Bob Banks Movies

Diary of a Mad Black Woman mastermind Tyler Perry turns the familiar Cinderella tale on its head with this story concerning a successful female attorney who falls in love with a financially strapped mechanic. Monty (Idris Elba) is struggling mechanic and single father of three from a poor neighborhood. Upon learning that custody of his beloved daughters has been awarded to his morally bankrupt, drug-dealing ex-wife Jennifer (Tasha Smith), desperate Monty enlists the aid of beautiful Ivy league-educated lawyer Julia (Gabrielle Union) -- whom he recently met during his brief stint as a chauffeur -- in ensuring that his daughters remain with him in a stable and loving environment. Despite the vast social and economical differences that divide them, Monty and Julia soon begin to find themselves unexpectedly falling in love with one another as they work together to save Monty's daughters from a life of crime and corruption. Now, in order to reconcile their blossoming romance and overcome the forces that threaten to destroy the only thing that Monty holds dear, the concerned father and powerful lawyer will have to bridge the gap that divides them by coming together to prove that true love really does have the power to prevail. ~ Jason Buchanan, Rovi

Love Crimes, an erotic thriller directed by Lizzie Borden, explores the psychology of a con man posing as a photographer, who seduces women and then blackmails them using humiliating, revealing pictures he has taken of them. David Hanover (Patrick Bergin) preys on the hopes of women by offering them love and a possible career as fashion models. When some of the women complain, but refuse to aid in Hanover's prosecution, DA Dana Greenway (Sean Young) becomes obsessed with catching Hanover, to the point where she tracks him down and spys on him in his secluded home, making herself a potential victim. He catches her and holds her captive. Feminist filmmaker Borden, who also directed the remarkable, low-budget film Working Girls, raises interesting questions regarding sex, humiliation and male-female relationships, but the film is spoiled by the ambiguity of her central character, Dana. An abused child herself, she has the same self-loathing that the other woman who are preyed upon by Hanover possess, but her motivations for her actions remain murky. Despite these flaws, Borden, always an interesting filmmaker, raises important issues which perhaps can't be adequately resolved using the restrictions of the thriller genre. ~ Linda Rasmussen, Rovi

This entertaining teen comedy is set in the effervescent 1950s and involves the friendship of the introverted, clumsy Jonathan (Doug McKeon) and the nonconformist, extroverted Gene (Chris Nash). Jonathan's main objective is to win over the sexy Marilyn (Kelly Preston), in spite of his shyness, while Gene has his own love-life to maintain with his girlfriend Bunny (Catherine Mary Stewart) -- as well as counseling Jonathan on how to attract women. Gene also has to defend himself against Kenny (D.W. Brown) the class bully while trying to work out a borderline relationship with his widowed father, who has zero tolerance for his often wild escapades. As Jonathan and Gene handle life's challenges, the 1950s emerges as a potent presence on screen in the form of background setting, including movies and music, as well as dress and customs that were popular in that distinctive era. ~ Eleanor Mannikka, Rovi