Bill Kennedy Movies

I Died a Thousand Times is a scene-by-scene remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. Intending to use his share of the loot to finance Velma's operation, Earle goes through with the robbery, only to be thwarted by the ineptitude of his partners, the treachery of the late Big Mac's successors, and, finally, the fickle Velma. With the faithful Marie by his side, Earle makes a desperate escape into the High Sierras, but fate is still against him. Essentially an itinerary of what has previously "clicked" in High Sierra, I Died a Thousand Times makes a few concessions to changing tastes and mores; the stereotype comedy-relief character played by black actor Willie Best in the original film, for example, has been replaced by the more "acceptable" (at least by 1950s terms) stereotyped Mexican played by Gonzales-Gonzales. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works pretty well on its own terms. ~ Hal Erickson, All Movie Guide

A husband-and-wife scientist team (Peter Graves, Andrea King) are experimenting with a "hydrogen tube" invention (which he got from a missing German scientist, lost in the collapse of the Reich), when they get signals back from what appears to be Mars. The culture-shock of that event is serious enough, and the couple and their family are suddenly thrust into the spotlight. But then they begin to translate the increasingly complex messages (which started out as mathematical equations) that they receive back, and find that Mars is a perfect world, a true Utopia, and that the messages are quoting Scripture -- and the inevitable conclusion is that God is speaking from Mars. Soon a religious revival starts to spread across the globe. What they don't realize is that the messages are a very calculated fraud, being engineered by a Communist operative (Marvin Miller) and carried out by the scientist (Herbert Berghof) who invented the hydogen tube, and who now has an even more sinister agenda of his own. ~ Bruce Eder, All Movie Guide

Rex Allen, aka "The Arizona Cowboy," again stars as himself in Republic's Silver City Bonanza. Allen and his sidekick Gabe Horne (Buddy Ebsen) are hot on the trail of a murderer who has stabbed a blind man to death. Their chief witness is the victim's seeing-eye dog, who is a better actor than some of the human players. The finale is an exciting underwater set-to between Allen and the killer (whose identity will remain hidden for the benefit of those who haven't seen the picture). The teaming of Rex Allen and Buddy Ebsen proved successful, and the two actors would remain saddle pals until Ebsen was spelled by Slim Pickens in 1952. ~ Hal Erickson, All Movie Guide

The "badmen" of the title in this average western from Monogram are Waller (I. Stanford Jolley), a greedy express agent and Banker Jensen (Bill Kennedy, who conspire to separate Bob Bannon (Kenne Duncan) from the gold found on his property. Bob's brother Jim (Jim Bannon) and his two pals Whip Wilson and Texas (Fuzzy Knight) arrive too late to save Bob from the bad guys. Hoping to flush out the killer, Whip arranges to auction off the property. The ruse works and the hidden mine is handed over to Bob's lovely daughter, and heir, Carol (Phyllis Coates). ~ Hans J. Wollstein, All Movie Guide

Produced at Agoura, CA, and directed by silent film action star Richard Talmadge, this minor Western starred bandleader and early television personality Spade Cooley. Actually, Cooley had very little to do in the film other than offer name recognition to a cumbersome Western tale of a special agent (Bill Edwards) unravelling a series of rustlings on and around Cooley's dude ranch. The rustlers, as it turns out, are in league with a smuggler known only as the Phantom Raider. The contraband in question was originally slated to be dope, but vehement objections from the Breen office, the Hollywood watchdog, caused it to be changed to diamonds. At one point in the film, the Cooley ranch hands are seen practicing acrobatic feats under the leadership of director Richard Talmadge, a veteran stuntman. The act was billed as "The Six Metzetti Boys," an obvious reference to Talmadge's real name, Sylvester Metzetti. Popularly known as "The King of Western Swing," Spade Cooley created less than admirable headlines in 1961 when he was convicted of beating his estranged wife to death. He died of a heart attack in 1969 while on a leave from Vacaville prison to perform in a benefit concert. ~ Hans J. Wollstein, All Movie Guide

Gunslingers is another of Monogram's Whip Wilson western series, built around the bullwhip-wielding skills of its star. This time, Wilson and his saddle pal Andy Clyde come to the rescue of a group of ranchers who are being victimized by villain Ace Larabee (Douglas Kennedy). Ace has inside information that the railroad is coming through the territory, and he intends to grab up all the land and sell it to the train execs for a tidy profit. Stealing every scene she's in is venerable character actress Sarah Padden as "Rawhide Rose." Whip Wilson still hadn't learned to act by the time he made Gunslingers, but he was still a sight to behold behind that bullwhip. ~ Hal Erickson, All Movie Guide

Veteran cinematographer-turned-director Norman Dawn calls the shots in Two Lost Worlds. Set in the Australian colony of Queensland, the film stars Jim Arness as Kirk Hamilton, an American seaman who conducts an ongoing battle of wills and weapons against marauding pirates. After a particularly deadly skirmish, Hamilton and his men find themselves marooned somewhere in the Dutch East Indies. The film's many subplots are dispensed with during a last-reel volcanic eruption. When not indulging in derring-do, Hamilton romances an Aussie lass (Laura Elliot). If Elliot looks familiar, that's because she later played Mrs. Larry Tate on TV's Bewitched, billed under her new "nom de film" Kasey Rogers. ~ Hal Erickson, All Movie Guide

Forgotten Women is Monogram's cut-rate 65-minute spin on MGM's The Women. The film deals with four lovely ladies, each of whom is plagued with Man Trouble. Elyse Knox is on the verge of divorce, Veda Ann Borg has been separated from her husband for months, Theodora Lynch's hubby doesn't want her to pursue a singing career, and Noel Neill (yes, Superman's Noel Neill) is a lonely gal looking for an eligible guy. In real life, Elyse Knox was the wife of football star Tom Harmon and the mother of film star Mark Harmon. Approximately 65 minutes too long, Forgotten Women could just as well have been titled Forgotten Movie. ~ Hal Erickson, All Movie Guide