Patsy Kelly Movies

One of the bigger non-cartoon moneymakers for Disney in the 1970s, The North Avenue Irregulars is predicated on the premise of the "Neighborhood Watch" system. Priest Michael Hill (Edward Herrmann), newly arrived on North Avenue, decides to buck the patriarchal notions of his superiors by delegating church responsibilities to the neighborhood women. Since the ladies include Vickie, Jane, Anne, Claire and Rose (Barbara Harris, Karen Valentine, Susan Clark, Cloris Leachman and Patsy Kelly), we're well primed for a surfeit of feistiness. Father Michael entrusts the church funds to Rose, who loses it all at the race track. In trying to retrieve the cash, he comes up against an influential bookie ring, controlled by several of the above-suspicion town officials. The wily priest responds by organizing the ladies of his congregation into the North Avenue Irregulars, a two-fisted crimefighting unit. There's slapstick aplenty within the film's 99 minutes, including the expected comic car crash. North Avenue Irregulars is based on a (drawn-from-life?) novel by the Reverend Albert Fay Hill. ~ Hal Erickson, All Movie Guide

Have you ever longed for the day when James Brown, Martha Raye, and Col. Harland Sanders would appear in a movie together? Well, that's barely the tip of the improbable casting iceberg in this bizarre cold-war spoof. The leaders of the American intelligence organization the S.S.A. ("Super Secret Agency") are becoming increasingly alarmed by the disappearance of a number of B-list celebrities, who are being spirited off to Communist Albania. Eager to bring the fading stars back to the Land of the Free, the S.S.A. come up with a simple plan: They'll find four typical guys in their mid-twenties, have them form a rock group, make them into international stars, and wait until they get invited to play a gig in Albania, which will allow them to find out what's become of Rudy Vallee, Butterfly McQueen, and Huntz Hall, among others. Unemployed philosopher Michael A. Miller, Native-American honor student Ray Chippeway, phys-ed major Dennis Larden, and male model Lonny Stevens are drafted by the S.S.A., and after some intensive training by experts (Trini Lopez shows them a few guitar chords, and Richard Pryor gives them a crash course in soul), they become an overnight sensation as The Phynx (yes, it's pronounced "Finks"). Their album sells 17 million copies on the strength of songs like "What Is Your Sign?," and their groupies have to be cleared away by forklift. But fun and games have to go to the back burner when Albanian ruler Markevitch (George Tobias) and his wife, Ruby (Joan Blondell), invite the Phynx to perform at the behest of their son. Pat O'Brien, Xavier Cugat, Patty Andrews, and Dick Clark are just a few of the other notables who make cameo appearances in The Phynx, which had a very brief theatrical release before being sold to television in the early '70s. Legendary songwriters Jerry Leiber and Mike Stoller penned the songs performed by The Phynx (and Stoller composed the background score), though for some reason they're not covered nearly as often as "Jailhouse Rock," "Hound Dog," or "Yakkety Yak." ~ Mark Deming, All Movie Guide

Though the title of this episode refers to the young lady played by Sheila Wells, the emphasis is on George's father, photographer Enos Blessing (Jack Albertson). Hired to provide an alibi for crooked lawyer Cato Troxell (Gerald Mohr), who plans to murder the judge (Fred Clark) responsible for hanging his brother, Blessing takes a group picture of the Ponderosa entourage, then doctors the photo to include Troxell. This little arrangement ultimately proves fatal for both Troxell and Blessing. Featured in the all-star supporting cast are Andy Devine and Patsy Kelly) as Roscoe and Mrs. Neely. Written by William H. Wright, "A Girl Named George" first aired on January 14, 1968. ~ Hal Erickson, All Movie Guide

American-International's Beach Party series came to an abrupt end with Ghost in the Invisible Bikini. Because of such tangible reasons as contractual commitments, coupled with such intangibles as illness and death, most of the series "regulars" are absent. Deborah Walley and Aron Kinkaid fill the roles usually played by Annette Funicello and Frankie Avalon, while Benny Rubin plays a comic-Indian role obviously intended for Buster Keaton. Only Harvey Lembeck, as the inimitable Eric von Zipper, is on hand from the good old days. The plot is set in motion by the ghostly Boris Karloff, a corpse who must perform one good deed before gaining entrance into the Hereafter. Together with a sexy spirit (Susan Hart) (the titular lass in the invisible bikini), the corpse attempts to save the heiress (Walley) from the murderous machinations of a greedy attorney (Basil Rathbone) and his cohorts (Rubin and Jesse White). Music is provided by such second-generation celebs as Nancy Sinatra and Claudia Martin, and with The Bobby Fuller Four lip-synching a pair of songs. The climax is a less-funny reworking of the final sequence in Beach Blanket Bingo, with the heroine (Walley) strapped to the longest buzzsaw plank in film history. ~ Hal Erickson, All Movie Guide

Rob (Dick Van Dyke) is called for jury duty in a trial where the defendant is gorgeous Marla Hendrix (Sue Ane Langdon). Naturally, Laura (Mary Tyler Moore) is jealous over Rob's close proximity to such a beautiful and desirable woman. The situation isn't helped at all when, in the jury room, Rob is the only juror who holds out for a "not guilty" verdict. This episode marks one of several '60s "comeback" appearances by the delightful character comedian Patsy Kelly. ~ Hal Erickson, All Movie Guide

In this entertaining comedy by Charles Walters, everyone seems to get in on the act, even the dog and especially the four overactive kids in a wildly challenging family. David Niven co-stars with Doris Day as Lawrence and Kate Mackay, distinctive parents struggling with home, life, and family. Lawrence opts for leaving his job teaching at Columbia University in New York for a post as a drama critic for a Gotham newspaper, bringing new problems to the pile the family already owns. First, they are forced to move out -- far out -- to the countryside with their brood and canine. And next, while Kate handles home, hearth, and hellions, Lawrence proceeds to alienate one of his best friends with a shattering review. That unhappy beginning to his new career also brings in one of the actresses damaged by his cutting remarks (Janis Paige), who wreaks her own form of havoc on poor Lawrence. In the meantime, Day gets to sing some songs which add to the light-hearted attitude of it all. ~ Eleanor Mannikka, All Movie Guide

A navy jet piloted by Captain Dale Heath (Efrem Zimbalist Jr.) and carrying a junior officer (Troy Donahue), making a quick hop across country on leave, has already taken off when Heath realizes that both his radio and his navigation equipment have malfunctioned. They might be on the right course, but he can't tell if they're at the right altitude -- 500 feet too high or too low would put him in the path of a plane headed in the opposite direction -- and he can't get through to ground control to get a fix or to request clearance to a new course, or to send out a mayday call. Heath is quietly terrified at the prospect of what may happen, not just for the obvious reason but also because he's experienced this situation once before and saved himself at the cost of the other plane and its pilot. Meanwhile, flying in the opposite direction on the same course is a commercial airliner piloted by Dana Andrews and carrying a full load of passengers, each with their own worries. Much of the first 85 minutes of this thriller is devoted to the passengers and crew of the airliner struggling with their personal problems, never knowing the danger they're in, while Heath (and the audience) grow increasingly tense trying to solve his problem and prevent a tragedy. In the end, his best efforts are to no avail, and he faces the choice of saving his plane and dooming the airliner, or sacrificing himself and his passengers. ~ Bruce Eder, All Movie Guide

Lupe Velez is "The Mexican Spitfire" in everything but name in the frantic baseball farce Ladies Day. Eddie Albert plays Wacky Waters, star pitcher of the Sox, a league-leading contender for the World Series. Alas, whenever Wacky falls in love, his game suffers-and so do the wives of his teammates, who are counting on that Series bonus money. When Wacky marries vivacious movie star Pepita Zorita (Velez), the wives, led by Hazel Jones (Patsy Kelly), take drastic action, kidnapping Pepita and hiding her out in a hotel room. But Pepita manages to wriggle out of the hotel towels that bind and gag, disguise herself as a bellboy, and head to the ballpark during the Big Game. Fortunately, Pepita turns out to be Wacky's prime motivation for winning the Series, and there's a happy ending for one and all. Pretty lame as far as baseball films go, Ladies Day will be best appreciated by fans of Lupe Velez and Patsy Kelly, who never speak when shouting will do. ~ Hal Erickson, All Movie Guide

With its slight resemblance to Destry Rides Again (1939) -- probably not entirely coincidental -- this rousing Western from Republic Pictures remains a joy throughout. John Wayne plays Tom Craig, a mild-mannered druggist from Boston who opens a shop in wild and woolly Sacramento shortly before the Gold Rush. The town is "owned" by the Dawson brothers, Britt (Albert Dekker) and Joe (Dick Purcell), who poison Craig's tonic when saloon hostess Lacey Miller (Binnie Barnes) takes too much of an interest in the handsome newcomer. Town drunk Whitey (Emmett Lynn) has one drink too many, and all of Sacramento is soon in a lynching mood. The news of "gold in them thar hills" saves the druggist in the nick of time, but his business is destroyed. While everyone is heading for the gold fields, Craig prepares to leave town with snobbish debutante Ellen Sanford (Helen Parrish), whom he intends to marry. News of typhoid fever among the prospectors changes his mind, however, and the man once referred to as "a human hitchin' post instead of a two-legged man," risks his own life to save the suffering populace. The Dawson brothers, meanwhile, plan to hijack the medical supplies and sell them to the highest bidder, but when Britt Dawson learns that Lacey is helping the sick and may be stricken with the disease herself, he has a change of heart and eventually confesses to spiking Craig's medicine. Cast against type for most of the film, John Wayne fails to make his amiable druggist entirely believable but remains simply John Wayne throughout -- which is as it should be. Binnie Barnes is rowdy and fun whether leading a chorus of "California Joe" by Johnny Marvin and Fred Rose, or jealously interrupting a tête-à-tête between Wayne and 19-year-old Helen Parrish. Usually cast as glacial "other women" in Hollywood films, the British-born Barnes had actually begun her professional career touring Europe and South Africa with bucolic American headliner Tex McLeod, which was as good a preparation as any to play In Old California's saloon belle. Patsy Kelly, who shoots down her laundry with a Winchester, and Edgar Kennedy, as Wayne's tooth-ache plagued sidekick, add to the general fun. ~ Hans J. Wollstein, All Movie Guide

Two of Hal Roach's short-subject stalwarts, Patsy Kelly and ZaSu Pitts, are teamed in the Roach-produced feature Broadway Limited. The whole story unfolds on a Chicago-to-Manhattan express train; among the passengers are Hollywood starlet April (Marjorie Woodworth), her producer Ivan (Leonid Kinskey) and her wisecracking secretary Patsy (Kelly). Hoping to stir up publicity for April, Patsy and Ivan conspire to adopt a baby for their client. Trouble is, the authorities are convinced that the child has been kidnapped, causing no end of trouble for such innocent bystanders as engineer Mike (Victor McLaglen), bookish young doctor Harvey North (Dennis O'Keefe) and garrulous clubwoman Myra (Pitts). The film is stolen by infant performer Gay Ellen Dakins, who spends most of her scenes smiling at the camera, oblivious of the adult slapstickery. ~ Hal Erickson, All Movie Guide

The third of producer Hal Roach's Topper films, Topper Returns eschews the frothy "screwball" format of the first two in favor of an "old dark house" comedy-mystery. Roland Young returns as banker Cosmo Topper, who gallantly offers a lift to pretty hitchhikers Gail Richards (Joan Blondell) and Ann Carrington (Carole Landis). This results in a few baleful glances from Topper's wife, Clara (Billie Burke), but the worst is still to come. It seems that Gail and Ann are en route to a chilly old mansion, recently inherited by Ann and populated by all manner of sinister types, including old reliable menaces Dr. Jeris (George Zucco) and Lillian (Rafaela Ottiano). The only person whom the girls can trust -- or can they? -- is Ann' father (H.B. Warner). Unable to sleep in the creepy mansion, Gail suggests that she and Ann exchange bedrooms. This proves to be a major mistake when a mysterious, hooded assailant, intending to murder Ann, kills Gail instead. Seconds later, Gail's ghost arises from her body and heads to the nearby summer house where Mr. and Mrs. Topper are staying. Having had his fill of ghosts in the first two Topper films, Topper wants nothing to do with Gail's spirit, but she finally convinces him to help her identity her killer, and to rescue Ann from a similar fate. Some of the film's best moments belong to Eddie "Rochester" Anderson as Young's eternally frightened chauffeur (at one point, Anderson threatens to quit the Toppers and go back to Jack Benny)! More contrived and slapstick-oriented than the earlier Toppers, Topper Returns still works as a neat and entertaining comedy, even in its dreadful computer-colorized version. A decade later, Thorne Smith's "Topper" characters would be revived for a popular TV series, starring Leo G. Carroll, Anne Jeffreys, and Robert Sterling. ~ Hal Erickson, All Movie Guide

In this musical, the second entry in a five-film series, a thrift shop owner sells his business and buys a small time radio station. He begins looking for sponsors. He finds one with a department store owner who will only lend him the money if he will allow his daughter, an aspiring tap-dancer and singer, to perform on the air. This is unfortunate as she is tone-deaf. To compensate, the owner hires a real singer to dub the daughter's voice. The singer and the owner's nephew fall in love and mayhem ensues. Songs include: the Oscar nominated "Who Am I?," "Swing Low Sweet Rhythm," "In The Cool of the Evening," "Make Yourself at Home," "The Swap Shop Song," "The Trading Post," "Sally," "Ramona," "Sweet Sue," "Dinah," "Margie," and "Mary Lou." ~ Sandra Brennan, All Movie Guide

After an eccentric young woman (Merle Oberon) is left on her father's estate to keep her from spoiling his Presidential bid, she attends a rodeo and falls in love with a cowboy (Gary Cooper). They marry soon after, and must confront the furious father. ~ John Bush, All Movie Guide