Sally Kemp Movies

Bryan Brown stars as CIA hit man Michael Grant, who plans to retire after one more assignment. He buys a house in New Mexico from a widow (Brooke Adams), and they fall in love; only later does Michael realize his final target is the woman's father. ~ Jason Ankeny, All Movie Guide

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, All Movie Guide

Tim Daly stars in director Janet Greek's fair horror-thriller as Los Angeles attorney Jeff Mills, who rescues beautiful Miranda Reed (Kelly Preston) from being raped. As he and Miranda become lovers, Jeff learns that his new girlfriend is a witch trying to escape from an evil cult led by Aldys (Anthony Crivello), who wants to use her as a human sacrifice. Borrowing ideas from thrillers like Fatal Attraction (1987) and Tutti i Colori del Buio (1972), this borderline occult chiller co-stars genre veterans Rick Rossovich, Cary-Hiroyuki Tagawa, Stefan Gierasch, and Audra Lindley. ~ Robert Firsching, All Movie Guide

Although based on Nathanael West's novel that essentially trashes the journalist's trade as cold-hearted and Machiavellian, director Michael Dinner has opted to make his journalist a pathetic figure instead. The story centers on a reporter who is trapped into writing the "Miss Lonelyhearts" column for a local newspaper and then slowly comes apart emotionally and psychologically as he gets involved with the troubles of his readers. While the plot of the film remains solid, the characterization of the journalist changes the intent -- and whether that is for better or worse will depend on the viewer. ~ Eleanor Mannikka, All Movie Guide

Streetwise teenager Renie Lake (Karin Argoud) lands in juvenile hall charged with theft and drug dealing. Remanded to the custody of her father Russell (Lin McCarthy), Renie is ordered to move into the suburban home of Russell, his second wife Marlene (Bibi Besch), and her stepdaughter Gretchen (Kristina Sorenson). The embittered and resentful Renie refuses to warm up to her new family and surroundings until she is drawn out of her selfish (and self-pitying) shell via her friendship with a hearing-impaired fellow high-school student. This ABC Afterschool Special is based on a novel by Barbara Morgenroth. ~ All Movie Guide

Amy Warner (Melora Hardin) and Michelle Mudd (Dana Hill) are two 12-year-old girls with one thing in common: Their parents are going through the process of a divorce. Both girls are angry and resentful, especially because they feel they've been "deserted" by their fathers. Out of their grief the girls form a strong bond of friendship, promising eternal loyalty and respect, and never to betray their trust. But what will happen when circumstances cause Amy to believe that Michelle is turning her back on her? What Are Best Friends For? is based on a novel by Mildred Ames. ~ All Movie Guide

Paul Clemens plays the real-life Peter Reilly, who in September of 1973 was charged with the mutilation and murder of his mother. The confused 18-year-old signs a confession after being told that he's flunked a lie detector test. Later renouncing the confession, Reilly demands a reopening of his case. The citizens of Peter's home town of Canaan, CT, who'd been willing to see the boy thrown in jail for life when the case first hit the papers, now rally around the youth, insisting that his constitutional rights have been violated. New evidence uncovered by a sympathetic detective enables Peter to press his case. Stefanie Powers plays Joan Barthel, the Canaan resident and free-lance journalist who chronicled Peter's bid for freedom. The made-for-TV A Death in Canaan was first telecast March 1, 1978. ~ Hal Erickson, All Movie Guide

The body of a murdered bookkeeper is found in a cheap motel, and a prostitute and her procurer are accused of the crime. Kojak doesn't buy this, deducing that the killing was done by a professional. Trouble is, he can't prove his theory so long as the FBI is also on the case, impeding Kojak's investigation to serve the Bureau's own ends. The guest cast ranges from Broadway veteran Robert Alda (father of M*A*S*H star Alan Alda) to B-movie stalwart Gregory Walcott (Plan 9 From Outer Space). ~ Hal Erickson, All Movie Guide

Planet Earth was the second of three look-alike attempts by Star Trek maven Gene Roddenberry to launch a futuristic TV series for the 1970s (the first was 1973's Genesis II, and the third was 1975's Strange New World). John Saxon stars as Dylan Hunt, who awakens from suspended animation in the year 2133. The "big war" has come and gone; one of the few surviving pockets of 20th-century civilization is the city of PAX. This 2-hour pilot film details Hunt's adventures in this Brave New World when he is captured and enslaved by a society run by women. He is rescued by the scientists of PAX, presumably as a means of getting Roddenberry's series off the ground. But except for this film, first aired April 23, 1974, Planet Earth never got into orbit. ~ Hal Erickson, All Movie Guide

The "Carry On" gravy train continues in this entry that registers high on the randiness and vulgarity levels. Sid Boggle (Sidney James) and his best pal Bernie Lugg (Bernard Bresslaw) take off for the holidays with their girlfriends Joan Fussey (Joan Sims) and Anthea meeks (Dilys Laye). The gals know that the boys are taking them camping -- what they don't know it that it is also a nudist camp. Once there they are attracted to other campers -- particularly a group of gals from the Chayste Place Finishing School. Sexual innuendoes and double entendres become the order of the day. . . and night. ~ Paul Brenner, All Movie Guide