Jeremy Kemp Movies

A former World War II submarine captain and his friend turn to smuggling when a former crew member lays out a plan to retrieve some hidden diamonds. Geoffrey (Richard Johnson) and his sidekick David (Roy Dotrice) listen to Riker (Jeremy Kemp) as he tells of the hidden treasure near the Skeleton Coast of Africa. Julie (Honor Blackman) is the passenger whose late husband supposedly hid the diamonds. With a dim-witted German named Johann (Peter Vaughan) as their guide, the crew battle fierce storms and underwater danger as they make the treacherous trek to collect the missing diamonds in this action adventure. ~ Dan Pavlides, All Movie Guide

A 19th-century British naturalist falls in love with the beautiful daughter of a wealthy aristocrat, but he soon discovers that her family's perfect facade disguises unexpectedly grim secrets. Director and co-screenwriter Philip Haas's adaptation of A.S. Byatt's Morpho Eugenio eschews the usual gentility of Victorian period pieces in favor of subtle creepiness. The unsettling mood is emphasized by the film's detailed attention to its protagonist's scientific endeavors, which center on the study of insects and their behavior. In fact, it is his love of insects that brings William (Mark Rylance) to the well-heeled Reverend Alabaster (Jeremy Kemp), who takes a personal interest in William's welfare when a shipwreck leaves William practically penniless. William is welcomed into the Alabaster home, and he resumes his entomological studies while courting the reverend's daughter, Eugenia (Patsy Kensit). Close-up glimpses of insect society parallel this aristocratic world and hint at the dark secrets with which William soon becomes unexpectedly familiar. As in Haas's previous film, The Music of Chance, an unusual, highly symbolic filmmaking approach creates an effective drama, with the potentially detached intellectualism balanced by unusual characterizations and an absorbing attention to detail. ~ Judd Blaise, All Movie Guide

This big-budget adaptation of James Michener's best-selling novel stars Michael Sarrazin as Mark Miller, a low-level American diplomat given a dangerous assignment. Ellen Jasper (Jennifer O'Neill) is the daughter of a prominent U.S. politician who has married Nazrullah (Behrooz Vosoughi), an Iranian colonel. However, she's fallen in love with Zulfigar (Anthony Quinn), a Bedouin rebel leader, and has run off with him. Miller is instructed to find Ellen and bring her back to the United States, and while he's able to complete the first part of his assignment, Ellen simply refuses to leave Zulfigar's side. Caravans was a co-production between American and Iranian firms, but it had the misfortune of being released just as relations between the two nations began to sour, which did nothing to help the film at the box office. ~ Mark Deming, All Movie Guide

The hour-long fantasy adventure TV series Conan was originally broadcast from September 1997 to May 1998. Set in a mystical prehistoric fantasy world, Conan battles evil forces, fulfills prophecies, and fights demonic creatures in a quest to return freedom to Cimmeria. Starring Ralph Moeller as the slave-turned-warrior Conan, Danny Woodburn as the dwarf Otli, and Jeremy Kemp as the evil sorcerer Hissah Zul. ~ Andrea LeVasseur, All Movie Guide

Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, All Movie Guide

A young secretary (John Hurt) for the British Embassy in the Orient becomes involved with a plantation owner's wife (Judi Bowker). ~ John Bush, All Movie Guide

Ziggy (Mark Lester) is the young boy who witnesses the murder of a visiting black official by the police. Much like the boy who cried wolf, Ziggy has been known to stretch the truth and exaggerate. He is unable to convince the adults that he witnessed the killing. The murderous cops are soon on his trail as he hits the road with his sister (Susan George)and her boyfriend (Tony Bonner). The real police soon follow, after convincing his parents that Ziggy has told the truth for once. The boys grandfather (Lionel Jeffries) is the retired Colonel, a lighthouse keeper and lovable curmudgeon. Jeremy Kemp is the police chief, and the main heavy is played by Peter Vaughan. The boyfriend's car is cornered on a treacherous cliff where the villains try to ram the vehicle to the jagged rocks below. ~ Dan Pavlides, All Movie Guide

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. ~ Judd Blaise, All Movie Guide

Star Rod Taylor co-wrote the screenplay for Jamaican Gold. For centuries, the treasure of Morgan the Pirate has been resting somewhere beneath the waters of Carribean. Diver Taylor goes after it, hoping to beat his rivals Stuart Whitman, Elke Sommer and Jeremy Kemp to the punch. All four adventurers must contend with a few scurvy criminal types. Keenan Wynn also shows up as the gloriously yclept "Meat Cleaver Stewart." Filmed in the early 1970s, Jamaican Gold underwent several title and distributor changes before it was released in 1979 as The Treasure Seekers. ~ Hal Erickson, All Movie Guide

Shakespeare's tragedy, made for British television, is given a full-blooded rendition here with the great Laurence Olivier in the title role and a stellar cast to support him, in the tale of a king torn apart by the ambition and treachery within his family and by his own pride. ~ Mark Hockley, All Movie Guide

Jessica (Angela Lansbury) travels to Moscow to attend the International Artists and Writers Conference. No sooner has she arrived that someone steals her purse--and when the police catch up with the thief, they find a role of microfilm amongst Jessica's belongings. Immediately, the KGB accuses our heroine of being a spy--which doesn't anger her quite as much as the subsequent murder accusation leveled at an old friend. ~ Hal Erickson, All Movie Guide

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, All Movie Guide