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June Kenney Movies

1961  
 
"The Infernal Machine" is a horseless carriage, invented by Hoss Cartwright's friend Daniel Pettibone (Eddie Ryder). Attempting to obtain financing for Dan's creation, Hoss is turned down by everyone except a city slicker named Throckmorton (Willard Waterman). Once this glib stranger agrees to invest money in the carriage, everyone else in town follows suit. Alas, Throckmorton skips town with the cash, leaving Dan and Hoss holding the bag. Also appearing are June Kenney as Robin and Nora Hayden as Big Red. Written by Ward Hawkins and directed by Republic Studios stalwart William Witney, "The Infernal Machine" first aired April 22, 1961. ~ Hal Erickson, Rovi

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Starring:
Lorne GreenePernell Roberts, (more)
 
1961  
 
Cat Burglar is an unofficial reworking of 1953's Pickup on South Street. Burglar Jack Hogan steals a briefcase which, unbeknownst to him, contains a valuable secret scientific formula. The owner of the briefcase was on the verge of selling the formula to an unnamed (but somewhat slavic-sounding) foreign power. Thus it is that the burglar has the owner, the spies, and the police on his tail. Directed by former Republic western specialist William Witney, Cat Burglar was independently produced by Roger Corman's brother Gene. ~ Hal Erickson, Rovi

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1959  
 
Add Bloodlust to Queue Add Bloodlust to top of Queue  
Richard Connell's story The Most Dangerous Game has offered a big, fat target for dull low-budget thrillers since the dawn of movie-making itself, and this is truly one of the dullest. The first (and apparently the last) directorial effort from Ralph Brooke was saved from cinematic obscurity only through its movie-trivia value, thanks to the presence of Brady Bunch dad Robert Reed as the thick, hunky non-hero in upsettingly-tight clothing. There is little variation on the timeworn theme of a wealthy madman (Wilton Graff) hunting shipwreck survivors for sport -- perhaps aside from this villain's tendency to store his human trophies in cleverly-designed, glass-walled dioramas which presaged the popular horror model kits of the 1960's. ~ Cavett Binion, Rovi

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1958  
 
In this violent drama, a young juvenile delinquent gets into more trouble when he gets involved with a gang that steals auto parts and resells them on the black market to pay for their beer parties. It looks as if he might actually turn his life around after he meets a good-hearted woman, when he decides to run a final game of chicken against a juvenile delinquent girl who gets killed in the ensuing crash. The terrified boy then takes his girlfriend and splits. He is later shot-down by the police. Later the authorities learn that the boy was set upon his crooked path by policemen who beat him when he was younger. ~ Sandra Brennan, Rovi

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Starring:
Richard BakalyanJune Kenney, (more)
 
1958  
 
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Attack of the Puppet People is one of the few "mad scientist" opuses of the 1950s to be motivated by loneliness rather than megalomania. John Hoyt plays Franz, a seedy European doll-maker who harbors a crush on his secretary Sally (June Kenney). When Sally makes plans to marry Franz' top employee Bob (John Agar), strange things begin to happen. Before long, both Bob and Sally have been shrunken to doll-size by Franz, who keeps a retinue of living "puppet people" to avoid being left alone. Eventually, the little ones rebel against their addlepated but basically harmless keeper, though there's never any "attack" per se. Most of the acting is amateurish, with the exception of the always reliable John Hoyt; the special effects are somewhat better, but still nothing to write home about. ~ Hal Erickson, Rovi

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Starring:
John Agar
 
1958  
 
A man driving along a lonely back road at night is suddenly startled by what he sees, and is promptly killed by something that crashes through his windshield. The next day, in the nearby town of River Falls, teenagers Carol Flynn (June Kenney) and Mike Simpson (Gene Persson) decide to go looking for her father, who didn't get home last night. They find his wrecked truck and enter a nearby cave to begin searching for him. There they find his blood-covered hat and other signs of human remains and, as they go deeper inside, suddenly get trapped in a huge web -- then they spot its maker, a spider the size of a small house. They manage to escape and alert the county sheriff (Gene Roth), who doesn't take them seriously but does heed the warning of Mr. Kingman (Ed Kemmer), the science teacher at the local high school, to bring a pest-control crew along with his deputies, and a tanker loaded with DDT. They encounter the creature, and, after losing one of their men, dispatch it with the insecticide. Kingman persuades the sheriff to bring the carcass into town so that he can arrange to have it studied, leaving it in storage at the high school recreation room, for lack of anywhere bigger to keep it. As it turns out, the creature isn't dead, just stunned. As the local rock & roll band rehearses, the giant spider comes to bloodthirsty consciousness, breaking out of the building and ravaging the town. Bullets won't hurt it -- as Kingman says, you could punch holes in it all day without hitting a vital spot -- and the town is soon cut off when the telephone lines are knocked down. ~ Bruce Eder, Rovi

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Starring:
Ed KemmerGene Persson, (more)
 
1957  
 
Sabra Tanner (Susan Cabot) is a member of an exclusive sorority on a small California campus. Wealthy, attractive, and intelligent, she should be sitting on top of the world and feel like she is; but she's the product of an emotionally abusive upbringing, by an uncaring mother, and she's so twisted in her thinking, that she knows not a moment of peace. She believes that no one accepts her, and in her growing paranoia, lashes out at her fellow sorority members, their boyfriends and fiancés, and anyone else she can bully and threaten. Her machinations finally catch up with her, but not before she sets a tragedy in motion. This film was remade in 1994 for cable as Confessions of Sorority Girls. ~ Bruce Eder, Rovi

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Starring:
Susan Cabot
 
1957  
 
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The Teenage Doll in this Roger Corman-directed "J. D." opus is a little number named Barbara (June Kenney). Basically a good girl, she falls into bad company when she impulsively decides to rebel against her parents. It isn't long before Barbara accidentally kills her tough-babe romantic rival (Barboura Morris), whereupon she is pursued all over town by femme gang leader Hel (Fay Spain) and her henchgirls (Barbara Wilson, Ziva Rodann). Barbara runs to her punk boy friend Eddie (John Brinkley) for protection, setting the stage for a climactic rumble. And remembers, kids: This could happen to you, so keep your record clean and stay home nights! ~ Hal Erickson, Rovi

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Starring:
June KenneyFay Spain, (more)
 
1957  
 
By the time you've read the title, the film is half over. Anyway, the story concerns a group of proud female Nordic warriors (who look more like UCLA cheerleaders), who set out on a perilous sea journey, the better to locate their long-missing men. Halfway across the ocean, their vessel is destroyed by a deadly vortex (this special effect must be seen to be believed). The ladies are washed up on the shores of the Grimaults, a spear-wielding tribe which had previously enslaved the girls' menfolk. One attempted human sacrifice and several minor clashes later, the viking men and women try to make their escape. When the head viking (Brad Jackson) slays a rampaging monster (actually a harmless lizard, "blown up" by trick photography), he and his party are given safe passage by the grateful Grimaults. Abby Dalton is the star of Viking Women and the Sea Serpent, but only by default; when the film's original leading lady fell ill, all the other actresses were promoted to the next largest role. ~ Hal Erickson, Rovi

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1954  
 
Director William "One Take" Beaudine never turned down a job from anyone. So when the Protestant Film Commission called him up to work on City Story, he was on the set bright and early the first morning of shooting, and was still there when production wrapped a week or so later. The plot concerns clergyman Warner Anderson, whose church is suffering from a dip in attendance. Trying to figure out how to attract the rough-hewn juvenile delinquent contingent, Anderson turns to an unusual source for advice. That source is young prison inmate June Kenney, who since her incarceration has seen the light and is spreading the Word to her fellow prisoners. The sincerity that went into City Story compensates for its seedy production values. ~ Hal Erickson, Rovi

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