Jean Kent Movies

In this WW II espionage drama, German paratroopers drop into England to take over Buckley Hall and kidnap the lord within. Following the abduction, they replace him with an impostor. They then replace the staff with German operatives and begin waiting for the expected guest, Winston Churchill, to arrive. Fortunately, the lord's niece was in the house during the entire operation. Soon she creeps out and goes for help. The British army arrives and wipes out the evil household before the Prime Minister arrives. ~ Sandra Brennan, All Movie Guide

Four pilots are forced to bail out, and they end up stuck upon a remote tropical island filled with beautiful women. This musical comedy chronicles their adventures. Things go well for the flying Sea Bees as the women fawn upon them and cater to their every whim. Soon they find themselves four wives, and it is not until it is nearly too late that they discover why there are no men on the island--- all husbands are expected to commit suicide following their honeymoons. ~ Sandra Brennan, All Movie Guide

The "2000 Women" of the film's title are the female inmates in a WW II German concentration camp in France. Though many of the women don't get along, they are united in their hatred for their Nazi captors. The story takes a truly melodramatic turn when three English airmen parachute into the camp, offering a ray of hope for those inmates planning an escape. Some of the humor is "black" indeed, involving a card-playing corpse and other questionable sources of laughter, but this was the sort of material that wartime audiences wanted. Heading the cast of 2000 Women are Phyllis Calvert, Flora Robson and Patricia Roc, fine British actresses all who overcome an abundance of script deficiencies. The film was the first production of Individual Pictures, formed by the producer-director-writer team of Frank Launder and Sidney Gilliat. ~ Hal Erickson, All Movie Guide

In this period drama from England, Fanny Hopwood (Phyllis Calvert), upon graduating from finishing school, returns to her family's home in London. However, bad luck awaits her at nearly every turn. After her father is killed in a fist fight by the aristocratic but dastardly Lord Manderstoke (James Mason), whose social standing saves him from prosecution, Fanny learns that he was not in fact her real father, and that she is actually the bastard daughter of a member of Parliament. Shortly after this revelation, Fanny's mother dies, and Fanny receives yet another shock when she learns that her parents supported themselves by running a brothel. Now an orphan, Fanny is sent to live with her biological father, an uncomfortable situation made even more difficult thanks to the resentment of his wife and the couple's friendship with Lord Manderstoke, who has romantic designs on young Fanny. Fanny is able to take comfort in a budding romance with Harry Somerford (Stewart Granger), her father's secretary, and a warm friendship with Chunks (Wilfred Lawson), the family butler. However, Fanny's happiness with Harry may be short-lived, as her stepmother threatens to reveal the tragedy and scandal of her past. Based on the novel by Michael Sadleir, Fanny by Gaslight was released in the U. S. under the title Man of Evil. ~ Mark Deming, All Movie Guide

A classic in gothic-romantic excess, Madonna of Seven Moons was one of the most successful British films of its genre. Though she doesn't know it at first, young convent-bred Rosalinda (Phyllis Calvert) has been born under a curse: before her life comes to a close, she will be wife, mother and mistress all in one. As a child, Rosalinda is raped by a gypsy, an experience that renders her a schizophrenic. Years later, she is the seemingly contented wife of prosperous Italian businessman Giuseppe (John Stuart) and the mother of attractive teenager Angela (Patricia Roc). From time to time, however, Rosalinda disappears from her home and retreats to the slums of Florence, where she assumes the identity of lustful gypsy girl Maddelina, the mistress of criminal leader Nino (Stewart Granger). Then she returns to her husband and daughter, completely unaware of her "other" self or even that she's been absent. Understandably curious about her mother's long absences, Angela follows Rosalinda during one of her sojourns into the Florentine underworld. Far from home and hearth, poor Angela is targetted for seduction by Sandro (Peter Glenville)--the very gypsy who'd assaulted the younger Rosalinda! And just when it seems that things can't get any more unbelievable?..well, this one is definitely better seen than described. Originally released at 100 minutes, Madonna of Seven Moons was expertly cut to 88 minutes for US consumption. ~ Hal Erickson, All Movie Guide

Rex Harrison stars in this stylish British drama that caused problems with U.S. censors, who forced the film to be trimmed due to what was considered graphically amoral and sexual content for its time. Harrison is Vivian Kenway, an unrepentant cad who embarks on a campaign of irresponsible behavior after being ejected from Oxford. Among his many sins are seducing Jill Duncan (Jean Kent), the wife of his best friend Sandy (Griffith Jones), marrying a rich Austrian Jew, Rikki Krausner (Lilli Palmer), for her money, and dallying with the secretary (Margaret Johnson) of his father, Colonel Kenway (Godfrey Tearle). The feckless Vivian's actions cause no small amount of collateral damage to his loved ones, including the drunken death of his father and the attempted suicide of Rikki. Vivian ends up serving in World War II, however, where his non-heroic ultimate sacrifice may (or may not) redeem him. The Rake's Progress (1945 was released in the U.S. under the title Notorious Gentleman. ~ Karl Williams, All Movie Guide

Of the many films (English and American) bearing the title Carnival, only one was based on the Compton MacKenzie novel of the same name. This 1946 melodrama stars Sally Gray as a 19th century ballet dancer who makes an unfortunate career move by marrying a taciturn Cornish farmer (Bernard Miles). Sally soon longs for the bright lights of the big city, and for the arms of her artist lover (Michael Wilding). Her husband is all too aware of this; and when the lover comes calling to renew the affair, the husband shoots Gray to death. The first film version of Compton MacKenzie's Carnival was filmed in 1931 as Dance Pretty Lady. ~ Hal Erickson, All Movie Guide

Set in the early 20th century, The Loves of Joanna Godden stars Googie Withers in the title role. The heir to a prosperous farm in the Romney Marshes, the headstrong Joanna shocks and outrages her tradition-bound neighbors by running the farm herself, refusing to enter into an arranged marriage with neighboring farmer Arthur Alee (John McCallum). She also "defies nature" by performing then-revolutionary crossbreeding experiments with her stock. All this she does to provide a steady income for her beloved, convent-educated younger sister Ellen (Jean Kent). Joanna is therefore understandably put out when Ellen turns out to be an ungrateful strumpet, who herself sets her cap for the wealthy Alee. It is only through this plot twist, coupled with Joanna's own unhappy romantic affairs, that Joanna and Alee discover that they truly love each other after all. Based on a novel by Sheila Kaye-Smith, The Loves of Joanna Godden is decked out with an impressive musical score by Vaughan Williams. ~ Hal Erickson, All Movie Guide

Lensed in lavish Technicolor, The Man Within is a rousing tale of smugglers, betrayal and redemption. The story is told from the point of view of seaman Andrews (Richard Attenborough), the ward of 19th century smuggler chieftan Carylyton (Michael Redgrave). Feeling persecuted by his stern disciplinarian guardian, Andrews jumps ship and turns Carylyton over to the customs officials. A deadly fight ensues, during which both Andrews and Carylyton escape and head their separate ways. Upon befriending the stepson of a customs agent who was killed by Carylyton, Andrews agrees to testify against his onetime friend and protector in court. To bind the bargain, Lucy (Jean Kent), mistress of the Crown's Attoney, makes love to the impressionable, misguided Andrews. Finally realizing that the forces of justice are no more ethical than his fellow smugglers, Andrews refuses to testify against Carylyton, and is himself thrown into prison. Incredible though it may seem, a happy ending results from all this intrigue. In America, The Man Within was released in a slightly shorter version, retitled The Smugglers. ~ Hal Erickson, All Movie Guide

Good Time Girl, directed by David MacDonald and based on a story by Arthur La Bern (It Always Rains On Sunday) starts off unpromisingly, as juvenile justice official Flora Robson tries to keep a would-be female felon on the straight-and-narrow, telling the cautionary tale of Gwen Rawlings (Jean Kent). A victim of an unhappy home and her own stupidity, Rawlings leaves home and, with help from her sleazy new neighbor Jimmy Rosso (Peter Glenville, the future director), gets a job as a hat-check girl at a club run by Max Vine (erbert Lom). But Jimmy's jealousy soon gets him fired, and leaves him aiming for revenge on Max and Gwen. Despite the best efforts of Michael Farrell (Dennis Price), the one truly decent man she's ever met, Jimmy achieves his goal and Gwen is sent to a reformatory. It is there that she's truly corrupted by being locked up with more seasoned juvenile (and not so juvenile) felons, who know how to game the system -- whem she escapes, she's a professional criminal, and, taking on a new alias, falls in with a pair of loose-living gents. She manages to commit a vehicular homicide, and then falls in with a pair of American military deserters (Bonar Colleano, Hugh McDermott) who aren't above committing pre-meditated murder. ~ Bruce Eder, All Movie Guide

The Gay Lady is better known by its British title, Trottie True. Jean Kent stars as Trottie, a turn-of-the-century British music-hall performer who works her way up the ladder from chorus girl to headliner. As her fame increases, Trottie has no time for true love, preferring instead the attentions of men of nobility and wealth who can advance her career. But it's not enough, and at the end Trottie trots back to her husband. Based on the play by Caryl Brahms and S.J. Simon, The Gay Lady is best seen in its original Technicolor British release version, which unlike some American prints leaves most of the musical numbers intact. ~ Hal Erickson, All Movie Guide