Jean Kent Movies

The "2000 Women" of the film's title are the female inmates in a WW II German concentration camp in France. Though many of the women don't get along, they are united in their hatred for their Nazi captors. The story takes a truly melodramatic turn when three English airmen parachute into the camp, offering a ray of hope for those inmates planning an escape. Some of the humor is "black" indeed, involving a card-playing corpse and other questionable sources of laughter, but this was the sort of material that wartime audiences wanted. Heading the cast of 2000 Women are Phyllis Calvert, Flora Robson and Patricia Roc, fine British actresses all who overcome an abundance of script deficiencies. The film was the first production of Individual Pictures, formed by the producer-director-writer team of Frank Launder and Sidney Gilliat. ~ Hal Erickson, All Movie Guide

W. Lee Wilder, the lesser-known brother of Billy Wilder, directed this unexceptional story based on the actual history of French serial killer Henri Landru. The killer (played by George Sanders) has been changed here from an ordinary, inconsequential man to a suave antique dealer with a passion for Odette (Corinne Calvet), a nightclub singer whose only interest in him is monetary. The plot places Odette's need for money at the basis of Landru's maniacal killing spree but as the duped, female victims are dispatched one after another, the horror of it all never quite coalesces into gripping suspense. ~ Eleanor Mannikka, All Movie Guide

Francoise Sagan's bittersweet novel Bonjour Tristesse is given a sumptuous Riviera-filmed screen treatment. David Niven plays a wealthy playboy, the father of teenaged libertine-in-the-making Jean Seberg. Seberg tolerates most of her father's mistresses, but doesn't know what to make of the prudish Deborah Kerr, who will not cohabit with Niven until after they're married. Feeling that her own relation with her father will be disrupted by Kerr's presence, Seberg does her malicious best to break up the relationship--only to be beaten to the punch by Niven, who despite his promises of fidelity to Kerr cannot give up his hedonistic lifestyle. The combination of the daughter's disdain and the father's rakishness drive Kerr to suicide. Niven and Seberg continue pursuing their lavish but empty lifestyle, though both realize that their lack of moral fibre has destroyed a life. The incestuous undertones of the original Sagan novel are only slightly downplayed in the film version; the "tristesse" (sadness) is visually conveyed by filming the Deborah Kerr flashback scenes in color and the opening and closing of the film in bleak black and white. Bonjour Tristesse was codirected by Otto Preminger, who'd previously discovered Jean Seberg for his benighted 1957 filmization of Saint Joan. ~ Hal Erickson, All Movie Guide

Of the many films (English and American) bearing the title Carnival, only one was based on the Compton MacKenzie novel of the same name. This 1946 melodrama stars Sally Gray as a 19th century ballet dancer who makes an unfortunate career move by marrying a taciturn Cornish farmer (Bernard Miles). Sally soon longs for the bright lights of the big city, and for the arms of her artist lover (Michael Wilding). Her husband is all too aware of this; and when the lover comes calling to renew the affair, the husband shoots Gray to death. The first film version of Compton MacKenzie's Carnival was filmed in 1931 as Dance Pretty Lady. ~ Hal Erickson, All Movie Guide

Good Time Girl, directed by David MacDonald and based on a story by Arthur La Bern (It Always Rains On Sunday) starts off unpromisingly, as juvenile justice official Flora Robson tries to keep a would-be female felon on the straight-and-narrow, telling the cautionary tale of Gwen Rawlings (Jean Kent). A victim of an unhappy home and her own stupidity, Rawlings leaves home and, with help from her sleazy new neighbor Jimmy Rosso (Peter Glenville, the future director), gets a job as a hat-check girl at a club run by Max Vine (erbert Lom). But Jimmy's jealousy soon gets him fired, and leaves him aiming for revenge on Max and Gwen. Despite the best efforts of Michael Farrell (Dennis Price), the one truly decent man she's ever met, Jimmy achieves his goal and Gwen is sent to a reformatory. It is there that she's truly corrupted by being locked up with more seasoned juvenile (and not so juvenile) felons, who know how to game the system -- whem she escapes, she's a professional criminal, and, taking on a new alias, falls in with a pair of loose-living gents. She manages to commit a vehicular homicide, and then falls in with a pair of American military deserters (Bonar Colleano, Hugh McDermott) who aren't above committing pre-meditated murder. ~ Bruce Eder, All Movie Guide

A classic in gothic-romantic excess, Madonna of Seven Moons was one of the most successful British films of its genre. Though she doesn't know it at first, young convent-bred Rosalinda (Phyllis Calvert) has been born under a curse: before her life comes to a close, she will be wife, mother and mistress all in one. As a child, Rosalinda is raped by a gypsy, an experience that renders her a schizophrenic. Years later, she is the seemingly contented wife of prosperous Italian businessman Giuseppe (John Stuart) and the mother of attractive teenager Angela (Patricia Roc). From time to time, however, Rosalinda disappears from her home and retreats to the slums of Florence, where she assumes the identity of lustful gypsy girl Maddelina, the mistress of criminal leader Nino (Stewart Granger). Then she returns to her husband and daughter, completely unaware of her "other" self or even that she's been absent. Understandably curious about her mother's long absences, Angela follows Rosalinda during one of her sojourns into the Florentine underworld. Far from home and hearth, poor Angela is targetted for seduction by Sandro (Peter Glenville)--the very gypsy who'd assaulted the younger Rosalinda! And just when it seems that things can't get any more unbelievable?..well, this one is definitely better seen than described. Originally released at 100 minutes, Madonna of Seven Moons was expertly cut to 88 minutes for US consumption. ~ Hal Erickson, All Movie Guide

In this musical an American's daughter owns an escort agency. Even though WW II rages and men are hungry for females, the woman's business is flagging until she comes up with some enterprising schemes to turn things around. ~ Sandra Brennan, All Movie Guide

Rex Harrison stars in this stylish British drama that caused problems with U.S. censors, who forced the film to be trimmed due to what was considered graphically amoral and sexual content for its time. Harrison is Vivian Kenway, an unrepentant cad who embarks on a campaign of irresponsible behavior after being ejected from Oxford. Among his many sins are seducing Jill Duncan (Jean Kent), the wife of his best friend Sandy (Griffith Jones), marrying a rich Austrian Jew, Rikki Krausner (Lilli Palmer), for her money, and dallying with the secretary (Margaret Johnson) of his father, Colonel Kenway (Godfrey Tearle). The feckless Vivian's actions cause no small amount of collateral damage to his loved ones, including the drunken death of his father and the attempted suicide of Rikki. Vivian ends up serving in World War II, however, where his non-heroic ultimate sacrifice may (or may not) redeem him. The Rake's Progress (1945 was released in the U.S. under the title Notorious Gentleman. ~ Karl Williams, All Movie Guide

Based on a play by Pepine de Felipe, Her Favorite Husband is a British comedy set in Italy. Housewife Jean Kent is bemused by her husband Robert Beatty, who is not quite himself these days. In truth, he is not himself at all: Jean's husband has been replaced by a lookalike gangster who is plotting a big bank robbery. Once she tumbles to the truth, Kent is alternately repulsed and fascinated by her "new" spouse. Not exactly Shakespeare, Her Favorite Husband is a genial romp distinguished by a sizeable supporting cast of familiar British players. The film was released in the U.S. as The Taming of Dorothy. ~ Hal Erickson, All Movie Guide

In this suspense film, a woman journeys home to Great Britain to attend the funeral of her parents, who according to the official report seemed to have died naturally at the same time. But the woman doesn't believe this. She thinks her stepmother, a nurse who took care of the aged couple had something to do with it. She goes to the authorities, but is unable to persuade them to look into it because the step-mother is a prominent, respected citizen in town. The young woman, who stands to inherit her father's considerable wealth when she comes of age, continues to look into it, even though she knows her own life is in jeopardy. ~ Sandra Brennan, All Movie Guide

Sleeping Car to Trieste is a remake of one of the best railroad melodramas of the 1930s, Rome Express. The film's "maguffin" is a diary containing important political information. Stolen from a diplomat in Paris, the diary finds its way on board the Orient Express. Already, the two thieves have double-crossed each other, and among the passengers there are plenty of interested parties-heroes and villains alike-who hope to claim the diary for their own purposes. When one of these parties is murdered, police chief Jolif (Paul Dupuis) takes charge of the case, but there's still many a plot twist to come before the guilty are punished and the innocent rewarded. An inordinate amount of footage is devoted to the wisecrackery of Bonar Colleano, cast as yet another stereotyped American. The climax of Sleeping Car to Trieste is a classic, endlessly imitated by future-and lesser-Orient Express espionagers. ~ Hal Erickson, All Movie Guide

The Anglo-American melodrama The Big Frame was released in Britain as Count the Hours. Mark Stevens stars as a Texas-born test pilot who heads to England to marry his wartime sweetheart Jean Kent. At a reunion party with his air force chums, Stevens gets into a boozy brawl with one of the celebrants. When the man turns up dead, Stevens is Suspect Number One. While scurrying about London to clear himself, Our Hero unearths a smuggling ring. The moral of The Big Frame seems to be "auld acquaintances should be forgot." ~ Hal Erickson, All Movie Guide