Kerima

Based on Flora Sandstrom's novel The Midwife of Pont Clery, this lightweight sexual farce involves the effect that Jessica (Angie Dickinson), a voluptuous midwife, has on the small Sicilian town in which she currently resides. Jessica is an American whose intentions may be charitable but whose physical attractions raise the libido of the men in town. Potential moms decide it is better to forego pregnancy by foregoing sex (this is a Catholic town) rather than have Jessica show up to deliver a baby. Meanwhile, the town priest (Maurice Chevalier), in his wisdom, directs Jessica's attention to the handsome widowed Marquis who lives in a charming castle, all alone -- anything to bring normal marital relations back on track. ~ Eleanor Mannikka, All Movie Guide

The Quiet American was the first major American-financed film to touch upon the powder-keg situation in Vietnam (still referred to as Indochina in 1958). Audie Murphy plays an enigmatic American who comes to Saigon, ostensibly on an economic mission. He meets an embittered journalist (Michael Redgrave) who is living with an Indochinese girl (Giorgia Moll). The American falls for the girl and promises to marry her. In retaliation, the reporter tells the communists that the American GI's economist stance is a cover, and that he is actually selling munitions to non-communist troops. Graham Greene had intended his novel The Quiet American to be an attack against American influence in Southeast Asia. Producer/director/adapter Joseph L. Mankiewicz would have none of that, so he changed the ending into a pro-Yankee tract -- thereby killing any impact the film might have had. ~ Hal Erickson, All Movie Guide

"Nobody knew how a Pharaoh talked!" That's how producer/director Howard Hawks explained some of the sillier dialogue exchanges in the William Faulkner-Harry Kurnitz-Harold Jack Bloom script for Hawks' Land of the Pharaohs. Extravagantly produced with a cast of seeming millions (actually there were some 10,000 extras), the film speculates on the circumstances surrounding the construction of the Great Pyramids of Egypt. Jack Hawkins plays the Pharaoh, who orders enslaved architect James Robertson Justice to build a magnificent, thief-proof tomb for him. At first, the people of Egypt willingly pitch in to construct the huge pyramid. But as the years roll by and the work shows no signs of abating, the Pharaoh begins relying upon forced labor from lands he has conquered. He also plunders the coffers of his neighboring countries. Cyprus can't pony up the necessary gold, so the country sends luscious Joan Collins (complete with a jewel in her navel) as a "present" for the Pharaoh. Fascinated by the spitfire Collins, the Pharaoh makes her his second wife. What he doesn't know is that Collins is just as much a predator as she would be in the TV series Dynasty. Hoping to gain all of the Pharaoh's kingdom and the riches therein, she stage-manages her husband's death. After the funeral procession, the Pharaoh is sealed in his tomb by a series of sand-operated weights, levers and pulleys (this speculation as to how the Pyramids were closed is the most fascinating part of the film). Collins watches in barely controlled glee; she isn't yet privy to the Egyptian custom of entombing the Pharaoh's widow alive, along with her husband's body--but she soon will be. ~ Hal Erickson, All Movie Guide

La Lupa (The She-Devil) was filmmaker Alberto Lattuada's first film after his classic The Overcoat. Based on a short story by Giovanni Verga, the film stars Kerima as the title character. Aptly named, La Lupa is a predatory female who considers every man she meets a potential conquest. When it seems as though Manni (Ettore Manni) will slip through her clutches, La Lupa arranges for a marriage between Manni and her own daughter Marrichia (May Britt). Eventually she is thrown out of that household, but does this slow her down? Not when there's a whole village full of bachelors, ripe for plucking. ~ Hal Erickson, All Movie Guide

Cavalleria Rusticana is adapted from the popular one-act play of the same name. Set in rural Sicily, the anecdotal story concerns a deserting soldier named Turiddu (Leonardo Cortese) who returns home to discover that his flirtatious sweetheart Lola (Doris Duranti) has married another. As consolation, Turiddu inaugurates a romance with Santuzza (Isa Pola), but before long he is carrying on an illicit relationship with Lola. The spurned Santuzza informs Lola's husband (Carlo Ninchi) of what's going on behind his back, and the result is a bloody duel. Written by Giovanni Verga, Cavalleria Rusticana had previously been transformed into an opera by Mascagni, whose music is absent from this adaptation. ~ Hal Erickson, All Movie Guide