Jill Banner Movies

Hard Frame is the syndication title for the made-for-TV film Hunters Are for Killing. Burt Reynolds plays a man who returns home after serving six years in prison for manslaughter. Reynolds knows that he was framed; so does someone else in town. The most nervous citizens are Burt's father (Melvyn Douglas), his ex-girlfriend (Suzanne Pleshette) who is now chief of police, and the man (Martin Balsam) whose testimony cinched Reynolds' conviction. The film was shot on location in the wine country of Northern California. Under its original title, this 2-hour actioner first aired on March 12, 1970. ~ Hal Erickson, All Movie Guide

The President's Analyst is James Coburn, whose position makes him privy to any number of delicate government secrets. Thus Coburn becomes a most desirable prize for several secret-agent organizations, including the CEA and the FBR (we know who these folks are really supposed to be, even though the phony names were crudely dubbed onto the soundtrack after the film was completed). When Coburn becomes expendable, he finds a pair of strong allies in the form of likeable political assassin Godfrey Cambridge and gay Soviet spy Severn Darden. The main plot involves an insidious, unnamed concern that wishes to harness Coburn's talents in order to brainwash the president -- and everyone else in America -- into submission. The President's Analyst is a terrific, on-target satire of virtually every sacred cow of the late 1960s; the satire was so potent, in fact, that when the NBC network broadcast the film in the early 1970s, it was compelled to remove the picture's punchline. ~ Hal Erickson, All Movie Guide

In this 1967 drama, resourceful British agent Bulldog Drummond, who appeared onscreen in a series of spy stories between 1929 and 1951, returned to duty in the wake of James Bond. Here, Drummond (Richard Johnson) is on the trail of Carl Petersen (Nigel Green), a corrupt industrialist who has a bad habit of stealing the ideas of others and then killing them so he can reap their profits. The nefarious Petersen has a team of female assistants willing to kill on command, led by Irma (Elke Sommer) and Penelope (Sylva Koscina). One more Bulldog Drummond vehicle, Some Girls Do, followed in 1969 before the series was retired again. ~ Mark Deming, All Movie Guide

In this gory sequel to the spaghetti western Stranger in Town, a mysterious stranger masquerades as a postal inspector and rides out to round up a ring of thieves who are racing across the West in a stage coach made of gold. ~ Sandra Brennan, All Movie Guide

Exploitation titan Jack Hill, who went on to make such cult favorites as Switchblade Sisters, The Swinging Cheerleaders, and Foxy Brown, made his solo directorial debut with this fascinating, offbeat shocker. The three surviving children of Titus W. Merrye, who represent the end of his family's line, live in a dilapidated mansion where patient servant Bruno (Lon Chaney, Jr.) watches over the increasingly eccentric Virginia (Jill Banner), Ralph (Sid Haig), and Elizabeth (Beverly Washburn). All three Merrye siblings suffer from the same rare disease that felled their father and the other members of his family -- "Merrye Syndrome," a neurological ailment that begins to manifest itself at the age of ten, causing the brain to slowly decay and sending its victims into an alternately violent and infantile state. Bald, inarticulate Ralph is supposed to be a vegetarian, but "can eat anything he can catch," while Virginia, who seems to be in a perpetual dream state, imagines herself as a human spider and catches people in her "web" (a large net) and then kills them. While it might seem best to let nature to take its course and allow the family's sad legacy to die out, the Merrye siblings have two distant cousins, Emily Howe (Carol Ohmart) and Peter Howe (Quinn K. Redeker), who are interested in laying claim to the family mansion and any money remaining in the Merrye Estate. But not long after they pay a visit to Bruno, they start to have serious regrets about their decision to see the family. Shot in 1964, Spider Baby sat on the shelf until 1968, when it was briefly released as the second half of a horror double-bill on the drive-in circuit. But after it appeared on home video in the early '80s and was the subject of an enthusiastic essay in the book RE/Search: Incredibly Strange Films, the film began to develop a potent cult following and is now regarded as a minor classic of '60s horror. The film has also appeared under the misleading titles Cannibal Orgy and The Liver Eaters, as well as Spider Baby, or the Maddest Story Ever Told. ~ Mark Deming, All Movie Guide