Carlie Westerman Movies

Abducted by two men and forced into child prostitution when she was just eight years old, a homeless San Diego street teen is finally reunited with her family only to find that the traumas of the past may have scarred her for life. Leslie (Ryan Simpkins) was walking to school when her neighbors Alex (Tom Arnold) and Frank (Kevin Zegers) pulled up alongside her and asked for help finding their missing dog. After scouring the neighborhood with the young girl to no avail, the men offer Leslie a ride so she won't be late for school. Along the way, the men tell Leslie that they work for her father. After school, Leslie is surprised to find the two men waiting to drive her home. Claiming that her parents have been called away on urgent business, Alex and Frank coerce Leslie into the car and give her a drink. Later, after dozing off in the backseat, Leslie awakens in a tiny bedroom with eight-year-old Donnie. Like Leslie, Donnie has been drugged and kidnapped. Donnie is led to believe that his parents have sold him for drugs, while Leslie is told that her parents want nothing to do with her anymore. Now, as the two innocent children are forced into prostitution, they use their imaginations to escape into a wondrous world of light where anything is possible.

Years later, Leslie and Donnie are struggling to rebuild their lives on the streets of San Diego. Donnie is deeply in love with Leslie, but Leslie's perception of love has been completely destroyed by her harrowing experience. One day, Leslie walks into a children's shelter and begins the painful process of reconnecting with the past. Though she is soon reunited with her parents, everything is different now, and it gradually becomes apparent that any hope she had for a normal life evaporated the fateful day she placed her trust in two monstrous strangers. ~ Jason Buchanan, All Movie Guide

A handful of disparate characters, both adults and children, find themselves navigating the tricky waters of intimacy in this award-winning independent comedy drama. Richard (John Hawkes) is a recent divorcé who is alternately exhilarated and terrified with his life and the world around him. While he believes great things are in store for him, he's also become so despondent about his wife's departure that he attempts to set his hand on fire. Richard meets Christine (Miranda July) at the shoe store where he works; Christine likes to paint a picture of herself as a stylish and confident video artist, but in truth she supports herself as a driver with a car service for the elderly, and she'd very much like to meet someone special. As Richard and Christine fumble their way into a relationship, Richard's two sons have issues of their own. Seven-year-old Robby (Brandon Ratcliff) has met someone in an Internet chat room who responds to his naïve and scatological perceptions of sex, while 14-year-old Peter (Miles Thompson) finds himself on the receiving end of unusual and unexpected attention from two girls in his class. Me and You and Everyone We Know was the first feature film written and directed by noted performance artist Miranda July; the picture won prizes in 2005 at the Cannes Film Festival and Sundance Film Festival. ~ Mark Deming, All Movie Guide

Touted as something of a return-to-form for Re-Animator director Stuart Gordon, King of the Ants offers the brutal tale of a man discovering his previously untapped potential for violence. Despite the fact that his future seems relatively undefined, young drifter Sean Crawley (Chris McKenna) is an easygoing guy who makes a meager living by painting houses. When electrician Duke Wayne (George Wendt) suggests that the naïve young painter could make more money if he could expand his horizons, an eager Sean takes him up on the offer and Duke introduces Sean to local construction magnate Ray Mathews (Daniel Baldwin). Ray quickly enlists Sean's assistance in trailing a local city accountant whose number crunching is beginning to make the crooked construction heavy uncomfortable, and it's not long before Ray asks Sean to carry out a hit on the overzealous accountant. Although Ray and Duke subsequently attempt to distance themselves from the crime, Sean's attempt to collect on the hit results in a brutal attempt on the amateur hit man's life. Though he is beaten to within inches of death, Sean makes an unexpectedly speedy recovery fueled by an unquenchable thirst for revenge. ~ Jason Buchanan, All Movie Guide