Gwen Kenyon Movies

The second of Monogram's 1945 trio of "Cisco Kid" westerns, In Old New Mexico stars Duncan Renaldo as Cisco and Martin Garralaga as Pancho. The plot concentrates on heroine Ellen (Gwen Kenyon), a nurse accused of murder. Gallant Cisco "kidnaps" Ellen from the authorities, then sets about to prove her innocence, all with the cooperation of a sympathetic sheriff. Cisco and Pancho stage an elaborate ruse to force a confession out of the genuine killer, which in real life would of course be thrown out of court-but whoever said that these films had anything to do with real life? After a third "Cisco Kid" entry, South of the Rio Grande, Duncan Renaldo would temporarily leave the series, returning with a vengeance three years later. ~ Hal Erickson, All Movie Guide

Having ended its 11-year run at 20th Century-Fox, the "Charlie Chan" series set up shop at Monogram with the singularly uninspiring Charlie Chan in the Secret Service. Sidney Toler returns as the famed oriental detective, who, per the title, is now a government agent. His first assignment is to solve the murder of an inventor and recover the victim's secret plans. Two reels into the picture, all action grinds to a halt as Chan wearily interrogates the suspects. The identity of the murderer might have caught some filmgoers by surprise in 1944, but seasoned mystery fans will beon to the game the minute the culprit is introduced. The one saving grace of Charlie Chan in the Secret Service is the stereotypical but undeniably funny comedy relief of Mantan Moreland, making his first appearance as pop-eyed chauffeur Birmingham Brown. ~ Hal Erickson, All Movie Guide

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop. ~ Hal Erickson, All Movie Guide

Moving slightly up the poverty-row ladder from PRC to Monogram, Burlesque queen Ann Corio starred in the musical comedy Sarong Girls. Corio is cast as stripteaser Dixie Barlow, who manages to avoid a prison sentence when her attorney Gil Gailord (Damian O'Flynn) claims that she's the sole support of her gray-haired old mother. Problem is, Dixie's mother is long gone, forcing Gil to find a substitute -- which he does in the person of retirement-home resident Mattie (Mary Gordon). Meanwhile, Dixie plans vengeance on Jefferson Baxter (Henry Kolker) the self-styled reformer responsible for her arrest. With the help of the no-nonsense Mattie, Dixie eventually cools down and finds true love with Baxter's son Jeff (Bill Henry). Genuinely funny comedy relief is provided by Monogram regulars Tim & Irene Ryan and Mantan Moreland. ~ Hal Erickson, All Movie Guide

Despite the typical Monogram drawbacks -- murky photography, stolid staging, ramshackle sets -- The Corpse Vanishes remains one of the more deliciously outrageous horror exercises of the 1940s. Bela Lugosi, as hammy as ever, stars as Dr. Lorenz, a European horticulturist whose octogenarian wife (Elizabeth Russell) needs fluids from the glands of young virgins to remain forever young and beautiful. Jumping to conclusions, the insane medico's rationale seems to be that the best place to find a virgin is at the altar. Consequently, seven young women are in short order poisoned by a mysterious orchid just before their "I do's" and brought in a catatonic state to Dr. Lorenz' mansion in Brookdale. Cub reporter Pat Hunter (Luana Walters) is on to the scheme and visits the Lorenz estate under the pretense of researching an article on orchids. With a typical sound-stage storm brewing up, she agrees to spend the night, and what a night it proves to be. Not only is poor Pat awakened by a visit from Dr. Lorenz' slobbering, hunchbacked helper, Angel (Frank Moran, who stalks her while eating a drumstick), the reporter is also slapped in the face by the disagreeable countess, snubbed by a nasty dwarf (Angelo Rossitto), and nearly suffers the same fate as the poor brides when rescued in the nick of time by an enraged housekeeper (Minerva Urecal) and her boyfriend, Dr. Foster (Tristram Coffin). ~ Hans J. Wollstein, All Movie Guide

In this western, a ranch foreman and the bosses son go to a saloon to slake their thirst and find themselves in the midst of a battle started by the feisty saloon owner's wicked ex-husband who loots the safe in the ensuing scuffle. The woman is then ruined and when she is offered passage on a wagon train, she accepts the offer. The rancher's wounded son also becomes a passenger who is protected by the brave hero. The ex-husband also joins the travelers as no one knows that he started the trouble. He brings with him a wagon load of illegal arms to sell to renegade Indians. He soon insights trouble by killing a wagon master and a friendly Indian. He then finds himself killed by the protective ranch foreman during a shoot out. The hero must the make peace with the angry Indian chief whose son was killed. Unfortunately, the chief takes him captive. Fortunately he is rescued by the rancher's son. They then go back to save the by now beleagured wagon train. In the end, it is the Seventh Cavalry that saves the day. ~ Sandra Brennan, All Movie Guide

Columbia Pictures put a goodly number of its contract starlets to work in the mild exploitationer Under Age. Fresh out of reform school, a bunch of delinquent girls fall in with a gang of crooks and are put to work as "hostesses" in a number of mob-controlled bars and cafes. The girls are expected to string along male customers so that the latter will squander their money on watered-down drinks and fixed poker games. When one gullible New Yorker is clipped to the tune of $18,000 worth of diamonds, the Law closes in. Nan Grey plays Jane Baird, who goes along with the B-girl racket until her sister (Mary Anderson) is bumped off by the minions of Big Boss Tap Manson (Alan Baxter). When first released, Under Age incurred the wrath of the Hays Office because of the film's preponderence of "sweater girls"-a 1941 euphemism for starlets with inordinately large breasts. ~ Hal Erickson, All Movie Guide

Free, Blonde and 21 was one of a handful of films directed by former leading man Ricardo Cortez. Two of 20th Century-Fox's busiest leading ladies, Mary Beth Hughes and Lynn Bari, head the cast of this soap opera-style yarn about life in a hotel catering to women. Hughes plays Jerry, a duplicitious wench who gets involved with gangsters ends up behind bars, while Bari plays Carol, an honest lass who is rewarded at fadeout time with a happy marriage to millionaire Dr. Mayberry (Henry Wilcoxon). Joan Davis injects a few moments of hilarity as the hotel chambermaid, while Alan Baxter is his usual steely-eyed self as a stickup man. For its original New York run, Free, Blonde and 21 was paired with Fox's The Grapes of Wrath, leading several reviewers to note that both films would have been better off with a single-feature presentation. ~ Hal Erickson, All Movie Guide

This film is one of acclaimed director Fritz Lang's less noted achievements, a mixture of romance, comedy, drama, and satire. It includes three songs by the famed Kurt Weill, including "The Right Guy for Me." George Raft plays Joe Dennis, an ex-convict working in a department store. The store's boss, Mr. Morris (Harry Carey), likes to hire ex-cons. Joe falls in love with Helen (Sylvia Sidney), who hides the fact that she is on parole until after they marry. Since parolees can't wed, the marriage is illegal. Distraught, Joe organizes a gang to rob Morris' store. Helen intervenes and tries to convince the gang members that the potential take isn't worth the risk of returning to prison. ~ Michael Betzold, All Movie Guide

The legendary Cocoanut Grove nightclub is the setting for this all-star Paramount musical. Fred MacMurray heads the cast as Johnny Prentice, a small-time bandleader who heads to the Grove for an all-important audition. He is accompanied by his foster son Half-Pint (Billy Lee), a talented drummer in his own right. Joining the troupe is Linda Rodgers (Harriet Hilliard), ostensibly Half-Pint's tutor but actually an aspiring vocalist. The thinnish plot serves as an excuse for an unending stream of specialty numbers featuring Royal Hawaiian orchestra leader Harry Owens, comedian Ben Blue, the zany Yacht Club Boys (a WASP version of the Ritz Brothers), funny-noise specialist Rufe Davis and bandmaster Red Stanley. In the course of events, nine new original songs are performed, none of which graduated to hit-parade status. Curiously, the real Cocoanut Grove is never seen, though the Paramount mockup is reasonably convincing. ~ Hal Erickson, All Movie Guide

Dorothy Lamour and Ray Milland, a popular Paramount screen team specializing in south-sea extravaganzas, don "civilized" garb (at least briefly) for Tropic Holiday. Lamour plays a Mexican senorita, while Milland is a visiting American screenwriter. Since we know where this is going, our attention is deflected every so often by comedy relief Bob "Bazooka" Burns and Martha Raye, who are frankly more watchable than the leads. Also on hand is Mexican musical star Tito Guizar, who was still packing 'em in for his concert tours of the 1980s. Tropic Holiday contrives to remove most of Dorothy Lamour's clothing before the fade-out, just so we remember who's top billed around here. ~ Hal Erickson, All Movie Guide

Carole Lombard stars as Helen Bartlett, a compulsive liar who always tips the audience to an oncoming whopper by sticking her tongue in her cheek. Helen is married to a Kenneth Bartlett, a scrupulously honest lawyer whose integrity has always held him back professionally. Hoping to help Kenneth get ahead, Helen confesses to a murder she obviously didn't commit, confident that he'll get her off and make his reputation. But things don't go exactly as planned, thanks largely to a mysterious eccentric named Charley (John Barrymore), who assures the heroine over and over that she'll "fry." Once considered a prime example of screwball comedy, True Confession is now regarded by film buffs as one of Carole Lombard's worst pictures: it wasn't much better when remade by Betty Hutton in 1946 as Cross My Heart. ~ Hal Erickson, All Movie Guide

Anna May Wong, who cornered the 1930s market in Eurasian heroines, stars in Daughter of Shanghai. Wong is on the trail of the criminals who murdered her father. The villains are running an illegal-alien operation, smuggling cheap Chinese and Mexican labor into San Francisco and killing those unlucky souls who prove "inconvenient". Wong takes a job as an exotic dancer in a Central American nitery, hoping to trap the murderers in the act. Though J. Carroll Naish and Buster Crabbe are top-billed, the actual hero of Daughter of Shanghai is Chinese actor Philip Ahn, playing an FBI agent protecting Wong from the bad guys. ~ Hal Erickson, All Movie Guide