David Keir Movies

The rousing adventure novel by Sir Walter Scott was adapted for this swashbuckler. Richard Todd stars as Robert Roy MacGregor, a clan leader in 18th century Scotland attempting to lead his fellow countrymen in a rebellion against the heavy-handed rule of England's King George I. When the king replaces a sympathetic politician with a lackey working against Rob Roy, it's up to the hardy Scotsman to defeat his enemies without the support of a powerful ally, while also romancing and marrying his true love (Glynis Johns). Rob Roy, the Highland Rogue (1953) was the last of 21 British films produced jointly by Disney and RKO. ~ Karl Williams, All Movie Guide

In this crime drama, an avaricious, successful gambler is not content with fabulous wealth and aspires to become a member of the British nobility after he falls in love with one of the country's more prominent blue-blooded women. Unfortunately, to have her, he must mend his ways. He then dumps his girl friend, a nightclub singer who becomes murderously jealous. He must also deal with the mobsters who try to take over his clubs. ~ Sandra Brennan, All Movie Guide

Portrait of Clare is largely offered in flashback. The title character, played by Margaret Johnston, spends 10 years in seclusion with her son (Jeremy Spenser) after the death of her young husband (Ronald Howard). For her son's sake, Clare enters into a loveless marriage with lawyer Dudley Wilburn (Robin Bailey). But she doesn't find true happiness until turning to her cousin, Robert Hart (Richard Todd). Produced by British Pathe, Portrait of Clare was released in the U.S. by Pathe's sister-firm Monogram (aka Allied Artists). ~ Hal Erickson, All Movie Guide

Based on a novel by Mary Mitchell, Warning to Wantons is the story of 17-year-old Renee (Anne Vernon). After wriggling out of a convent school, Renee manages to crash high society. She twists several wealthy men around her little finger before making a surprising marital decision. David Tomlinson, stuffy second lead of many a Disney film, is fun to watch as a high-society twit. The film's 144-minute running time had to be boiled down considerably before the film was distributed to America. ~ Hal Erickson, All Movie Guide

This stodgy adaptation of "The Haunted and the Haunters" by Edward G. Bulwer-Lytton involves the paranormal investigations of a ghost-chasing psychic expert (Valentine Dyall), who relates a chilling tale to his peers about the resident specters inhabiting a young English couple's recently acquired home -- the very house in which they have met to swap tales of the macabre. It seems that the trio of poltergeists -- a sailor, his wife, and her murdered lover -- are still lurking about, and their ghastly secrets are revealed in a climax more inventive than the rest of the film. ~ Cavett Binion, All Movie Guide

The Captive Heart is set in a German POW camp for British soldiers. Michael Redgrave plays a Czech patriot, who has assumed the identity of a deceased British officer to avoid being executed by the Nazis. When captured and placed in the camp, the British prisoners suspect the still-incognito Redgrave of being a spy. Only his conspicuous courage during an escape sequence vindicates the secretive Redgrave. The film's tinderbox tension is relieved with a joyous finale, which utilizes a fireworks display as adroitly as Hitchcock did in To Catch a Thief. ~ Hal Erickson, All Movie Guide

In this musical, a woman finds herself the apex in a triangle of love. On one side is her devoted husband, an ex-fighter pilot. On the other there is her old love. When her husband realizes that she is attracted to the latter, he does the noble thing and allows her to wealthy former love. In return, the equally honorable other man talks her into returning to her spouse. ~ Sandra Brennan, All Movie Guide

The title is whimsical, but the storyline isn't. Googie Withers plays the frustrated wife of a 1880s Brighton tavern keeper, looking for an easy way out of the relationship. Withers entices a chemist's son to act as accomplice in a tricky murder scheme. She is certain that no one will suspect that her husband has been poisoned by a undetectable chemical. Guess again, Googie. Pink String and Sealing Wax was based on a play by Roland Pertwee, the father of Jon "Dr. Who" Pertwee. ~ Hal Erickson, All Movie Guide

Give Me the Stars is a British comedy aimed squarely at the regional audiences of the 1940s. Lenni Lynn plays an American girl (complete with a line of unconvincing slang) who heads to Scotland on family business. She appoints herself protector of her cranky Scots grandfather (Will Fyffe), who of course is not nearly as helpless as she believes. While tolerably produced, Give Me the Stars rather resembles an elongated music hall sketch. But Will Fyffe was enormously popular, and the film brought in the shillings. ~ Hal Erickson, All Movie Guide

The title character in Meet Sexton Blake was created in 1893 as a way of cashing in on the immense popularity of Sherlock Holmes. This 1944 film opens with a bizarre and intriguing murder. Late one night along the London waterfront, a man is desperately tugging at the hand of another man -- a corpse, the audience soon discovers. There clearly is something very important about the dead man's hand, as the living man goes so far as to take out a saw and start removing it. Soon after achieving his prize, he falls from a bridge to his own death. The body is hauled aboard a passing ship, and when they search the body they discover the grisly severed hand. Blake is soon on the scene, using his keen powers of detection to determine that the hand belonged to a photographer from another country. Blake retires to his digs, but it's not long before a new client appears at his door. By coincidence, this man -- an arms manufacturer -- wants Blake to investigate the death of a friend, who just happens to have been a foreign photographer. Blake and his assistant Tinker delve into the case, which leads them to a mysterious villain named Slant Eyes and an espionage plot involving a new alloy for use in airplanes that is of enormous value to both sides in the war. ~ Craig Butler, All Movie Guide

Demi-Paradise stars Laurence Olivier as a Russian inventor (accent and all). In Europe to promote his new propeller device, Olivier is put off by English customs and manners-or, rather, the lack of the latter. No one in 1939 England trusts a foreigner, least of all one of those shifty "Reds", but when Russia and England become allies against the Nazis, the previously persona non grata Olivier is welcomed with open arms. Penelope Dudley Ward co-stars as Olivier's previously suspicious landlady, who ends up falling in love with him. Demi-Paradise was made before the comic quaintness that afflicted Olivier's later performances set in, thus his Russian portrayal is straightforward and most convincing. The film was released in the US as Adventure for Two. ~ Hal Erickson, All Movie Guide

Tomorrow we Live is the more upbeat American title of the British war drama At Dawn we Die. When his village is overtaken by Nazis, Frenchman Jean Baptiste (John Clements) tries to go to England. Armed with secret information about a German submarine base, Jean hopes to avenge his countrymen. Unfortunately, thanks to inquisitive soldiers and fifth columnists, Jean may never make it to the White Cliffs of Dover. On the plus side, however, Jean's fellow patriots do their best to sabotage the enemy until the (hopefully) inevitable day of Liberation. The strangest aspect of Tomorrow we Live is that all the Frenchmen are played by popular British actors, despite the influx of French expatriates in the United Kingdom. ~ Hal Erickson, All Movie Guide

Let the People Sing is an offshoot of J. B. Priestly's earlier show business-based fable The Good Companions. In Companions, a trio of mismatched dogooders save a musical troupe from ruin. In Let the People Sing, Alastair Sim is a besotted nobleman who comes to the aid of indigent comedian Fred Emney. Through Sim's intervention, the planned closing of a local music hall is prevented. Even if Sim hadn't let the people sing, as the title implores, they probably would have done so anyway. ~ Hal Erickson, All Movie Guide