Lew Kelly Movies

Barbara Stanwyck shines in her second portrayal of a showgirl in less than two years (the first was in Howard Hawks' Ball of Fire in 1941). In Lady of Burlesque -- which, at times, has a Hawksian edge to the dialogue -- she portrays Dixie Daisy, a striptease artist at a Broadway theater in New York at the end of the 1930s. In the course of fending off the unwanted advances of brash comic Biff Brannigan (Michael O'Shea), with whom she is teamed in several numbers, and staying clear of the dressing room feuds of her fellow dancers -- including a very nasty dispute between Dolly Baxter (Gloria Dickson) and Lolita La Verne (Victoria Faust) -- she finds herself up to her neck in trouble when one of the women is found strangled with her own G-string. The police don't know what to make of it, especially as the victim was already dying of a fatal dose of poison, which means that there are two murderers somewhere in the theater; and when a second woman turns up strangled inside a prop that Dixie was supposed to be hiding in onstage, she looks like a good suspect. Between the backstage comedy-drama, and the songs, dances, and on-stage comic routines, with the police breathing down both their necks at different times, Dixie and Biff manage to solve the mystery and find each other in this briskly paced, funny, yet amazingly gritty comedy-thriller. Lady of Burlesque was allowed to fall out of copyright in 1971, and since then it was seen in substandard editions until the May 2001 DVD release from Image Entertainment. ~ Bruce Eder, All Movie Guide

The Mad Ghoul may well be the definitive George Zucco horror melodrama. The star plays Dr. Alfred Morris, a distinguished scientist who obsession with an ancient Egyptian life-preserving process has tipped him over into madness. In love with young concert singer Isabel Lewis (Evelyn Ankers), Morris is extremely jealous of Isabel's boy friend Ted Allison (David Bruce), who happens to be the doctor's lab assistant. Killing two birds with one stone, Morris uses Ted as a guinea pig for his eternal-life experiments. Ted is transformed into a mindless zombie, though he occasionally lapses back into his normal self, with no memory of his zombified state. To stay alive, Ted must maintain a fresh supply of human hearts-and to that end, Morris programs the poor fellow to kill innocent victims and tear their hearts right out of their bodies. When Morris programs Ted to kill Isabel's new beau (Turhan Bey), he goes too far, and becomes a zombie himself. A British film critic wryly summed up The Mad Ghoul thusly: "To be a ghoul must be disconcerting enough, but to be a mad ghoul must be the height of personal embarrassment." ~ Hal Erickson, All Movie Guide

Orson Welles' followup to Citizen Kane (1941) was utterly different from Kane in style and texture, but just as brilliant in its own way. Writer/director Welles does not appear on camera, but his voiceover narration superbly sets the stage for the movie's action, which fades in valentine fashion on Amberson Mansion, the most ostentatious dwelling in all of turn-of-century Indianapolis. Its mistress is the haughtily beautiful Isabel Amberson (Dolores Costello). When Isabel's beau, erstwhile inventor Eugene Morgan (Joseph Cotten), inadvertently humiliates her in public, she breaks off the relationship and marries colorless Wilbur Minafer (Donald Dillaway). The neighbors are certain that, since Isabel can't possibly love Wilbur, she will spoil her children rotten. As it turns out, she has one child, George Minafer (Tim Holt), and that one is enough as far as the rest of Indianapolis is concerned. There are those who live for the day that the arrogant, insufferable George will get his comeuppance. When George returns home from college, his mother and grandfather (Richard Bennett) hold a gala reception in his honor. Among the guests is the older-and-wiser Eugene, now a prosperous automobile manufacturer, and his pretty daughter Lucy (Anne Baxter). George takes to Lucy immediately, but can't warm up to Eugene, especially after learning from his uncle Jack Amberson (Ray Collins) and his maiden aunt Fanny (Agnes Moorehead) that Eugene and Isabel had once been sweethearts. After the death of Wilbur Minafer, the widowed Eugene feels emboldened enough to propose to Isabel again. This time she is willing, but the obstreperous George refuses to allow his mother to see Eugene. His imperious bullheadedness will lead to tragedy for all concerned--and, at long last, a chastened George Minafer will indeed receive his comeuppance. The film's real villain is not George but that old intangible bugaboo called "Progress." As the automobile age comes to fruition, the elegant, cloistered lifestyle of the Ambersons fades from view, finally disappearing altogether. This is superbly foreshadowed in the "winter outing" sequence (filmed in an L.A. icehouse) in which George's two-horse sleigh is abandoned in favor of Eugene's clunky horseless carriage. Welles evokes performances that his actors seldom (if ever) matched in later years; even the very limited Tim Holt is wholly believable-and even a bit pitiable-as the blinkered George Amberson Minafer. The current version, however, is but a pale shadow of Welles' original concept. Out of time and overbudget, the movie previewed badly and was eventually sliced down to an abrupt 88 minutes (by, among others, editor Robert Wise, who would go on to direct such films as West Side Story and The Sound of Music). Even though the film therefore must be regarded as a marred masterpiece, the remaining two-thirds of Welles' original concept is still a thrilling cinematic experience, especially whenever Agnes Moorehead is on the screen. ~ Hal Erickson, All Movie Guide

Bowery at Midnight casts Bela Lugosi as Professor Brenner, a psychology instructor at New York University (which looks a lot like Berkeley in the exterior shots!). When not enlightening his students -- most of them buxom Monogram starlets -- Brenner is engaged in charitable work, running a mission in the Bowery. In truth, however, the kindly professor is a fiend in human form, who uses his mission as a front for a vast criminal empire. When Judy (Wanda McKay), one of Brenner's students, stumbles onto the truth, she's targeted for extermination by the Dr. Jekyll-and-Mr. Hyde prof. ~ Hal Erickson, All Movie Guide

When the film rights to its "Saint" series proved too expensive to renew, RKO Radio came up with a lookalike property in the form of "The Falcon", even engaging George Sanders, the best of the "Saint" impersonators, to play the studio's newest gentleman detective. The Gay Falcon opens as Gay Lawrence (Sanders) -- aka the Falcon -- is hired to guard a priceless diamond. When the owner of the gem is murdered, suspicious immediately falls upon Lawrence's ex-con chauffeur Goldie (Allen Jenkins). Two more killings occur before Lawrence is able to uncover the insurance scam behind it all. Along the way, he romance a pair of toothsome leading ladies, Helen (played by series regular Wendy Barrie) and Elinor (Anne Hunter). Hans Conried contributes a sparkling bit as a snide police sketch artist. ~ Hal Erickson, All Movie Guide

Not quite a B western but certainly no "A", Road Agent is kept alive by the boisterous byplay of stars Dick Foran, Leo Carrillo and Andy Devine. Summarily accused of murder, drifters Duke (Foran), Pancho (Carrillo) and Andy (Devine) are tossed into the hoosegow, only to be released when their alibi checks out. Far from offended by his ill treatment, Duke agrees to take the job of sheriff, retaining Pancho and Andy as his deputies. The gruesome threesome then sets about to solve a series of mysterious Wells Fargo robberies-which turns out to have been their secret mission all along! Dick Foran not only gets to sing from time to time, but also romances no fewer than two bright-eyed leading ladies, Annes Gwynne and Nagel. ~ Hal Erickson, All Movie Guide

The Great Train Robbery is not a remake of the 1903 landmark film of the same name; if it had been, it wouldn't have run any longer than eight minutes. This 1941 production isn't even a western, but instead a modern-day melodrama starring Bob Steele as a railroad detective. Steele takes it upon himself to halt the activities of his crooked brother (Milburn Stone), who apparently has stolen an entire gold train, passengers and all. The criminal's modus operandi (a rather cold-blooded one, involving mass murder) was later reworked into two Republic westerns, the first starring Bill Elliot and the second featuring Rex Allen. Claire Carleton is on hand in Great Train Robbery to play a nightclub singer who requires rescuing by two-fisted Steele. ~ Hal Erickson, All Movie Guide

With Paramount abandoning its "Zane Grey" western series in 1941, 20th Century-Fox took up the cudgel with such films as The Last of the Duanes. George Montgomery stars as Buck Duane, who in 1870 returns to his Texas hometown, only to find out that his father has been murdered. Following the most obvious suspect, Duane discovers that the culprit is a member of a highly organized outlaw gang. Realizing that he's outnumbered (no kidding!), Duane joins the Texas Rangers, hoping not only to break up the gang but also expose its mysterious leader. Eve Arden is surprisingly but effectively cast as a dance-hall girl who briefly befriends the hero. Last of the Duanes was previously filmed by Fox in 1931, with George O'Brien in the lead. ~ Hal Erickson, All Movie Guide

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide

A bad seed tries to keep his older brother from making the same mistakes in this crime drama. The latter is a prize fighter who is becoming entangled with the mob. The younger one is already connected and doesn't want to see gangsters exploiting his elder sibling. ~ Sandra Brennan, All Movie Guide

Roy Rogers is forced to chase down his own kid brother in this exemplary Republic Pictures oater produced and directed by Joseph Kane. Roy Rogers Sr. (Lane Chandler) is brutally murdered by nasty Ed Tasker (Frank M. Thomas), who takes off with the only witness to the killing, Rogers' youngest son, Tim (Buz Buckley). Years later, Roy Rogers Jr. returns to the family's Circle R ranch under the name of Roy Reynolds and quickly resumes a lost romance with the neighbor's now-grown granddaughter, Ann Meredith (Doris Day). Tasker is still around as well, alas, nastier than ever and extracting protection fees from the local farmers and ranchers. Although seemingly willing to pay his way out of trouble, Roy secretly organizes a vigilante committee to "protect the valley from protection" and ends up hunting down not only Tasker but his own brother, a now grown-up Tim (Don "Red" Barry). The Saga of Death Valley was filmed at Lone Pine, CA, rather than the arid location indicated by the title. Leading lady Doris Day is not the later singer-star but a brunette Republic starlet under contract to the studio from September 9, 1939 to January 28, 1940. ~ Hans J. Wollstein, All Movie Guide

In this musical western, ranch owner "Lucky" Langham (Robert Homans) dies unexpectedly, and in his will he leaves his spread to his daughter Cody (Carol Hughes). However, "Lucky" added the proviso that ranch foreman Gene (Gene Autry) is to be the executor of his will, and must give his OK before Cody can marry. Larry Cummings (Craig Reynolds) is a man from the city with eyes for Cody and her ranch; Gene has a feeling that Larry isn't to be trusted, and refuses to allow them to wed. Gene turns out to be a shrewd judge of character when Larry involves Cody in a kidnapping, and Gene (who is also drawn to Cody's charms) must come to the rescue. As usual, Smiley Burnette co-stars as Gene's sidekick Frog, and Gene warbles five songs of the sagebrush. ~ Mark Deming, All Movie Guide