Kitty Kelly Movies

Erskine (Efrem Zimbalist Jr.) and Rhodes (Stephen Brooks) head to the Florida Keys, where Gloria Burnett is hiding in an abandoned house. Gloria is the only person who can identify her husband Charles (James Franciscus) and his accomplice Allen Cole (Hunt Powers) as the masterminds behind a thwarted kidnap attempt, and Charles is not about to let her tell anyone what she knows. Ratcheting up the melodrama is an oncoming hurricane that threatens to wipe out all of the principal characters in one fell swoop. Glen Campbell shows up as a philosophical guitar player. ~ Hal Erickson, All Movie Guide

Investigating a mine cave-in, Joe Cartwright finds his friend Seth Pruitt (Richard Rust standing over the dead body of Seth's future father-in-law. Admitting to murder, Seth explains that the dead man suffered extensive injuries in the cave-in, and begged to be killed rather than live out his life as a cripple. Seth then swears Joe to secrecy, out of respect for the feelings of Seth's intended bride Sara (Nancy Rennick). Throughout the rest of the episode, Joe agonizes over his promise to Seth, wondering if his decision to remain silent is morally defensible. A surprise ending caps Peter Packer's riveting teleplay. Originally telecast November 17, 1963, "The Quality of Mercy" was one of Michael Landon's favorite Bonanza episodes. ~ Hal Erickson, All Movie Guide

Druggist Herbert Simms (Linden Chiles) hopes to change careers and become a TV writer. To this end, he submits his first script to unscrupulous producer Charlie Cory (John Lasell)--who proceeds to steal Simms' story idea and pass it off as his own. The outraged Simms consults his family's attorney, Perry Mason (Raymond Burr), who tells him that nothing can be done because no contract had been signed. Not long afterward, Cory is bludgeoned to death--and Simms is spotted fleeing the murder scene. ~ Hal Erickson, All Movie Guide

Mr. Johnson (Edgar Stehli) claims to have had a vision of the serial strangler who is terrorizing the city. Unfortunately, no one will listen to Mr. Johnson: not the police, not his priest (Rusty Lane), not even his own wife (Edith Evanson). Besides, the cops already have a suspect in custody, and the case against the man seems airtight. But Johnson insists that his vision is accurate -- and tragically, it turns out to be just that. ~ Hal Erickson, All Movie Guide

The greedy relatives of wealthy Daniel Reed (Edgar Stehli) want to have him committed to a mental institution, using as evidence the fact that he has been issuing $20,000 checks to strangers. Perry is hired by Reed's girlfriend Millie Foster (Kitty Kelly) to prevent the old man from being put away. Before long, however, Perry is defending Reed on a murder charge--and the victim is the recipient of all those checks, a slimy blackmailer named Maury Lewis (King Calder). In the course of events, Perry is amazed that each and every one of his legal moves has been anticipated by DA Hamilton Burger (William Talman); can it be that Burger has ordered Mason's office to be bugged? This final episode of Perry Mason's first season is based on a 1939 novel by series creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide

Lucky Jordan (Alan Ladd) is a tough but good-natured New York racketeer who tries to finagle his way out of Army service. Despite his efforts, Jordan is drafted, but soon goes AWOL, with a lovely USO worker (Helen Walker) dogging his heels. She tries to arouse Jordan's patriotism, but he is unmoved until a gang of enemy spies beat up an old lady con artist (Mabel Paige) whom Lucky regards as a surrogate mother. Using his underhanded "street smarts," Jordan rounds up the spies and agrees to complete his military servitude. Lucky Jordan was one of several wartime films in which otherwise larcenous individuals are redeemed by channelling their talents for the good of Uncle Sam. ~ Hal Erickson, All Movie Guide

Joan Crawford is the kissable bride of the title--but when the film opens, matrimony is the farthest thing from her mind. Crawford becomes a big-time executive upon inheriting her father's trucking business, which leaves her no time for such trivialities as romance. To enhance her business, Crawford arranges a marriage of convenience for her younger sister (Helen Parrish). At the wedding, Crawford meets reporter Melvyn Douglas, who is out to discredit Crawford....and you know what's coming next. They All Kissed the Bride was one of several 1942 productions originally slated for Carole Lombard, whose sudden death in a plane crash required all the major studios to reshuffle their production schedules to come up with last-minute Lombard replacements. ~ Hal Erickson, All Movie Guide

Mitchell Leisen directed this romantic comedy with melodramatic overtones, starring Marlene Dietrich in a sympathetic role as famed stage star Elizabeth Madden. Elizabeth longs for motherhood but has no husband. Her desire appears to be fulfilled when she finds an abandoned baby, but she doesn't have a clue on how to raise it. She finds divorced pediatrician, Dr. Corey McBain (Fred MacMurray), to help her with the child. Elizabeth names the child after him and makes Corey an offer. Since she's single, she cannot adopt the child. But if Corey would marry her in name only, she could be the adopted mother and Corey could stay in a section of her apartment where she would support his research. Corey agrees to the deal, but it's not too long before Corey and Elizabeth fall in love. ~ Paul Brenner, All Movie Guide

Paramount's "B" pictures of the early 1940s were generally more interesting than their star-studded "A"s, as witness Women without Names. Ellen Drew and Robert Paige star as newlyweds Joyce and Fred MacNeil, whose honeymoon comes to an abrupt and unsatisfying halt when Fred is accused of murder. Railroaded into prison through the efforts of politically ambitious assistant DA Marlin (John Miljan), Fred awaits his doom on Death Row, while Joyce works overtime on the outside to clear her husband's name. Fred fate rests in the hands of Peggy Athens (Judith Barrett), the spiteful girl friend of Joyce's ex-husband, and the only person who knows the identity of the real murderer. Women Without Names was based on a play by Ernest Booth. ~ Hal Erickson, All Movie Guide

The story goes that such stars as Fred MacMurray, Jack Oakie and Burns & Allen had turned down The Road to Singapore before the leading roles went to Bing Crosby and Bob Hope. More conventionally structured than future "Road" efforts, the film casts Crosby as Josh Mallon, the irresponsible son of shipping magnate Joshua Mallon IV (Charles Coburn). Though the elder Mallon wants his son to enter the family business and marry longtime fiancee Gloria Wycott (Judith Barrett), Josh would rather pal around with his carefree sailor buddy Ace Lannigan (Bob Hope). On the eve of his wedding, Josh escapes with Ace to Singapore, where the two of them cook up a get-rich-quick scheme involving a highly unreliable spot remover. The boys' friendship is strained when they both fall in love with cabaret dancer Mima (Dorothy Lamour), who is on the lam from her jealous partner Caesar (Anthony Quinn). Hiding out from the authorities, the three protagonists wind up in the midst of a native ceremony, where Ace and Mima rescue Josh from a hasty marriage to a local temptress. When Gloria shows up to drag Josh back to the altar, Mima nobly gives him up, pretending to be in love with Ace. Eventually, however, big-hearted Ace realizes that Mima belongs with Josh, and thus concocts another scheme to lure his pal back to the Far East. Though many of the earmarks of the "Road" series are evident in Road to Singapore (the "patty-cake" bit, the presence of such guest stars as Hope's radio stooge Jerry Colonna, etc.), the film lacks the spontaneous quality of the later Hope-Crosby-Lamour starrers. Even so, it's an awful lot of fun, especially when Bob and Bing team up on the novelty number "Captain Custard" and Dorothy croons her requisite "moon and stars" romantic ballads. ~ Hal Erickson, All Movie Guide

The late cinema historian William K. Everson once wrote an article titled "Movies Out of Thin Air", referring to films that were comprised almost exclusively of stock footage from earlier productions. A prime example of this sort of patchwork entertainment is the 1939 Paramount production Geronimo, which though advertised and distributed as an "A" picture was largely and economically cobbled together from existing film vignettes. Essentially a western remake of Lives of a Bengal Lancer (1935), the film concentrates on the rocky relationship between crusty Cavalry general Steele (Ralph Morgan) and his shavetail lieutenant son (Richard Cromwell). The boy is taken under the wing of kindly Captain Starrett (Preston Foster), who is also occupied with bringing renegade Indian warrior Geronimo (played by Native American actor Chief Thundercloud, unbilled despite his title-character status) to justice. The fly in the ointment is treacherous gunrunner Gillespie (delightfully played as a snivelling coward by Gene Lockhart) who for a price agrees to help Geronimo decimate the local white population. Nominal heroine Ellen Drew has one of the least demanding assignments in movie history, spending two-thirds of the film in a coma after being injured in a stagecoach accident! Among the previous Paramount epics represented in Geronimo via stock footage are Frank Lloyd's Wells Fargo and Cecil B. DeMille's The Plainsman. ~ Hal Erickson, All Movie Guide

A female con artist becomes involved in the abduction of a miner. The target of the con is a wealthy Easterner. The con artist develops a romantic interest in her chauffeur, who is actually a government investigator. The love interest of the miner, a sheriff from Nevada, puts a stop to the scheme when he discovers it is not his girlfriend selling the mine. ~ Sandra Brennan, All Movie Guide