Taro Yamamoto Movies

Veteran director Seijun Suzuki (Branded to Kill) takes a new direction with the colorful operetta-fairy tale, Princess Raccoon. When Azuchi Momoyama (Mikijiro Hira), the master of Grace Castle, is told by his soothsayer, Virgen the Old Maid (Saori Yuki) that his son, Amechiyo (Joe Odagiri), will soon usurp his place as "the fairest of them all," the king decides to banish the young man to Karasu Mountain, where the shape-shifting tanuki demons (raccoon-like canines native to Japan) live. Dropped at the mountain, Amechiyo is greeted by the beautiful Tanukihime (Zhang Ziyi), who speaks a strange language (Mandarin), and whom he soon learns is the ruler of Tanuki Palace. Amid colorful painted backdrops, lavish costumes, and eclectic musical numbers, the two fall into a forbidden and dangerous romance. After they frolic in the woods, Amechiyo is taken prisoner by tanuki, but Tanukihime's hand maidens, recognizing the princess' love for him, arrange for his escape. Azuchi is determined to end his son's life, however, and even Hagi (Hiroko Yakushimaru), Tanukihime's loyal henchwoman, is determined to separate the lovers, presumably to ensure the princess' safety. Princess Raccoon was shown at the 2005 Cannes Film Festival before having its North American Premiere at the 2005 New York Asian Film Festival, presented by Subway Cinema. ~ Josh Ralske, All Movie Guide

Combining yakuza, science fiction, and vampire elements may sound like an outlandish recipe for campy excess in the United States, but former pinku eiga director Takahisa Zeze plays things remarkably straight in this truly unique effort from Japan. In the near future, a group of desolate citizens spend their days and nights in Mallepa, a large refugee community located in the "Asian Special Economic Zone." Though brothers Sho and Shinji survive on the streets with a little resourcefulness and the help of friend Toshi, an encounter with wounded vampire Kei forever changes the course of their lives. Soon after taking Kei back to their hideout so that the desperate vampire may recover, an angry gangster shows up to reclaim a stolen briefcase full of cash. Although Kei is quick to make dinner out of the angry gangster, his efforts to keep his trio of friends from harm is too little too late when the determined gangster fires a fatal bullet into Shinji. When Sho and Toshi plan to rip off a rival gang a decade later, Kei follows and the team soon meets up with similar-minded Chinese troublemaker Son (Wang Lee Hom) and his sister Yi-Che (Zeny Kwok). Soon stalked by the revenge-thirsting rival gang, the trio lose track of their bloodsucking friend in the ensuing melee. It's not long before Sho and Son have a falling out and end up in rival gangs, but can the re-emergence of condemned vampire Kei be enough to bring the two old friends back on the same side of the fence again? ~ Jason Buchanan, All Movie Guide

In a future where society is on the verge of collapse, the government takes drastic action against the problem of rebellious teenagers in this violent sci-fi opus from Japan. In the year 2002, Japan's economy has taken a dramatic turn for the worse, and massive unemployment and inflation have thrown most adults into a state of chaos; the nation's youth culture responds with unprecedented violence, delinquency, and truancy. Desperate to restore order, the Japanese parliament responds by creating the Millennial Reform School Act, in which groups of junior high students are selected at random, sent to an isolated island, and forced to play a rigorous war game, in which all but one of their number are killed. Kitano (Beat Takeshi) is an embittered school instructor who guides the 44 students of the Zentsuji Middle School's Class B through the deadly game known as "Battle Royale," as they struggle to survive against the elements and each other. Battle Royale proved to be both successful and highly controversial in Japan, where it set box-office records and prompted political leaders to call for stricter controls on violence in Japanese entertainment; the film was initially rated R-15 (no one under 15 admitted), unusual for violent films in Japan, though director Kinji Fukasaku later prepared a re-edited version that earned a more lenient classification. ~ Mark Deming, All Movie Guide