M.G. Kelly Movies

This farcical send-up of the movie business borrows a plot from the classic 1968 Mel Brooks film The Producers. It stars Tony Curtis as J.P. Sheldrake, a movie producer sorely in need of a flop for tax purposes. Imagine his delight when a very young would-be filmmaker shows up on his doorstep with what could be the worst B-movie ever made, Lobster Man From Mars. In the story-within-a-story, a Martian lobster-man who has come to earth to steal some badly needed air for his home planet grows increasingly addicted to munching on humans. He is pursued by an addlepated professor (Patrick Macnee) a couple of all-American teens, and a trigger-happy military man. The movie looks guaranteed to be a flop, but of course it foils Sheldrake's plan by becoming a huge success. ~ Clarke Fountain, Rovi

This lively film was made to cash in on the roller skating craze that swept Southern California in the late '70s. The story centers upon a poor-little-rich-girl runaway who heads for the Venice boardwalk to join the other hipsters on wheels. She and her new friends then team up to keep an avaricious developer from razing the local roller rink and putting a shopping mall in its stead. ~ Sandra Brennan, Rovi

From the time he was a high-school student in Lubbock, Texas until his tragic death at age 22 in 1959, Buddy Holly ignored the condemnation by townspeople and his conservative relatives and dedicated his life to the new music he became famous for performing: rock 'n roll. Gary Busey stars as Buddy Holly in this widely acclaimed big-screen biography and sings well enough on camera for the film's adapted musical score to win an Oscar. Among the classic songs by Buddy Holly and the Crickets which can be heard are: Oh Boy, That'll Be The Day, Peggy Sue, and Not Fade Away. ~ Clarke Fountain, Rovi

The third remake of the 1932 drama What Price Hollywood?, this adaptation of A Star Is Born moved the story into the mid-1970's and changed the milieu from the movie business to pop music. John Norman Howard (Kris Kristofferson) is a rock star whose career has peaked; he is numbed by booze and cocaine, his music has lost its edge, and his performances have become painfully haphazard. One night, after a concert, he stumbles into a club where he sees a singing group fronted by Esther Hoffman (Barbra Streisand). John likes what he hears and loves what he sees; he tries picking her up, but soon realizes if he wants to see her, he'll have to ask her out on an actual date. He does, and before long the two become involved, although Esther has trouble with John's rock star lifestyle. One night, a typically burned-out John lets Esther sing a few songs at one of his shows; before long she's the talk of the record business. While Esther's star begins to rise, John's continues to sink, and while she desperately tries get John to clean up and focus on his music, it may be too late to save him. The song "Evergreen" earned this film an Academy Award for Best Song; the credits contain the amusing notice, "Ms. Streisand's Clothes from ... Her Closet." ~ Mark Deming, Rovi