Dermot Kelly Movies

CIA agent Donovan (Gene Barry) travels to Britain to untangle a web of international spies. He falls for the estranged wife of local secret agent Langley (Tom Adams). Anne (Joan Collins) starts a romance with Donovan before her son is kidnapped by rival agents. While any other mom would worry herself sick, Anne spends her time getting her hair done and selecting a fabulous gown in which she appears in the following scenes. Donovan narrows the suspects down to a trio of agents, all who may have reason to turn double agent and place their country in political turmoil with counter espionage. ~ Dan Pavlides, Rovi

In this upbeat children's film, an enterprising pack of children decide to run the newspaper of an ailing father. Mayhem ensues until they figure it all out. Then they end up doing a marvelous job until the sick man gets better. ~ Sandra Brennan, Rovi

In this crime melodrama, a Swiss woman finds herself unwittingly involved in a plot to steal from her employer, a London diamond merchant. Her boyfriend is behind the scheme. First he sends two accomplices disguised as German jewelers to see the boss. He is not fooled by their ruse and is killed while the woman is knocked unconscious. She awakens with amnesia and begins aimlessly wandering the London streets. Thinking that his girl has squealed to the police, her boy friend begins scouring the town to find her. Meanwhile, she is taken in by a boxer who returns to the ring to win the money needed to get her out of the country. Trouble ensues when her lover finally finds her after the match and begins beating on the exhausted fighter. To stop him, the woman shoots the villainous lover. ~ Sandra Brennan, Rovi

In this drama, from director Anthony Asquith, the lives and stories of three different people are linked together by their possession of an unusual car, a yellow Rolls Royce Phantom II. Lord Frinton (Rex Harrison) is a diplomat who purchases the exquisite auto as a gift for his wife (Jeanne Moreau). After Frinton's horse wins the Royal Gold Cup, Lady Frinton incurs the Lord's wrath when she is caught in the back seat of the Rolls with his underling John Fane (Edmund Purdom). In the 1930s, the car is bought by Italian gangster Paolo Maltese (George C. Scott), who is carrying on with the hatcheck girl Mae Jenkins (Shirley MacLaine). The two take a tour of Italy and see all the historic sights, but Mae is less than impressed. While Paolo is in the United States on one of his frequent hit-man assignments, Mae and a street photographer try out the back seat for comfort and carnal pleasure. Art Carney plays Paolo's associate Joey. In the final episode, Gerda Millett (Ingrid Bergman) is the married American woman who buys the car in 1942. With Hitler attacking Yugoslavia the brave and brazen beauty helps fight the Nazis by smuggling Davich (Omar Shariff) across the border, and this duo also find themselves in the back seat for a roll in the Rolls. Davich shows his gratitude by shipping the car along with Gerda back to the United States. ~ Dan Pavlides, Rovi

Brendan Behan, the quixotic, eternally sloshed Irish poet/playwright, peppered his play The Quare Fellow with plenty of "gallows humor." The film version dispenses with most the play's morbid jests, leaving us with a grim, straightforward account of a Dublin death-row prison guard (Patrick McGoohan) and his growing empathy with two condemned prisoners. One could understand the removal of the play's comic elements had the film been made in timorous Hollywood. But since Quare Fellow was financed and produced in Ireland, it seems a inappropriately glum tribute to one of the country's boldest and most brilliant talents. Quare Fellow was directed by American "B" specialist Arthur Dreifuss, who also adapted Behan's play for the screen. ~ Hal Erickson, Rovi

This well-acted drama about an Irishman just released from jail is filled with rich characterization. The story is adapted from a stage play by Walter Macken who also plays the role of the ex-convict Paddo in this screen version. Direction is by J. Fielder Cook. Once Paddo returns home after being sentenced to five years for killing a man, his old friends try to put him back in their niche of local hero but Paddo will have none of it. He is disillusioned and changed. His son Willie (Arthur Kennedy) walks with a limp that keeps him too self-conscious to assert himself as he would like with the young woman of his dreams. While other people come in and out of Paddo's life, from his taciturn friend the trapper to the local tinker, it is Paddo's son Willie suffering from his own disability who makes the difference in his father's life. ~ Eleanor Mannikka, Rovi

One of the few Irish-made films of the 1950s to get an American release, The Poacher's Daughter stars Broadway actress Julie Harris, supported by members of the Abbey Players. Harris portrays an Irish colleen who sets her cap for Tim Seely, a young roisterer who's inherited a farm. Seely is a stranger to responsibility, and proves it by selling off his valuable sheep to buy a motorcycle. Thanks to the intervention of Harris's poacher father (Harry Brogan), Seely is dragged back to town and coerced into marriage at gunpoint. This is a comedy, mind you. Originally titled Sally's Irish Rogue, The Poacher's Daughter was based on George Shiels' stage play The New Gossoon. ~ Hal Erickson, Rovi

In this British drama, an ingenious but impoverished young man is determined to live on a Tahitian island. To achieve his goal, he begins hanging out on a street corner in one of London's most dangerous sections in the hopes of getting the chance to save a wealthy person, who should then generously award him by paying his passage to the South Seas. His plans go somewhat awry when a gorgeous woman swings past. ~ Sandra Brennan, Rovi