Faith Kent Movies
- 1994
Beyond Bedlam is an ambitious British horror shocker, incorporating elements familiar from Nightmare On Elm Street and the work of such authors as Thomas Harris and Clive Barker. Terry Hamilton (Craig Fairbrass) is a detective haunted by the maniac he captured seven years ago, known as the Bone Man (Keith Allen). The Bone Man, whose real name is Gilmour, is the top patient of a scientist (Elizabeth Hurley), who has been using Gilmour in experiments to test a new mind-calming drug called BFND. But the drug also enables Gilmour to bring his hallucinations to life, and his monstrous creations menace Hamilton and the doctor during the film's second half as they attempt to put Gilmour down for good. Shot mostly in an abandoned sanitarium, the film puts its eerie location to good effect and has a lot of visual style, but the initially promising premise breaks down as the long final pursuit kicks in. ~ Don Kaye, Rovi
- Starring:
- Craig Fairbrass, Elizabeth Hurley, (more)
In this entry in the continuing exploits of Sherlock Holmes, the great detective must track down his nemesis Professor Moriarty after the villain kidnaps Holme's brother Mycroft. The evil doctor is forcing his captive to decode highly classified military documents. The film is also called Hands of a Murderer. ~ Sandra Brennan, Rovi
- Starring:
- Edward Woodward, John Hillerman, (more)
Based on Paul Theroux's Doctor Slaughter, Half Moon Street is motivated by the moneymaking schemes of the heroine, Ph.D. researcher Laura Slaughter (Sigourney Weaver). Stuck in a low-paying government job in London, Laura decides to increase her bank account by working for what is euphemistically termed an "escort service." It is understood that her duties go above and beyond mere hand-holding, and Laura has no problem with this. Michael Caine enters the scene as Lord Bulbeck, a high-ranking British diplomat with whom Laura forms a "special" bond. Little does she know that she is being set up in a power-grabbing scheme masterminded by oil-rich sheik Karim Hatami (Nadim Sawalha). ~ Hal Erickson, Rovi
- Starring:
- Sigourney Weaver, Michael Caine, (more)
- 1972
The Darwin Adventure stars Nicholas Clay as 19th century British naturalist Charles Darwin. The film covers the whole of Darwin's life, with emphasis on his volatile evolutionary theories. The "adventure" of the title is Darwin's 1831 fact-finding voyage on the good ship Beagle, in search of nature's secrets in the darker corners of South America. The story ends in Darwin's declining years, during which time many of his theories have been adopted and refined by younger, more broad-minded naturalists. The Darwin Adventure plays like a Cliff's Notes version of the subject's life, packing far too much into its 91 minute running time to be properly digested by the average filmgoer. ~ Hal Erickson, Rovi
- 1971
Pere Goriot, Honore de Balzac's tragic novel about an old man who sacrificed all for the sake of a place in society, was adapted as a multipart British miniseries in early 1971. Michael Goodliffe played the title character, who squandered his money, his property, and ultimately his life in order to "buy a reputation" for his two daughters. The fly in the ointment was the sinister Vautrin (Andrew Keir), who coerced a gormless young law student (David Dundas) to commit a murder in order to win the hand of Goriot's eldest daughter. Pere Goriot was seen in the U.S. as part of PBS' Masterpiece Theatre anthology beginning June 13, 1971. ~ Hal Erickson, Rovi
- Starring:
- Michael Goodliffe, David Dundas, (more)
- 1969
- R
The British "Carry On" series was in its 12th year when Carry On Again, Doctor was unleashed upon a panting public in 1969. Veteran Carry On-ers Kenneth Williams, Sidney James, Charles Hawtrey, Joan Sims, Hattie Jacques, Jim Dale and Barbara Windsor fill the principal roles in this hospital farce. Dale has the central role as a manic medico who stumbles upon a formula for weight control. The film's South-Sea setting permits plenty of female pulchritude to insinuate its way across the screen in between the one-liners and slapstick setpieces. Gerald Thomas directs, as ever. ~ Hal Erickson, Rovi
- Starring:
- Kenny Williams, Sidney James, (more)
- 1967
Dirk Bogarde is a no-good rotter who returns to his family after several years' absence. Only his seven children are present to greet Bogarde as he enters his shabby London home, and they're somewhat vague as to the whereabouts of the mother. What Bogarde doesn't know is that his wife had died some time ago. The kids (including future stars Pamela Franklin and Mark Lester) decided amongst themselves that they didn't want to be broken up and sent to orphanages; thus, they secretly buried their mother and went on about their business, pretending that mom was still alive. Money-hungry Bogarde threatens this cozy set-up, leaving the children little recourse but to prepare a second grave. Our Mother's House was based on a novel by Julian Gloag; one of the screenwriters was Haya Harareet, who eight years earlier had been Charlton Heston's leading lady in Ben-Hur (59). ~ Hal Erickson, Rovi
- Starring:
- Dirk Bogarde, Margaret Brooks, (more)
- 1965
Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, Rovi
- Starring:
- Peter Cushing, Christopher Lee, (more)
- 1964
Anne Bancroft stars as a restless, twice-married British woman with six children, whose third husband is a fledgling screenwriter (Peter Finch). When success spins Finch's head around, he begins to dally with women other than his wife. Meanwhile, Bancroft is forced to stay home and play "domestic goddess", a role for which she is utterly unsuited. After suffering a nervous breakdown, Bancroft wanders the streets of London in a vain search for a sympathetic ear. She eventually comes to grips with the situation at hand--but as in most of playwright Harold Pinter's works, the characters of The Pumpkin Eater are just as unfulfilled in the last scene as they were in the first. Anne Bancroft won a Cannes Film Festival award for her performance in this film. ~ Hal Erickson, Rovi
- Starring:
- Anne Bancroft, Peter Finch, (more)
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