DeForest Kelley Movies

Under the alias "Tom Nash", fugitive Richard Kimble (David Janssen) goes to work as a bodyguard for self-made millionaire George Forster (Richard Anderson), who has returned to his home town after an absence of several years. Despite the adulation heaped upon him, Forster has many enemies in town; indeed, one person hates him enough enough to mail a death threat. To prevent Forster's assassination, Kimble is supplied with a gun--and is forced to submit to a background check in order to get a permit for the weapon. ~ Hal Erickson, All Movie Guide

Based on the novel by Harold Robbins, comes this family drama from director Edward Dmytryk. Adapted for the the screen by John Michael Hayes, the film follows the events that befall Luke Miller (Michael Connors) when he discovers that his daughter, Danielle (Joey Heatherton), has been arrested for murdering his ex-wife Valerie's (Susan Hayward) new lover. As Danielle's trial unfurls, and the sordid events of the family's past are brought into the open, Luke is forced to address and relive several of the painful events that led to the family's present state. Also starring Bette Davis as Valerie's mother and a pre-Star Trek DeForest Kelley, Where Love Has Gone netted Academy Award and Golden Globe nominations for Jimmy Van Heusen and Sammy Cahn, the songwriters behind the film's title song. ~ Matthew Tobey, All Movie Guide

Advertised on the sleeve of its home-video release as a "Charles Bronson western", Bull of the West is actually comprised of two episodes from the American TV western series The Virginian, edited together for theatrical release overseas. The segment in which Bronson appears was originally telecast as "The Nobility of Kings" on November 10, 1965. Two recurring characters on The Virginian, Trampas (Doug McClure and Randy (Randy Boone), helpfully inform newly arrived rancher Ben Justin (Bronson) that he has inadvertently violated the rules of the Stockman's Association. Conditioned by life's hard knocks to neither trust or listen to anyone but himself, the hard-drinking Ben tells Trampas and Randy to mind their own business. Another rancher, Suchette (George Kennedy), is so incensed by this attitude that makes certain Ben's cattle will not be allowed access to the railroads. Caught in the middle of this range feud is Ben's tenderfoot son Will (Bob Random), who has been forbidden to help his dad around the ranch, and has not even been allowed to ride a horse. Working in secret with Trampas and Randy at the Shiloh Ranch, Ben's wife Mary (Lois Nettleton) sees to it that Will is given riding lessons--while Ben simmers and stews at home, convinced that Mary is having an affair with The Virginian (James Drury). "The Nobility of Kings" was spliced together with the Virginian episode of January 2, 1963, "Duel at Shiloh". While having nothing to do with the Bronson episode beyond the same setting and a few of the same characters, this episode is thematically similar in that it deals with a stubbornly rugged individualist--in this instance, a grizzled ranch hand named Johnny Wade (Brian Keith)--and a potentially deadly feud, unwittingly fomented by the men of the Shiloh ranch. Specifically, Johnny finds himself on opposite sides of the fence with his tenderfoot pal Steve Hill when the latter takes a job with the Shiloh's owner Judge Garth (Lee J. Cobb), while Johnny remains loyal to rival ranch owner Geraldine Brooks. ~ Hal Erickson, All Movie Guide

Seriously injured in a fall, Hoss Cartwright is in desperate need of medical attention. Alas, the only available doctor is a man named Jones (DeForest Kelley), who has been sentenced to hang for murder. Ben Cartwright's pleas to Judge Grant (John Hoyt) to temporarily release Dr. Jones so that he can tend to Hoss' injuries fall upon deaf ears; after all, it was Grant's wife who was murdered by the condemned man. Rounding out the supporting cast are Lisabeth Hush as Karen Jones and Walter Sande as the Sheriff. Written by Frank Chase and Norman Jacobs, "The Decision" first aired on December 16, 1962. ~ Hal Erickson, All Movie Guide

Wealthy Walter Frazer (Torin Thatcher) has always held his daughter-in-law Sue Ellen (Diana Millay), a former nightclub singer, responsible for the failures of his son Gregson (Bryan Grant), now working as a parking attendant. Hoping to get rid of Sue Ellen, Frazer offers her a huge sum to divorce Gregson, but she angrily turns him down. Not long afterward, Gregson is murdered--whereupon Frazer does an about-face, insisting that Sue Ellen is a wonderful girl and his son was a no-good wastrel. In his efforts to defend Sue Ellen on a murder charge, Perry Mason (Raymond Burr) tries to uncover the real reason behind Frazer's highly unconvincing change of heart. Watch for future TV icons Alan Hale Jr. (Gilligan's Island) and DeForest Kelley (Star Trek) in supporting roles. ~ Hal Erickson, All Movie Guide

Although reformed and a town marshal Jake Wade (Robert Taylor) has one thing more to do before he can settle down and marry Peggy Carter (Patricia Owens): spring former comrade-in-arms Clint Hollister (Richard Widmark) from jail. Clint had done the same for Jake way back and the latter now considers the score settled. But Clint wants the loot from the gang's final heist, which the reformed Wade had buried before leaving for good, and to make sure that the marshal doesn't lead everyone on a wild goose chase, he brings Peggy along as leverage. An Indian raid complicates matters but all scores are settled in the end in this fine western originally lensed in Cinemascope. ~ Hans J. Wollstein, All Movie Guide

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

In this typical 1950s Western, cowboy Wes Tancred (Richard Egan) is publicly vilified after killing a famous gunslinger who was a public hero. In fact, the hero was a villain, and Tancred killed him in self-defense, but Tancred is so scorned for his act that there is a mean-spirited ballad sung about him wherever he goes. On the run from his infamy, he comes to the small town of Table Rock and finds that it has been taken over by a gang of outlaws. To redeem his name, Tancred comes to the aid of the besieged Sheriff Miller (Cameron Mitchell). He also takes under his wing the son of a stagecoach operator who has been killed by the gang of outlaws. ~ Michael Betzold, All Movie Guide

Once again Edward G. Robinson takes a script from the trash bin and makes it into a palatable movie. A remake of The Mouthpiece, this is the story of a district attorney with a conscience. When he discovers that a man he's sent to the electric chair was innocent, he takes to the bottle. His assistants encourage him to get off the booze, stop prosecuting and, instead, become a defense attorney. He agrees but his first client is a notorious gangster who has been in business for so long because of leaks from Robinson's own office when he was the district attorney. Push comes to shove and soon, through multiple machinations and mishaps, Robinson becomes the defender of his former assistant on charges of murder. ~ Tana Hobart, All Movie Guide

Samuel Fuller directed and cowrote this typically hard-boiled drama set in Japan following World War II. Eddie Kenner (Robert Stack) is given a special assignment by the Army to get the inside story on Sandy Dawson (Robert Ryan), a former GI who has formed a gang of fellow servicemen and Japanese locals who use their muscle to take over Tokyo's pachinko racket and commit a series of train robberies, targeting deliveries of military ammunition. Eddie is supposed to gather evidence on the murder of a soldier believed to have fallen in with the gang, and Eddie tries to blend in with the group to find out how they work. Hoping to learn more, Eddie also begins romancing Mariko (Shirley Yamaguchi), a Japanese woman who was married to the slain gangster, and he learns that the ruthless Dawson kills men who are injured during robberies rather than leave them behind to possibly testify against him. After a burglary goes wrong, Dawson becomes convinced that there's an informer in the group; wrongly believing it's Griff (Cameron Mitchell), Dawson kills his loyal soldier and makes Eddie his second in command. Veteran Japanese actor Sessue Hayakawa appears as Inspector Kito, a Japanese police detective working with Eddie to crack the case. ~ Mark Deming, All Movie Guide

In this boxing drama, Jimmy Brody, a retired middle-weight champion turned publisher, must return to the ring when his company encounters financial difficulties. He is set up by some bad-news bookies who try to convince Brody to take a dive. The ex-champ refuses and triumphs even though his hand was broken during the bout. Furious, the gamblers attempt to kill him. Fortunately the cops arrive in the nick of time. ~ Sandra Brennan, All Movie Guide

This suspenseful crime drama reenacts the famed 1947 prison break out of the Canon City, Colorado corrections facility and features the actual warden, Roy Best playing himself. The trouble begins when one prisoner manages to fashion a crude pistol. Enlisting the aid of eleven others, they successfully escape and terrorize the town until the warden and his men manage to round up the survivors and bring them back. ~ Sandra Brennan, All Movie Guide

One of several low-budget mellers directed by scriptwriter Maxwell Shane, Fear in the Night was based on the short story Nightmare by William Irish (pseudonym for Cornell Woolrich). In his first starring role, DeForest Kelley plays Vince Grayson, a young man who has a terrible nightmare wherein he sees himself killing someone. When he awakens, Vince finds a couple of pieces of evidence indicating that his dream was no dream. Detective Cliff Herlihy (Paul Kelly) doesn't believe that Vince has killed anyone, but agrees to investigate. While taking shelter from a storm in a remote mansion, the detective and the young man stumble upon a mirrored room -- just like the one in Vince's dream. The frenzied Vince is nearly driven to suicide, but Detective Herlihy deduces that his friend's nightmare was the handiwork of Lewis Belnap (Robert Emmett Keane), the mansion's owner, who is a dabbler in hypnosis. Fear in the Night was remade in 1956 as Nightmare, with Kevin McCarthy and Edward G. Robinson. ~ Hal Erickson, All Movie Guide