Bruce Kellogg Movies

Assembled by the same production team responsible for the minor sci-fi classic Rocketship X-M, Unknown World isn't quite in the same league as its predecessor. The plot is set in motion by Dr. Jeremiah Morley (Victor Kilian), who theorizes that mankind could save itself during a nuclear attack by resettling far beneath the earth's surface. To prove his theory, Morley builds the Cyclotram, a combination drill and exploratory vehicle, with the financial assistance of playboy Wright Thompson (Bruce Kellogg), who insists upon joining the expedition to the earth's core. After several hair-raising adventures, the Cyclotram and its surviving passengers reach a cavern nearly 2000 miles beneath the surface. The cavern contains all the necessities of survival save one: the atmosphere renders anyone living within its walls sterile. Deciding that it isn't worth hiding in the center of the earth if only one generation will survive, the explorers endeavor to get back to the surface -- but who will survive this journey? The obligatory female lead in Unknown World is played by Marilyn Nash, who'd been discovered by Charlie Chaplin for the 1947 film Monsieur Verdoux. ~ Hal Erickson, Rovi

The Golden Eye is a Charlie Chan mystery set on a Southwestern ranch. A once-dormant mine mysteriously begins to yield gold, bringing out the worst characteristics of several people involved. When murder enters the picture, Charlie Chan interrupts his vacation and investigates, with the dubious aid of his son Tommy (Victor Sen Yung) and his perennially frightened chauffeur Birmingham Brown (Mantan Moreland). The script for this film lifts many elements from several earlier sources, including the "high-heeled nun" bit from Hitchcock's The Lady Vanishes (38). The fourth Monogram "Charlie Chan" film to star Roland Winters as the soft-spoken Chinese sleuth, The Golden Eye is salvaged by the effortless expertise of comic relief Mantan Moreland. ~ Hal Erickson, Rovi

John Brickley (Robert Montgomery) believes in PT boats, and as a lowly U.S. Navy lieutenant stationed in the Philippines, that makes him a radical thinker. "Your boats maneuver beautifully," an admiral (Charles Trowbridge) tells him, "but if I'm going into combat, I prefer something a little more substantial." The gently delivered but stinging dismissal stirs the resentment of Lt. "Rusty" Ryan (John Wayne), who tartly tells Brickley that he wants to be transferred to destroyers. The Pearl Harbor bombing makes transfer impossible, especially with the Japanese preparing to invade the islands. So Brickley and Ryan go to work, first as message carriers between the Philippines and Corregidor, then, finally, as ship hunters. They record some successes, but it's a doomed effort: The Americans are hopelessly outnumbered by the Japanese, and with almost all of the Pacific Fleet destroyed at Pearl Harbor, they know help won't arrive to save them. As the Japanese push the U.S. forces back, Brickley and Ryan and their crews hop from island to island, scrounging supplies and taking casualties but keeping up the fight. Just as it appears that they will be forced to fight on Corregidor against the Japanese, they get rescued; they're ordered home to promote their PT-boat successes, and they take the last plane out, hoping to return and avenge their defeats. ~ Nick Sambides, Jr., Rovi

Robert Z. Leonard, who must have taken room and board at MGM, was the directorial hand behind this slight domestic drama. Lana Turner is the bride, John Hodiak the groom. James Craig is the odd man out, who pursues Turner when Hodiak is off fighting the war. Bored by domesticity, Turner welcomes Craig's attentions, but impending motherhood straightens out her priorities. Nearly two hours of celluloid are expended on a story that any other studio would have zipped out in seven reels. Marriage Is a Private Affair was based on a slightly steamier novel by Judith Kelly. ~ Hal Erickson, Rovi

After gathering dust for nearly a year, the independently produced The Deerslayer attained a national release through Republic. A bottom-budget adaptation of the James Fenimore Cooper classic, the film stars Bruce Kellogg as Deerslayer, an intrepid Indian scout-hunter in the 18th century Hudson Valley. He spends most of the film escaping from hostile Indians and helping white settlers protect themselves against the savage hordes. Most of the film is amateurishly shot, with the actors fighting a losing battle against an uninspired, illogical script (in one scene, an Indian brave receives a wound in a portion of the body that was out of the range of gunfire!) In later years, Deerslayer would gain reissue value by virtue of supporting actors Larry Parks and Yvonne De Carlo, who'd gone on to achieve full-fledged stardom. ~ Hal Erickson, Rovi

Directed by serial specialist Spencer Gordon Bennet, They Raid by Night is a PRC "special" dealing with the activities of the commandos in WWII. Lyle Talbot plays Capt. Robert Owen, the head of a three-man commando squad who parachute into Norway to rescue an Allied general (Paul Baratoff) from a Nazi concentration camp. One of the men is Norwegian-born Von Ritter (Victor Varconi), who is reunited with his former sweetheart Inga (June Duprez). Unbeknownst to our heroes, Inga has turned "Quisling," and tips off the local Nazi commandant as to the commandos' whereabouts. Later on, Von Ritter is captured by the Gestapo and tortured into revealing the plans of his compatriots. Eventually, Owen is able to complete his mission, thanks in no small part to a local Fifth Columnist who decides to switch allegiances at the very last moment. Most of They Raid by Night is enacted in front of a grainy back-projection screen, rendering the story line even more unbelievable. ~ Hal Erickson, Rovi

The irrepressible Donald Barry is twice falsely accused of murder in this typical low-budget but well-mounted Republic Western. Barry plays Jim Randall, a lawman assigned to investigate a series of gold shipment robberies. Arriving in the middle of a hold-up, Randall finds himself accused of killing the driver (Yakima Canutt). Wells Fargo agent Cal Chambers (Milton Kibbee) vouches for his innocence, however, claiming him to be a noted geologist. Along with several of the prospectors, Jim devises a plan to prove that Jud Parker (Harry Worth) is using his dummy mine as a cover for stealing ore. The plan backfires and Jim is accused of killing one of the miners. About to be lynched, Jim is saved in the nick of time by crusading newspaper woman Martha King (Lynn Merrick), who arrives with proof of his true identity. As usual, this Donald Barry Western benefited from a well-chosen supporting cast that included William Haade as a crooked sheriff, silent screen star Dorothy Sebastian as the sheriff's ailing wife, and, of course, stunt man extraordinaire Yakima Canutt. Blond Lynn Merrick, whose contract was shared by Republic and Columbia Pictures, was to appear no less than 16 times opposite Barry. ~ Hans J. Wollstein, Rovi

Like its predecessor The Man From Tumbleweeds, the 1940 Bill Elliot western The Return of Wild Bill was directed by Joseph H. Lewis, whose innovative choice of camera angles was always well worth watching. Returning to his home town after a long absence, Wild Bill Saunders (Elliot) discovers that his father has been mortally wounded by a gang of frontier hooligans. Adding intrigue to the proceedings is the fact that Katie Kilgore (Luana Anders), one of the film's two leading ladies (the other is Iris Meredith), is the sister of outlaw leader Matt Kilgore (George Lloyd). Seemingly a mere villainess, Katie reveals that she's a lot more complex than anyone imagines, carefully tipping off the honest cattlemen in the district whenever her brother goes on a rampage. Her curious predilection for working both sides of the fence costs Katie her life at fadeout time, but she remains in the memory far longer than any of the film's other plot contrivances. ~ Hal Erickson, Rovi

Veteran second-unit director and stunt coordinator Ralph Cedar warmed the director's chair for the 1940 Charles Starrett oater West of Abilene. Frontiersman Tom Garfield (Starrett) and his pals endeavor to save their land from the clutches of slimy easterner Forsyth (Don Beddoe). The villain hires a bit of local muscle in the form of brutish Chris Matson (William Pawley), but he's no match for our hero. Stalwart Columbia contractee Bruce Bennett delivers a nicely understated performance as Garfield's brother, who is also the film's official romantic lead. The absence of such "regulars" as Iris Meredith, Dick Curtis and E. J. LeSaint and the presence of such comparative newcomers as heroine Marjorie Cooley and supporting player George Cleveland was indication enough that Columbia was endeavoring to remove the "rubber-stemp" onus from its Charles Starrett series. ~ Hal Erickson, Rovi