Douglas Kennedy Movies

Technically a "B" western, Gun Belt is a notch or two above the norm. George Montgomery stars as former outlaw Billy Ringo, whose bank-robbing brother Matt (John Dehner) implicates him in a recent holdup. When Matt is killed in a shootout, Matt's son Chip (Tab Hunter) holds Billy responsible. When not trying to clear his name and patch up his family problems, Billy finds time to romance requisite leading lady Helen Westcott. The most tangible asset of Gun Belt is the superb Technicolor photography, courtesy of William Howard Greene. The film was one of several budget-conscious 1950s productions turned out by producer Edward Small for United Artists release. ~ Hal Erickson, All Movie Guide

A loose remake of the 1931 Richard Barthelmess vehicle of the same name, The All-American stars Tony Curtis as college football star Nick Bonnell. When his parents are killed in a traffic accident while taking a bus trip to see him play, Nick quits football cold. Later on he accepts a scholarship at a small college, but still refuses to resume his gridiron activities--at least for a while. Never the life of the party to begin with, Nick runs afoul of his snooty fellow students and is kicked out of school. Somehow or other, however, he manages to show up during the crucial fourth quarter of the Big Game. Lori Nelson plays requisite heroine Sharon Wallace, who helps draw the taciturn Nick out of his shell, while Mamie Van Doren does what Mamie Van Doren usually does. While the football sequences are exciting, the film is a bit hard to take at times, especially when the 20-plus college freshman Nick is advised by his professors to grin and bear it when he's hazed by the much-younger upper classmen. At the time The All-American was released, much was made of the fact that producer Aaron Rosenberg and director Jess Hibbs had both been USC All-American footballers. ~ Hal Erickson, All Movie Guide

Will Ballard (Rod Cameron) is the longtime foreman of the Hatcher ranch, a spread renowned for its size and the wealth it contains. When owner Phil Evarts dies suddenly, the speculation in the territory is that Hatcher will be broken up, especially since it was Evarts' determination coupled with Ballard's skills as a foreman and gunman that held it together -- but Ballard decides that the ranch is worth saving, even though the only help he really has is one top hand (Chill Wills, in a beautifully restrained performance) and a couple of young brothers (Al Caudebec, Roydon Clark) picked up on the trail. He figures it's worth saving for what it is, and also for Evarts' daughter, Celia (Ella Raines), who is engaged to marry neighboring rancher Sam Danfelser (Forrest Tucker). Ballard and Sam were once friends, but as the foreman discovers, there's been bad blood brewing on the other side of the friendship for a long time, mostly out of Sam's jealousy -- not only is Ballard a better rider and a better gun, but he's a better man than he is, and he can't abide the fact that Celia knows this deep in her heart, even though she and Sam are engaged. Then there's Bide Marriner (Brian Donlevy), a local "operator" who'd love to get a range war started and grab up some land and cattle, and immediately uses friends and intermediaries, plus a few hired guns, to start spreading the word, convincing the neighboring ranchers that Hatcher land is free and open. And then there's Lottie Priest, whom Ballard figured to marry soon -- is she more interested in what her greedy father can make from the breakup of Hatcher? Caught in the middle of it all is the county sheriff, Joe Kneen (J. Carrol Naish), who'd like to stay civil with all of those involved but soon finds out that he's going to have to choose sides, and that he's too good a man for that to be the "easy" choice. There's a lot of back-shooting in Ride the Man Down, as well as some brilliantly and cleverly designed action sequences, and a level of duplicity in the characters that makes this picture play at time almost more like a film noir of the period. ~ Bruce Eder, All Movie Guide

Mark Stevens stars as a Navy pilot named Bingham in this paean to the modern-day submarine service. Covering the years 1941 to 1952, Torpedo Alley details Bingham's training as a sub commander. Feeling guilty for the deaths of several of his fellow pilots, he signs up for submarine service at the end of WW II. He proves equal to his task, though it takes a great deal of soul searching, coupled with the tender ministrations of his lady friend Susan (Dorothy Malone), before Bingham is able to overcome his guilt complex and assume a command position again. Torpedo Alley was co-written by Sam Roeca (who later supervised such above-average children's programs as Valley of the Dinosaurs and Land of the Lost) and actor Warren Douglas. The film was intended as the vanguard of "quality filmmaking" from Allied Artists, which in 1952 finally shed itself of its earlier existence as low-budget Monogram Pictures. ~ Hal Erickson, All Movie Guide

In this lively adventure, an American ambassador arrives in India as it prepares to fight a civil war. He soon learns that it is his old friend who has been insighting the conflict. Unfortunately, the troublemaker is killed, but before he expires, he tells the diplomat that a trainload of explosives is set to blow up another train carrying an important Indian prince. The assassins know the diplomat knows of the plot and he becomes their next target. At the same time, he is also accused of his pal's murder. The brave ambassador then goes on to risk his own life to save that of the prince. He does, his name is cleared, and the war is stopped. ~ Sandra Brennan, All Movie Guide

Also known as The Tall Lie, For Men Only was a hard-hitting if somewhat gratuitous expose of college fraternity "hazing." A young man is rushed by a popular and well-established frat, only to discover that part of the initiation ceremony requires him to kill a puppy. He drops out of the fraternity and tells the world its "secrets". The fraternity leader, played by Russell Johnson, organizes a campaign to drive the pledge off the campus--which results in the pledge's death. Professor Paul Henried investigates, and learns that the fraternity's ties to the business community are so strong that he can do nothing to stop the cruelty of the hazing process. Henried's only recourse is to expose arrogant frat leader Johnson as a coward with feet of clay--which he does, in a breast-beating scene that will surprise those who know Russell Johnson only as the mild-mannered "Professor" on Gilligan's Island. Made inexpensively, For Men Only is competently directed by star Paul Henried. The only question is: Why should the non-collegiates in the audience care anything about the iniquities of fraternity life? ~ Hal Erickson, All Movie Guide

I Was an American Spy is a true story, based on a series of autobiographical Reader's Digest articles written by Claire Phillips. Ann Dvorak stars as Ms. Phillips, an American nightclub singer trapped in Singapore when the Japanese march in. Having lost her husband to the Bataan death march, Phillips agrees to join an American secret agent (Gene Evans) in undermining the Japanese occupation troops. She is captured by the enemy, tortured, and sentenced to be shot, but is rescued at the last minute by her American contact. I Was an American Spy handles its more brutal scenes with a marked degree of tastefulness, thanks to the careful direction of Lesley Selander. Just as in their wartime movie appearances, Chinese actor Richard Loo and Korean actor Philip Ahn are eminently hissable as the Japanese villains. ~ Hal Erickson, All Movie Guide

Columbia's Colorado Uprising was neither expensive enough to qualify as an "A" picture nor inexpensive enough to qualify as a "B." It was simply a "programmer," and as such was eminently suitable for solo playdates or double-feature berths. George Montgomery stars as cavalry captain McCloud, whose job it is to keep the peace between Indians and Whites. McCloud's efforts are undermined by gold speculators Alsop (Hugh Sanders) and Taggert (Douglas Kennedy), whose underhanded activities foment the Indian uprising of the title. Placed under house arrest by Indian-hating Major Stark (Robert Shayne), McCloud escapes, racing against time to mollify Geronimo (Miguel Inclan) and prevent an all-out massacre. Indian Uprising was one of several economical Columbia films produced by Edward Small, who'd been one of the founders of the studio back in the mid-1920s before striking out on his own as an "independent." ~ Hal Erickson, All Movie Guide

Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, All Movie Guide

Columbia's Chain Gang combines biting social commentary with good old-fashioned melodrama. Reporter Cliff Roberts (Douglas Kennedy) intends to expose political corruption by posing as a convict and joining a prison chain gang. While a "guest of the state," Roberts gets the lowdown on how cheap convict labor is being brutally exploited by certain higher-ups. Unfortunately, his ruse is discovered, and soon Roberts is desperately clambering through treacherous hills and dismal swamps, with police bloodhounds hot on his trail. Producer Sam Katzman claimed that Chain Gang was "torn from today's headlines," but he was always saying things like that. ~ Hal Erickson, All Movie Guide

Set in British Columbia but filmed in Colorado, Cariboo Trail stars Randolph Scott as a cattle-drive boss from Montana. Crooked Victor Jory and his minions stampede the cattle, causing Scott's partner Bill Williams to lose an arm. Out of a job, Scott gives gold mining a try, but even here he is tormented by Jory. The villain is hoist on his own petard when he tries to stir up the local Indian tribes. Proving that the good guys don't always win, Scott gives up mining and turns to cattle ranching. ~ Hal Erickson, All Movie Guide

The Next Voice You Hear was a pet project of MGM producer Dore Schary, who lavished more attention on this modestly budgeted drama than he did on some of his "bigger" projects. Though based on characters first introduced in the 1942 film Joe Smith, American, Next Voice was not a sequel to the earlier film. James Whitmore stars as blue-collar family man Joe Smith, while future first lady Nancy Davis appears as his pregnant wife and Gary Gray rounds out the family unit as their son. The Smiths, their relatives, their neighbors and the citizens of the World are shaken out of their complacency when the voice of God begins delivering messages over the radio. For six consecutive evenings, the voice speaks over the airwaves (the movie audience never hears the voice, thanks to a series of clever evasionary tactics). At first frightened, the listeners gradually realize that God simply wants to convey the age-old message "Love thy Neighbor." With this realization comes several changes of attitude, some minor, others profound. The concept may sound portentous (and pretentious), but the actors handle their responsibilities with subtlety and conviction. So, too, does director William A. Wellman, a curious choice indeed for this sort of film. ~ Hal Erickson, All Movie Guide

The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide