Mackenzie Crook Movies

A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil. Adapted from the pulpy sword-and-sorcery stories by Conan the Barbarian creator Robert E. Howard, the film opens to find Solomon Kane (James Purefoy) and his ruthless band of marauders laying siege to a city in Northern Africa. Beckoned to an enigmatic castle filled with untold riches, Kane soon realizes that his greed has sealed his fate when the Devil's minions decimate his ranks, leaving him alone to battle the infernal Reaper (Ian Whyte) that has come to claim his tainted soul. But Kane cheats death, and upon escaping, learns that his only hope to avoid being cast into the lake of fire is to walk the path of peace. Meanwhile, as Kane makes his way across England, the sinister Overlord (Samuel Roukin) uses his ruthless Raiders to seize control of the country, killing for pleasure and striking terror into the hearts of peaceful Puritans like the Crowthorns -- who generously offered Kane food and shelter on his arduous journey. When the Crowthorns are brutally laid to waste by the Raiders, who subsequently kidnap and enslave their innocent daughter Meredith (Rachel Hurd-Wood), Kane vows to rescue her and prevent England from being consumed by evil, even if it means confronting his family's dark past and sacrificing his immortal soul in the process. Pete Postlethwaite and Max von Sydow co-star. ~ Jason Buchanan, Rovi

Monster House director Gil Kenan takes the helm for this children's fantasy about two young heroes who attempt to solve an ancient mystery in time to prevent their underground city from being swallowed by darkness. The City of Ember was built over 200 year ago, deep below the earth, where the destruction of a mass-scale disaster couldn't reach it. Equipped with a massive generator and vast supplies, the people of Ember have thrived happily for generations -- but the city wasn't meant to be lived in forever. The generator is breaking down and the supplies are running out, but two centuries in isolation have robbed the Emberites of their knowledge -- nobody knows how the electric lights work anymore, and nobody understands that there's something beyond the city besides darkness. Nobody, that is, besides Lina (Saoirse Ronan) and Doon (Harry Treadaway), two teenagers who still have the hope that everyone else has lost to ignorance and apathy -- not to mention a sheet of instructions left by the Builders themselves explaining how to leave the city. But the 200-year-old paper is falling apart, and pieces are missing. So with the lights threatening to flicker out for the last time and leave Ember in darkness forever, Lina and Doon set out on an adventure through the streets, sewers, and dark caverns of Ember to put the pieces back together. To solve the mystery, they'll have to get inside the Builders' heads, and avoid the grasp of corrupt Mayor Cole (Bill Murray), who wants to keep Ember the way it is -- no matter what the cost. ~ Jason Buchanan, Rovi

Tom Riley, Tom Burke, Carmen Electra and Michelle Ryan co-star in British director Stephen Surjik's smutty sex comedy I Want Candy. The picture concerns two film students Baggy (Burke) and Joe (Riley), enrolled at a university in Leatherhead, England. The pair just recently completed a script that they plan to shoot for their graduation thesis, and want to use it to break into the British movie industry. Alas, their professor informs them of a two-minute imposition on the length of the thesis film. Discouraged, Joe and Baggy head off on a trip to London, where they attempt to solicit the interest of producers in the script - but they only succeed in catching the eye of a porn mogul, Doug Perry (Eddie Marsam) who agrees to finance the project if and only if they will turn it into a porno feature and talk ingénue Candy Fiveways (Electra) into starring. Undaunted, the boys set off to locate Candy and convince her to perform in their movie. ~ Nathan Southern, Rovi

Captain Jack Sparrow (Johnny Depp) returns to the screen for another round of supernatural adventures on the high seas in this spirited sequel to the 2003 Disney hit, which re-teams original director Gore Verbinski with original screenwriters Ted Elliott and Terry Rossio. As Will (Orlando Bloom) and Elizabeth (Keira Knightley) prepare to exchange vows at the altar, their wedding plans hit rough waters with the arrival of sea-bound scallywag Jack Sparrow. It seems that Sparrow owes a substantial blood debt to half-octopus sea captain Davy Jones (Bill Nighy), and that the only way for the flamboyant sea rover to elude the wrath of his otherworldly pursuer is to seek the aid of mysterious and powerful voodoo priestess Tia Dalma (Naomie Harris), whose ability to resurrect the dead and gaze into the future may provide just the advantage needed to avoid a waterlogged fate in the locker of his legendary nemesis. ~ Jason Buchanan, Rovi

One of William Shakespeare's most powerful comedies has been given a bold cinematic adaptation in this film version of The Merchant of Venice. Bassanio (Joseph Fiennes) is a young and vital member of the aristocratic classes in 16th century Italy; however, Bassanio's impulsive nature and lavish lifestyle have put him deeply in debt, and he will need at least the pretense of a fortune if he is to win the hand of the beautiful Portia (Lynn Collins). Bassanio turns to his close friend Antonio (Jeremy Irons), a successful businessman, for financial help, but with much of his fortune tied up in a sailing expedition, Antonio can do little to help him. To help Bassanio, Antonio turns to Shylock (Al Pacino), a Jewish money lender who lives in Venice's Semetic ghetto. Antonio has often expressed his contempt for Shylock, who charges high rates for his loans, and Shylock clearly seems pleased at the ironic prospect of having Antonio as a customer; however, instead of interest, Shylock demands an unusual security on his loan -- though Shylock demands no interest, if Antonio does not repay the three thousand ducats in three months, Shylock will be entitled to a pound of his flesh. This version of The Merchant of Venice was directed by Michael Radford, best known for the international hit Il Postino, and was shot on locations in Venice and Luxembourg. ~ Mark Deming, Rovi

A wildly popular British comedy series shot in mockumentary style, The Office detailed the daily struggles of the bored cubicle-dwellers at Wernham Hogg -- a paper supply company located in the quiet English town of Slough. Their boss, attention-craving lower middle manager David Brent (Ricky Gervais), possessed a tacky and tasteless sense of humor which proved a constant source of irritation to all within earshot. Throughout the first season of the series, tireless joker Brent played the constant clown even as his office faced massive cutbacks and the employees nervously pondered the prospect of unemployment. Later, when the team's worst fears began to come true, Brent dismissed their malaise while enthusiastically gloating over his own promotion. At the onset of the second season, the Slough branch of Wernham Hogg began preparing for the inevitable merger with the nearby Swinton branch, a consolidation that would find Brent under the leadership of new boss Neil Godwin (Patrick Baladi) -- a handsome and driven leader who had previously been Brent's equivalent at the Swinton branch. When Brent's awkward welcoming speech manages to offend just about every one of the serious-minded staff of the newly arrived Swinton team -- black employee Oliver (Howard Sadler) and disabled Brenda (Julie Fernandez) in particular -- David is summarily reprimanded by Wernham Hogg heavy Jennifer Taylor-Clarke (Stirling Gallacher). As David begins to ponder the prospect that his position is fast becoming obsolete due to the competent leadership of Godwin, pretty receptionist Dawn (Lucy Davis) does her best to endure the constant barrage of sexist comments as Tim (Martin Freeman) finds the flame of his longtime torch for her somewhat doused by the arrival of Swinton transplant Rachel (Stacey Roca). It's also during this time that the once casually irritating brownnosing of office suck-up Gareth (Mackenzie Crook) becomes absolutely intolerable to the put upon fellow co-workers. ~ Jason Buchanan, Rovi