Rosalind Keith Movies

In this western, a real estate agent takes everything from a bank and then frames the banker for the crime. The evil agent then becomes the receiver for the institution and begins trying to foreclose on numerous ranchers. His nefarious plans are thwarted by a cowboy hero who brings justice to the crook, reinstates the real banker, and falls in love with his daughter as well. ~ Sandra Brennan, All Movie Guide

This standard crime meller from the Columbia assembly line stars Paul Kelly as police lieutenant Tony Roberts. Hoping to smash a gang of racketeers who profit by "fixing" a crooked state parole board, Tony poses as a down-and-outer and gets himself arrested. While in prison, he gains the confidence of a mob contact, bribes his way to a parole, and joins the gang on the outside, working his way up to head of the racket. He does so well on the wrong side of the law, in fact, that one wonders why he retains his police badge! Ironically, star Paul Kelly actually did spend time behind bars in the 1920s on a manslaughter rap. ~ Hal Erickson, All Movie Guide

In this exciting western, a lawman and a postmistress work together to bring the outlaws to justice. The outlaws have been bothering her because they want her land which sits next to the villain's mined out gold mine. The woman refuses to sell because she promised her father she wouldn't. Rootin' tootin' mayhem ensues. ~ Sandra Brennan, All Movie Guide

A feud between taxicab companies forms the basis of this drama. The trouble begins when the hero is double-crossed and framed for a murder by his rival with whom he was competing for the position of fleet superintendent in the city's biggest cab company. The hero does not know who framed him until he is released from prison. Enraged, he and some of his old cabbie cronies get together and create their own cab company. The war is on until the police get involved. Eventually, the real murderer is convicted and the hero wins the biggest cab company. ~ Sandra Brennan, All Movie Guide

A reporter becomes an amateur sleuth to solve the mystery surrounding the death of a magician's wife and a few others. The trouble began while the magician performed his daring escape act at a coastal resort and it is the clever reporter who figures out how the crimes were committed. ~ Sandra Brennan, All Movie Guide

Poppy is the film version of the Dorothy Donnelly musical comedy which made W.C. Fields a Broadway star back in 1923 (an earlier, less-faithful version, also starring Fields and retitled Sally of the Sawdust, was directed by D. W. Griffith in 1926). The Great Man is cast as Professor Eustace McGargle, a small-time carnival confidence trickster. Accompanied by his adopted daughter Poppy (Rochelle Hudson), McGargle joins a travelling sideshow, fleecing as many of the local yokels as time will permit. During one stopover, Poppy falls in love with Billy Farnsworth (Richard Cromwell), the son of the town's mayor (Granville Bates), while McGargle pitches woo at the faded but alluring Countess de Puizzi (Catherine Doucet). When he finds out that the "Countess" is a phony claimant to the valuable Putnam estate, McGargle conspires with local lawyer Whiffen (Lynne Overman) to pass off Poppy as the genuine, long-lost heir. As it turns out, Poppy really is the heir, a felicitous turn of events which enables McGargle to avoid being tarred and feathered by the angry townsfolk. Finishing Poppy on schedule was quite a trial for W.C. Fields, who, in addition to breaking a vertebra while filming a chase sequence, further damaged his spine in a household accident. As a result, he could barely stand up during shooting, and many of his scenes had to be completed by a stunt double. One would never know that Fields was in excruciating pain throughout the film, however: Comedy-wise, he's at the top of his form, especially when he sells a "talking dog" to a gullible rube and finagles a free lunch from an equally dense hot-dog vendor. Poppy is also the film in which Fields imparts a sage bit of advice to his screen daughter: "Never give a sucker an even break." ~ Hal Erickson, All Movie Guide

The Zane Grey story King of the Royal Mounted had already been adapted as a comic strip by the time it was transferred to the screen in 1936. Robert Kent is cast as Sergeant King of the RCMP, while Rosalind Keith co-stars as heroine Helen Lawton. Helen arrives in Canada to claim a gold mine which she's inherited from her father (Frank McGlynn Sr.) The villain, a crooked attorney named Becker (Alan Dinehart), intends to cheat her out of her claim. Well, why not? He already killed her father, as King proves in the final reels. King of the Royal Mounted is sometimes confused with the later radio series Sergeant Preston of the Yukon, if only because Preston owned a dog named Yukon King. ~ Hal Erickson, All Movie Guide

Adapted from one of Dashiell Hammett's best novels, The Glass Key is a lively and straightforward melodrama of political corruption and urban intrigue. George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out. Intimately involved in the case is Janet Henry (Claire Dodd), the sister of the murdered man and the daughter of "above reproach" Senator Henry (Charles Richman). Though no babe-in-the-woods, Beaumont is in for quite a few disillusionments as he pursues his investigation, though he does rather better romantically than the redoubtable Madvig. The Glass Key was remade (and improved) in 1942, with Alan Ladd, Veronica Lake and Brian Donlevy; neither version, however, has as much bite and vitriol as the Hammett original. ~ Hal Erickson, All Movie Guide