  
 
Add Gang Bullets to QueueAdd Gang Bullets to top of Queue
Gang Bullets was one of a myriad of late-1930s Monogram crime pictures, bearing such interchangable titles as I Am a Criminal, Convict's Code and Federal Bullets. Morgan Wallace plays a Capone-like racketeer named Anderson, who after being chased out of one town by the authorities immediately sets up shop in another. Unable to get any tangible evidence against Anderson, DA Wayne (Charles Trowbridge) orders his assistant Carter (Robert Kent) to dig up some dirt on the gangster boss. To do this, Carter pretends to turned crooked, joining Anderson's gang in order to accumulate evidence. Alas, Carter's girl friend Patricia (Anne Nagel) knows nothing of her boyfriend's subterfuge, and she suspects the worst. With such formidable henchmen as John Merton and Carleton Young at his beck and call, it's something of a surprise when Anderson comes a-cropper in the last reel. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Anne NagelRobert Kent, (more)
1938  
 
This science fiction film features the revenge of Ming who vowed to destroy the Earth. ~ All Movie Guide

Read More

Starring:
Larry "Buster" CrabbeJean Rogers, (more)
1938  
 
When mild-mannered bank clerk Wilbur Meely (Joe Penner) finds himself stuck in a speeding trailer after a bank robbery gone wrong, he doesn't think the situation could get much worse than it already is. Unbeknownst to him, however, both the police department and his domineering wife Carol (Lucille Ball) think he's the the one who initiated the robbery. Oblivious to the fact that Wilbur has actually been captured by the true theives, Carol (Ball) and the cops head off in hot pursuit. Go Chase Yourself was directed by Edward F. Cline and also features actors June Travis, Richard Lane, Fritz Feld, Tom Kennedy, Granville Bates, and Bradley Page. ~ Tracie Cooper, All Movie Guide

Read More

Starring:
Joe PennerLucille Ball, (more)
1938  
 
Handsome aerial footage highlights this rousing RKO adventure tale that combines a frozen-North survival drama with a romantic-triangle love story. Hard-bitten Col. Stockton (Harry Carey) trains young pilots for cargo flights, and forces W.R. "Stag" Cahill (Richard Dix) back into service to assist him. Stockton tries to drop his son Ken (Chester Morris) from the program, believing him unequal to the task, while tensions grow between Cahill and Ken when they both fall in love with Meg (Joan Fontaine). Everyone is put to the test when the plane with Cahill, Ken, and Meg crash lands and the trio are stranded in the icy Arctic, and Stockton and his trainees try to save them. ~ Nicole Gagne, All Movie Guide

Read More

Starring:
Richard DixChester Morris, (more)
1937  
 
Former silent-movie matinee idol Rod LaRocque does what he can with the Poverty Row quickie Taming the Wild. LaRocque is cast as family attorney Dick Clayton, who puts in overtime keeping headstrong heiress June Bolton (Maxine Doyle) out of trouble. Alas, June is attracted to gangster types, leading to her inevitable kidnapping and Clayton's equally inevitable race to the rescue. The script and the acting aren't too bad, but the camerawork is atrocious, robbing several scenes of their dramatic potential. Taming the Wild is based on Shipmates, a story by literary workhorse Peter B. Kyne. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Rod La RocqueMaxine Doyle, (more)
1937  
 
Paramount's resident "big mouth" Martha Raye was afforded her first top-billed screen assignment in Hideaway Girl. The script would have us believe that rambunctious heroine Helen (Raye) is a high-society debutante with a fondness for singing. The plot is set in motion by a stolen necklace, apparently stolen by Helen. She's innocent, of course, as is another suspect named Mike (Robert Cummings) whom she pretends to marry to save him from arrest. The meaning of the film's title is clarified in the final scene, wherein Helen hides herself on the yacht of the actual thief (Monroe Owsley). In the tradition of Martha Raye's signature tune "Mister Paganini," Hideaway Girl serves up a forgettable little ditty called "Beethoven, Mendelsohn and Liszt." ~ Hal Erickson, All Movie Guide

Read More

Starring:
Martha RayeShirley Ross, (more)

BLOCKBUSTER name, design and related marks are trademarks of Blockbuster Inc. © 2009 Blockbuster Inc. All rights reserved.

Portions of Content Provided by All Movie Guide ®, a trademark of All Media Guide, LLC.© 2009 All Media Guide, LLC.