Charles Kerr Movies

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

When police officer Sean Craig (Martin Kove) is shot while on the job, he is pronounced dead, but remarkably comes back to life. When he is haunted by the strange dream he experienced while he was clinically dead, he sets out to find the mysterious woman who appears in the visions. With the help of a curious doctor (Martha Henry), Craig makes another attempt to attain a near-death state and piece together the rest of the puzzling vision. ~ Iotis Erlewine, All Movie Guide

Children's book authors Jean and Laurent de Brunhoff's most beloved elephant comes to the big screen in this animated family tale. Elephant monarch King Babar tells the tale, that unfolds via flashback, of how a much-younger Barbar and his girlfriend Celeste save her village from the pugnacious rhinoceroses that have come to raid it. Though primarily aimed at younger audiences, parents should note that some scenes of abandoned babies maybe upsetting for little viewers. ~ Sandra Brennan, All Movie Guide

With Vacation in Reno, RKO contract actress Anne Jeffreys proved herself an accomplished comedienne, a fact verified by her later work on TV's Topper. Jeffreys is cast as Eleanor, the wife of would-be prospector Jack Carroll (Jack Haley). When hubby goes off to find a cache of hidden loot near Reno, Eleanor becomes convinced that he's actually gone to the Nevada city to secure a quickie divorce. She trails him to a dude ranch on the outskirts of Reno, where Jack has somehow gotten mixed up with a gang of thick-witted bank robbers (Morgan Conway, Alan Carney, Iris Adrian). No opportunity for a slapstick setpiece is ignored throughout the film, culminating with the inevitable "wild ride" through the desert. ~ Hal Erickson, All Movie Guide

This is the first of two filmed adaptations of Al Capp's classic comic strip, in which the title hillbilly (Granville Owen) does his best to avoid the marital advances of girlfriend Daisy Mae (Martha O'Driscoll). ~ Jason Ankeny, All Movie Guide

Bookish bank employee Atterbury Dodd (Leslie Howard) is ordered to investigate the near-bankrupt Colossal Studios in Hollywood, to see if the firm is any sort of good risk. Dodd's first brush with Tinseltown's cuckoo atmosphere occurs when he takes a room in a boarding house for extras, where all manner of eccentrics wander about as they wait for the phone to ring (Charles Middleton comports himself in an Abe Lincoln costume, on the off-chance that Hollywood will go back to making Civil War pictures soon). He befriends Lester Plum (Joan Blondell), a former child star now working as a stand-in for haughty movie queen Thelma Cheri (Marla Shelton), and perpetually soused producer Douglas Quintain (Humphrey Bogart). Aware that the latest epic of autocratic director Koslofski (Alan Mowbray) will ruin the studio, Howard investigates further, discovering that a rival company has bribed Koslofski to pad the budget and thus bring about the foreclosure of Colossal. While his business sense tells him that this is the next logical move, Dodd has fallen in love with Plum; thus, he gives Quintain 48 hours to re-edit Koslofski's fiasco into something workable, and himself staves off the studio's shutdown by rallying all the Colossal employees to stand firm against being removed from the premises. Based on a Saturday Evening Post story by Clarence Buddington Kelland, this is a light-hearted satire of the movie industry, the sort of amiable farce in which everyone--even the most contentious of characters--is shown to be basically decent underneath. ~ Hal Erickson, All Movie Guide