Jimmy Keogh Movies

George Orwell's political fable about corruption and betrayal in post-revolutionary Russia gets a new look in this version that employs a cast of real animals alongside digitally manipulated critters and lifelike beasts crafted by Jim Henson's Creature Shop. At the Manor Farm, the alcoholic master Mr. Jones (Pete Postlethwaite) is cruel to his animals and has horribly mismanaged the property. One night, the wise but elderly pig Old Major (voice of Peter Ustinov) gathers the animals and speaks of a remarkable dream, in which the animals throw off their tyrannical human masters and learn to reap the fruits of their own labors. After Old Major's death, two other pigs, Snowball (voice of Kelsey Grammer) and Napoleon (voice of Patrick Stewart) lead a revolution that drives Jones from his land and leaves the animals in charge of their own destiny. After their revolt, Snowball and Napoleon rule side by side, but Napoleon soon becomes drunk with power and squeezes Snowball out of authority, eventually turning the other animals against him. With Boxer (voice of Paul Scofield), a simple-minded but loyal and physically powerful horse, as a role model, Napoleon leads the animals on a campaign of self-denial and hard work that will bring them security and freedom; however, it soon becomes obvious that Napoleon is growing fat while the other animals are starving, and he is quickly becoming the sort of creature he once waged war against. Animal Farm received its American premiere on the TNT cable TV network in October 1999; it opened as a theatrical release in several other countries shortly afterward. ~ Mark Deming, Rovi

Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. ~ Jeremy Beday, Rovi

The Snapper is Stephen Frears's adaptation of the second book in Roddy Doyle's Barrytown Trilogy. The Curley family is a poor but eccentric and loving Irish family. Oldest daughter Sharon (Tina Kellegher) announces she is pregnant, but refuses to reveal the identity of the father to anyone. Her father, Dessie (Colm Meaney), is supportive, but begins to chafe at the derisive gossip aimed at his family and his daughter. This leads to a confrontation between the two that is, like the rest of the movie, simultaneously funny and sad. The family waits in the hospital as Sharon gives birth to the snapper (Irish slang for an infant). The other books in the Barrytown Trilogy were also adapted into films featuring Colm Meaney as the father: The Commitments, directed by Alan Parker, and The Van, directed by Stephen Frears. Doyle had a hand in the screenplay for all three. ~ Perry Seibert, Rovi

Gillies MacKinnon directed this charming Irish romance, taking place in a small Irish village in 1957, just before the first television set makes an appearance in this conservative hamlet. There is a scandal in the village concerning the beautiful and independent Tara Maguire (Robin Wright) -- Tara is pregnant and refuses to identify the father. She goes into labor during Sunday Mass, which raises the ire of the parish priest (Alan Devlin), who thinks God will bring bad times down on the village for Tara's effrontery. The priest feels Tara should marry the local town constable, Sgt. Hagerty (Albert Finney), a dyspeptic reformed alcoholic who is in love with Tara. But she doesn't love Hagerty. This becomes particularly clear when a traveling band of actors known as the Playboys come into town. One of the players in the troupe, Tom Casey (Aidan Quinn), is caught by Tara stealing one of her chickens. But it is love at first sight, although it takes a while for their attraction to take root beyond some electric glances. Hagerty sees where the relationship is going and he is determined to undermine the burgeoning affair. Tara is wary and doesn't want to be dependent upon any man, even to the point of smuggling supplies to the Irish Republican Army. When Hagerty hears someone in the village is colluding with the IRA, he suspects Tom and throws him in jail. But Hagerty is a walking time bomb and finally his rage erupts with violent force. ~ Paul Brenner, Rovi

Set in post-WW I Ireland, Fools of Fortune takes place on the huge estate of the aristocratic Quinton family. Sheltered from the economic and political travails all around them, the Quintons are shocked into the Real World when one of their workers is ritualistically murdered. This is but one more bloody chapter in the ongoing struggle between the IRA and the British Army. Previously noncommittal, the Quintons are thrust into the middle of the struggle, After a deadly confrontation in which most of his loved ones are killed, young Willie Quinton (Sean T. McClory as a youth, Ian Glen as an adult) vows revenge. He briefly forgets his new purpose in life during a romantic liaison with his cousin Marianne (Mary Elizabeth Mastrantonio), but a renewed cycle of tragedy galvanizes Willie into disastrous action. It is difficult to sort out the heroes and villains in Fools of Fortune; it is a certainty, however, that the true victims are the Innocent. Michael Hirst based his screenplay on a novel by William Trevor. ~ Hal Erickson, Rovi