Jamie Foreman Movies

A professional thief finds his luck going from bad to worse when he's sent to Russia to steal a priceless antique crucifix and becomes the terrified target of a serial killer who takes the title of "headhunter" all too seriously. Career larcenist Ritchie Donovan (Stephen Dorff)'s latest job has just ended in tragedy, and he still owes a fortune to a fearsome Russian godfather. Fortunately for Ritchie, the crime kingpin is feeling especially benevolent today, and offers the luckless cat burglar one last chance to settle his debt. All Ritchie has to do is travel to Moscow, ascent a skyscraper penthouse, crack the safe, and steal an antique crucifix. It couldn't have been a simpler plan, but when the robbery ends in murder and police surround the building, Ritchie and the gang are forced to take hostages. Just as it begins to appear as if all hope is lost, the elevator that Ritchie and his fellow gangsters are traveling on comes to a complete stop on the building's unused thirteenth floor. But landing on the thirteenth floor of this building may not have been the lucky break it first appeared, because lying in wait on the hidden level is a serial killer with a knack for collecting heads. He makes no secret of his hobby either, because his gruesome trophies line these seldom-wandered halls like a nightmarish testament to the ultimate gamesman. With the cops closing in from below, psychotic Russian gangsters on all sides, panicked hostages freaking out, and a homicidal maniac somewhere too close for comfort, all Ritchie cares about now if getting his feet back on the ground before he loses his head. ~ Jason Buchanan, Rovi

Testosterone and football combine to paint a violent portrait of middle-class England in director Nick Love's adrenaline-charged adaptation of John King's popular novel. Tommy is your typical twenty-something soccer fan; bored with life, in love with lager, and always looking for a little action from the ladies. Of course there's the fighting, too. When Tommy exchanges blows with a rival football fan and the situation quickly spins out of control, the thuggish sports fanatic is prompted to reconsider his brutal lifestyle and make a change for the better. ~ Jason Buchanan, Rovi

For I'll Sleep When I'm Dead, director Mike Hodges re-teams with Trevor Preston, the respected British television writer with whom he made a series of documentaries for ITV back in the 1960s. The film also brings the director together again with actor Clive Owen, the star of his previous film, Croupier, which signaled Hodges' resurgence. Owen plays Will Graham, a former London gangster who moved out to the country after suffering a breakdown of some sort. Will works clearing forests, and lives out of his van, until he loses his job over a lack of proper documentation. Meanwhile, Will's younger brother, Davey, is enjoying his life as a womanizing man about town, and dabbling in drug dealing, until one night, when an older man, Boad (Malcolm McDowell), has him followed and brutally assaults him. The traumatized Davey returns home and takes his own life. Will, uncertain as to where to go, finds himself drawn back to London, where he learns of Davey's death from Mrs. Barz (Sylvia Syms), his landlady. Will investigates what happened that night with his old friend, Mickser (Jamie Foreman). As Will tries to piece together what happened, he goes to visit Helen (Charlotte Rampling), his former lover, who is less than thrilled to see him after he abandoned her years earlier and eventually cut off all contact. The current neighborhood crime boss, Turner (Ken Stott), knows what Will is capable of, and sees him as a threat. Eventually, Will uncovers the truth, and is faced with the unpleasant prospect of avenging Davey's death. Screenwriter Preston took the title for the film from a sardonic song by the late Warren Zevon. ~ Josh Ralske, Rovi

A working class British family struggles with their demons -- sometimes violently -- in this intensely emotional drama that marked the directorial debut of actor Gary Oldman. Janet (Laila Morse) is a widowed factory worker who shares her home with her aged mother Kath (Edna Dore), her daughter Valerie (Kathy Burke), her son Billy (Charlie Creed-Miles), and Valerie's husband Ray (Ray Winstone). Ray is an unstable and out-of-work alcoholic who often uses his pregnant wife as a punching bag, while Billy is a drug addict whose habit has led Janet to throw him out of the house more then once, only to take him back later. Janet is uncertain about what to do when Ray's latest tirade sends Valerie to the emergency room, and Janet also has to come to terms with the financial and emotional costs of Billy's addiction. Kathy Burke, Ray Winstone, and Laila Morse all received prizes from the 1997 British Independent Film Awards for their work in Nil by Mouth; Burke also received Best Actress honors at that year's Cannes Film Festival. ~ Mark Deming, Rovi