Moultrie Kelsall Movies

Rat-pack pals Sammy Davis Jr. and Peter Lawford reprise their roles of Charlie Salt and Chris Pepper, respectively, in this film that marks the directorial debut of comedian/writer Jerry Lewis. Lawford also plays Lord Sydney Pepper, the twin brother of Charlie who is a murder victim. Salt and Pepper investigate the crime in this uneven comedy feature. Pepper takes the place of his dead brother and winds up involved in a diamond-smuggling operation. The duo is chased through the bucolic English countryside by Interpol agents and crooks after the stolen gems. Like many sequels, it fails to be as amusing as the original, which wasn't that great in the first place. ~ Dan Pavlides, All Movie Guide

A mother who wants only the best for her challenged daughter faces a number of new and unexpected dilemmas in this romantic drama. Margaret Johnson (Olivia de Havilland) is a wealthy woman taking a tour of Europe with her 26-year-old daughter Clara (Yvette Mimieux). Clara is blonde, beautiful, and charming, but beneath the surface lurks a serious problem -- as a result of a head injury she suffered as a child, Clara is mildly retarded and has the mental capacity of a ten-year-old. While Margaret's husband Noel (Barry Sullivan) has long contended that Clara should be institutionalized, Margaret refuses to hear of it, and she sees to it that her daughter lives as normal a life as possible. While in Italy, Margaret and Clara meet a handsome young man named Fabrizio Naccarelli (George Hamilton), the son of a prosperous local, Signor Naccarelli (Rossano Brazzi). Fabrizio is immediately smitten with Clara, and she seems equally fond of him; since Frabrizio has a spotty command of English and isn't especially perceptive to begin with, he doesn't notice anything unusual about her. Before long, Fabrizio asks Margaret for Clara's hand in marriage; while this would be a big step toward the "normal" life that Margaret has long dreamed of for her daughter, she's not sure if Clara is capable of handling the responsibilities of marriage and parenthood, and she is equally uncertain if she should reveal the nature of Clara's condition to the Naccarellis, even though she knows that it would be terribly unfair for Fabrizio to marry Clara without knowing the truth. Light in the Piazza was beautifully shot on location in Italy by award-winning cinematographer Otto Heller. ~ Mark Deming, All Movie Guide

In this 1959 comedy, Robert MacPherson (Robert Morley) inherits his family's textile business in Edinburgh, Scotland, then hires American efficiency expert Angela Barrows (Constance Cummings) to bring the business into the modern age. The House of MacPherson has long been known as a manufacturer of fine Scottish tweed, and the company's mild-mannered head clerk, Mr. Martin (Peter Sellers), worries that the no-nonsense Barrows will ruin everything with her new-fangled ideas and eventually replace him and his co-workers with automatons. So after she installs the latest labor-saving devices, including intercoms and noisy adding machines, he sabotages them in a gradually unfolding scheme to persuade MacPherson that the old Scottish ways are still the best, that true craftsmanship requires a human touch. By this time, however, MacPherson has taken a fancy to Barrows romantically, and she can do no wrong. Then, horror of horrors, Barrows proposes that the company make synthetic tweed -- mass-produced synthetic tweed -- in an all-out effort to Americanize the Scottish firm. That's the last straw for Martin, and he thinks there is only one option left for him: to murder Barrows. Of course, meek Mr. Martin isn't exactly a natural-born killer, and he botches one attempt after another in a sequence of scenes that keep the action moving briskly along. But Martin has pluck and plenty of persistence, and he eventually hatches another plot to undo the meddlesome Barrows. The film, loosely based on a James Thurber story entitled The Catbird Seat, was directed by Charles Crichton, the same man who directed the highly successful Lavender Hill Mob. ~ Mike Cummings, All Movie Guide

Beyond This Place is a tame murder mystery based on a novel by A. J. Cronin. Van Johnson is cast as an American citizen whose British father has supposedly been dead for years. On a visit to London, Johnson discovers that his father is very much alive, serving a life sentence for murder. Johnson inaugurates his own investigation, retraces the trail of circumstantial evidence, and unearths the real culprit. Director Jack Cardiff was not happy with his work on Beyond This Place, possibly because he was obliged for box office purposes to use an American star in an essentially British story. The film was released in the US as Web of Evidence. ~ Hal Erickson, All Movie Guide

Violent Playground opens with a few West Side Story style shots of a Liverpool street gang, commandeered by a very nasty-looking David McCallum. We're going to be seeing a lot more of McCallum before the final fadeout: His sister (Anne Heywood) is in love with an upright police officer (Stanley Baker). The film plods along predictable grounds until the climactic rumble sequence, which is as good as anything ever seen in Hollywood "J.D." picture. Violent Playground didn't get much American play in 1957, principally because there was a glut of such films at the time. The picture received a new lease on life in the early 1960s to cash in on the Man From UNCLE popularity of David McCallum. ~ Hal Erickson, All Movie Guide

Alan Burgess' novel The Small Woman was the source for the British/American co-production Inn of the Sixth Happiness. Set in the China of the 1930s, the film stars Ingrid Bergman as real-life missionary Gladys Aylward. Against the advice of practically everyone, Gladys heads into the war-ravaged interior to spread the Christian gospel. She finds a powerful ally in the form of an elderly Mandarin (Robert Donat) who, despite his early efforts to rid himself of the troublesome Gladys, eventually converts to Christianity. Gladys' burgeoning romance with Chinese army officer Lin Nan (Curt Jurgens) is interrupted when she is obliged to guide a group of Chinese children to safety over some of the most treacherous of Northern China's mountain regions. Inn of the Sixth Happiness retains its entertainment value some four decades after its production, even allowing for the preponderance of Occidental actors in Oriental roles. The film also served to breathe new life into the old children's nonsense song "This Old Man" (aka "Knick, Knack, Paddywhack"). ~ Hal Erickson, All Movie Guide

In this supenseful and provocative high-seas drama, the captain of a luxury liner is suddenly faced with life or death decisions when his ship sinks, leaving himself and a few survivors floating at sea in an overcrowded lifeboat that does not contain enough food, water and medical supplies to support them all. The captain, Alec Holmes (Tyrone Power) is a decent fellow, and initially intends to save everyone. But it soon becomes clear to one of the ship's men, Frank Kelly (Lloyd Nolan) that this is impossible. As Kelly sacrifices himself by leaping overboard and into the sea, he shouts out a warning to Holmes that it will be necessary to rid the boat of its ill passengers if the rest are to survive, as not enough food and water exists to provide for everyone. Defying the requests of his sweetheart, Nurse Julie White (director Mai Zetterling), and his buddy and fellow officer, Will McKinley (Stephen Boyd), Holmes disposes of the sick individuals on board. He initially gains the support of the rest of the passengers, but when a rescue ship finally turns up, their support turns to contempt and hostility. In Great Britain the story is titled Seven Waves Away. ~ Sandra Brennan, All Movie Guide

Now and Forever is a very slight piece, buoyed by the charm and attractiveness of its young stars. Janette Scott and Vernon Grey play Janette Grant and Mike Pritchard, who fall in love despite the objections of Janette's wealthy parents. Realizing that they will never be permitted to marry, Janette and Mike run off together, sparking a nationwide search for the two elopers. By the time the authorities catch up with the pair, public sentiment is firmly in favor of their union, culminating in a conditional change of mind on the part of Janette's mom and dad. Though the film seems flat and obvious when viewed on television, it truly comes to life before a large and appreciative moviehouse audience. Forgotten for many years, Now and Forever was happily rediscovered by the late film historian William K. Everson in his 1979 book Love in the Film, which was dedicated to star Janette Scott. ~ Hal Erickson, All Movie Guide

Sir Walter Scott's medieval take on the "John Alden" story formed the basis of Quentin Durward. Robert Taylor dons armor in the title role, playing the son of an aging Scottish nobleman. He has been dispatched to propose to a high-born Frenchwoman (Kay Kendall) on his uncle's behalf, but one look at the lady and Quentin Durward falls head over heels. But there are villains to vanquish in several sword fight setpieces, the best of which is the climactic battle in which the hero and the head bad guy (Duncan Lamont) dangle on bell ropes. Quentin Durward was the fifth MGM Robert Taylor picture filmed in whole or in part in England; the others were Conspirator, Quo Vadis, Ivanhoe and Knights of the Round Table. ~ Hal Erickson, All Movie Guide

Originally released as High and Dry, The Maggie was one of the most endearing of the "regional" British comedies of the 1950s. Hollywood's Paul Douglas plays an American businessman whose brash, glad-handing techniques earn nothing but cold stares in a tiny Scottish village. Ever anxious to cut costs, Douglas arranges with a local "transport company" to move his luggage to a remote Scots island. That's how he gets mixed up with The Maggie, a ranshackle old shipping vessel captained by taciturn Alex Mackenzie. Our only cavil: The Maggie is slow going at times, cutting its humor potential in half. ~ Hal Erickson, All Movie Guide

The Sea Shall Not Have Them is our candidate for the most dramatic title of any British World War II film. Happily, the film itself upholds the promise of its name. The focus of the story is a dramatic rescue at sea, which consumes well over a third of the running time. A British bomber carrying high-ranking officer Michael Redgrave, commander Dirk Bogarde and two other men is blasted out of the sky by a German plane. The four men survive, board an inflatable dinghy, and patiently await rescue in the storm-tossed Atlantic. The Air-Sea Rescue Units are poised to write off the search for the downed flyers as hopeless, but Redgrave is carrying vital documents, and is therefore not expendable. Based on a novel by John Harris, The Sea Shall Not Have Them scores highest on its suspense content, and lowest on its banal dialogue exchanges. ~ Hal Erickson, All Movie Guide

The title character of Albert, R.N is portrayed by-well, by no one. Albert is a papier-mache dummy, constructed by the British inmates of a German POW camp. The dummy is used as a diversion in a daring escape plan. Anthony Steel plays the mastermind of the getaway scheme, while Anton Diffring costars as the shrewd-and utterly despicable-Nazi commandant. Albert, R.N was released in the US under the unimaginative title Break to Freedom. ~ Hal Erickson, All Movie Guide