Ken Kercheval Movies

A series of 17 short stories by American writer John Updike form the basis for this examination of the rocky marriage of a New England couple. The movie was made for television in 1979 and directed by Fielder Cook. Updike's stories focus on the issues of fidelity and responsibility hiding beneath the calm veneer of American suburban affluence. Michael Moriarty plays Richard Maple, a non-conformist middle-class man married to Joan Barlow Maple (Blythe Danner). Glenn Close plays the home-wrecker Rebecca. The couple's problems are both traced to childhood incidents in which their propensity for taking the easy way out is established. ~ Michael Betzold, All Movie Guide

Though not actually a film addressing the evil lure of cream-filled chocolate cakes, this amusingly cheesy made-for-TV opus from director Curtis Harrington pits a relatively normal suburban family against a slavering, demonically-possessed German shepherd whose hunger for human souls far exceeds that of the normal household pet. Although not above resorting to the usual throat-maulings, the satanic psycho-pup's preferred method of attack is to supernaturally cause the deaths of various friends and neighbors, in a style reminiscent of The Omen. Though the gory potential of this scenario is obviously dulled by the TV-movie format, there are enough implied shocks and chills to keep up the pace -- particularly a grueling scene in which Dad finds himself unable to resist the urge to plunge his hand into a spinning lawnmower blade, while the possessed pooch looks on with tongue-wagging glee. ~ Cavett Binion, All Movie Guide

Having proven itself as a viewer magnet during its five-episode trial in the spring of 1978, the multi-plotted prime-time serial Dallas launched its second season (and its first "full" one) in the fall of that same year, though it would not be until the series was moved from Saturday to Friday night that it would begin its rapid upward climb in the ratings. Already established as the series' antihero is the charming but thoroughly untrustworthy J.R. Ewing, eldest son of Texas oil millionaire Jock Ewing (Jim Davis) and his wife, Miss Ellie (Barbara Bel Geddes). Throughout the second season, J.R. carries on a two-pronged battle, not only feuding with the politically ambitious Cliff Barnes (Ken Kercheval), the son of Jock's hated rival Digger Barnes (played briefly by David Wayne before the role is taken over by Keenan Wynn), but also engaging in a fierce power struggle over control of Ewing Oil with his honest younger brother, Bobby (Patrick Duffy) -- who happens to be married to Cliff's sister, Pam (Victoria Principal). This season marks the first appearance by J.R. and Bobby's other brother, Gary, played in the first three episodes of the year by David Ackroyd, who would be replaced by Ted Shackelford when it was decided to spin Gary and his wife, Valene (Joan Van Ark), into their own series, Knots Landing.

Perceiving Gary as a threat, J.R. connives to get Gary's daughter Lucy (Charlene Tilton) to move out of the family mansion, Southfork; however, many of his schemes come a cropper, such as his plan to marry off Lucy to millionaire Kit Mainwaring (Mark Wheeler) -- who turns out to be gay. J.R. also does his best to undermine Bobby by trying to break up his marriage to Pamela. This may not be too difficult, inasmuch as Bobby is considerably put out when he discovers that Pam was married before, to Vietnam veteran Ed Haynes (Robin Clarke). Meanwhile, J.R.'s troubled wife, Sue Ellen (Linda Gray), worried that Pam will bear a child before she will, embarks upon a "conception race" with her sister-in-law. Also, the viewer is introduced to Pam's mother, Patricia (Martha Scott), and her younger sister Kristin, played in two episodes this season by Colleen Camp (the role would be taken over on a permanent basis by Mary Crosby in season three). Almost immediately upon arrival, Kristin makes a play for Bobby -- which of course delights the devious J.R. In other developments, Morgan Fairchild makes her one and only appearance as Bobby's old flame Jenna Wade, a role that would ultimately be played, as a "regular," by Priscilla Presley. Miss Ellie faces a crisis when her presumed-dead brother, Garrison (Gene Evans), shows up, insisting that he is rightful owner of Southfork; Susan Howard is introduced as the politically well-connected Donna Culver, who proceeds to cheat on her husband with Southfork's sullen and secretive manager, Ray Krebbs (Steve Kanaly); and after facing political ruin at the hands of J.R., Cliff Barnes steps up his vendetta against the "man you love to hate." As the season rushes to a close, a pregnant Sue Ellen is rushed to the hospital to bear a son, John Ross Ewing III -- but J.R., who doesn't trust his wife any farther than he can throw her (he's already tried to have her locked away in a sanitarium), is convinced that his rival Cliff is the baby's father! ~ Hal Erickson, All Movie Guide

F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, All Movie Guide

In the conclusion of a two-part story, any hopes of Kojak (Telly Savalas) enjoying a day off are dashed when a dead body is found in the trunk of a white Rolls Royce. Now the overworked detective must tear Manhattan apart in search of a woman (Kitty Winn) who has killed her husband, abandoned her child, and is now determined to commit suicide. And all the while, Kojak's romantic rendezvous with his lady friend Laura Martinson (Maud Adams) is repeatedly--and frustratingly--postponed. ~ Hal Erickson, All Movie Guide

A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide

This was the only directorial effort of Philip D'Antoni, producer of the action classic Bullitt (1968). Roy Scheider stars as Buddy Manucci, a New York City Police Department investigator running a task force charged with taking down criminals guilty of offenses that would get them a minimum sentence of seven years in prison upon conviction. Manucci's best street informant is Vito Lucia (Tony Lo Bianco), who double-crosses Manucci by using the lawman's secret list of Mob loan sharks to kidnap the crooks on the list and hold them for ransom. When the scheme results in the death of Ansel (Ken Kercheval), one of Manucci's men, the tough cop and his team, including Barilli (Victor Arnold) and Mingo (Jerry Leon), wage war on the city's underworld. As they bend the law in whatever violent shape they see fit in order to track Lucia down, grisly deaths and a heart-stopping highway car chase along the Hudson River ensue. ~ Karl Williams, All Movie Guide

An amoral film student will stop at nothing to gain a movie contract in this pretentious effort. Tony Hall (Robert Forster) insults his cinema professor (Reegis Toomey), degrades his girlfriend Sondra Locke), and alienates his agent. Ken Kerchival and Sam Waterston also appear in this dreary film. ~ Dan Pavlides, All Movie Guide

Easygoing but psychotic Dennis (Anthony Perkins) is released from jail, where he has served a sentence for his complicity in a suspicious death. Wandering through a small, working-class New England town, Dennis befriends apparently normal high school A-student Sue Ann (Tuesday Weld). He fills her head with lies about his imaginary career as a secret agent. She is thrilled, and makes up her mind to join him in his further adventures. This jet-black "who's manipulating who?" seriocomedy was adapted by Lorenzo Semple Jr. from Stephen Geller's novel She Let Him Continue. ~ Hal Erickson, All Movie Guide