Geoffrey Keen Movies

Since it was released in the same year as his masterpiece, To Kill a Mockingbird (1962), it is ironic that this drama was probably the least liked of director Robert Mulligan's films. A stiff adaptation of a novel by Dutch author Jan DeHartog, the film stars Rock Hudson as Dr. Anton Drager, an opportunistic atheist who travels with his wife Els (Gena Rowlands) to the jungles of Java in 1936. Drager is to become the new right-hand man of famed Dr. Brits Jansen (Burl Ives), a legendary humanist who works with lepers and is rumored to have done groundbreaking work that Drager believes could make him famous and wealthy. Trouble with a native witch doctor practicing black magic leads to a crisis of conscience for Drager, however, forcing him to reevaluate his self-centered philosophy. A former divinity student at New York's Fordham University, Mulligan may have been intrigued by the material's spiritual bent, but his direction is uninspired, and The Spiral Road (1962) was not considered a success. ~ Karl Williams, All Movie Guide

In this WW II drama, a captain attempts to navigate his Italian submarine through enemy waters. He is stalked by a British commander assigned to destroy the sub. The Italian captain somehow succeeds in getting into neutral waters and is granted permission to stay there a fortnight. The British commander also stays in Tangiers so he can monitor the Italian. During their stay, the two agree not to fight and gradually come to respect each other. Meanwhile an intelligence officer, tries to upset the careful balance between the men. He uses the Italian's lover to get him to make a move. It works, and the Italian accuses his girl of spying and leaves the safety of port. The British commander follows and ends up losing his ship to the Italian's torpedoes. ~ Sandra Brennan, All Movie Guide

The "WHO" in A Matter of Who isn't a "who" but a "what". The word is an anagram for the World Health Organization, a curious subject for a British comedy--especially one which utilizes a communicable disease as a plot device! WHO operatives Terry-Thomas and Alex Nicol trace the outbreak of a smallpox epidemic to ruthless oil millionaire Guy Deghy. Offsetting the (literal) unhealthiness of the plotline is Terry-Thomas' romance with Sonja Ziemann, the widow of a smallpox victim. A Matter of WHO was picked up for U.S. distribution by MGM. ~ Hal Erickson, All Movie Guide

Spare the Rod is a British juvenile-delinquent picture set in a tough East End school. Comedian Max Bygraves plays straight as a new teacher, faced with a classroom full of hostile, defiant punks. It would be simple enough to use force on the kids, as their parents have, but Bygraves wants to win their hearts and minds. He manages to establish communications with the students; the next step is to bypass the outmoded educational bureaucracy. Spare the Rod falls somewhere between the gutsiness of Blackboard Jungle (55) and the lyricism of To Sir With Love (68). ~ Hal Erickson, All Movie Guide

Richard Attenborough stars in this British drama as Tom Curtis, an ordinary man with a job in a factory. A new employee, Travers (Alfred Burke), begins complaining about conditions at the plant and stirs up disharmony among his fellow workers. Tom thinks that there's something fishy about Travers and his methods, and when Travers decides to call a wildcat strike, Tom refuses to participate and makes a point of standing his ground. However, Travers and his ideas have attracted a groundswell of support in the factory, and Tom soon finds himself on the outs with his fellow employees as Travers drifts off to make trouble at another factory. Tom, however, still has to deal with the angry reprisals of the men, and his wife Anna (Pier Angeli) doesn't understand why he continues to hold so unpopular an opinion at the expense of his safety and well-being. ~ Mark Deming, All Movie Guide

Peter Finch plays Johnnie Byrne, a British member of parliament. When Johnnie loses out on an important cabinet post, he's hardly surprised; he's been a loser so long that it's par for the course. Treated shabbily by his communistic wife Rosalie Crutchley, Johnnie begins an affair with fashion-model Mary Peach. His ardor causes him to miss an important House of Commons meeting, which subsequently leads to his disgrace in the eyes of his leftist political associates. A chance at a reconciliation with his wife is scuttled when Johnnie finds that he will lose a much-coveted cabinet seat if he does not sever his communist ties, both professional and personal. No Love for Johnnie was based on a novel by Wilfred Fienburgh, himself a Socialist MP who evidently knew whereof he spoke. ~ Hal Erickson, All Movie Guide

Before Lee Patterson established himself as an American soap opera star, he made scores of minor-league British films. In Deadly Record, Patterson plays an aviator accused of killing his wife. The actual miscreant is obvious to the audience, but the dimwitted cops continue to persecute Our Hero. Finally, Patterson uncovers the evidence (see the title) that clears himself and points to the genuine murderer. This 58-minute timekiller was adapted from a novel by Nina Warner Hooke. ~ Hal Erickson, All Movie Guide

The Boy and the Bridge is a very slight tale based on an original American story by Leon Ware centered on the Golden Gate Bridge in San Francisco. This adaptation by director and co-writer Kevin McClory is set on the Tower Bridge in London. The premise is simple and perhaps too much so for the 90-minute running time. A little boy named Tommy (Ian MacLaine) watches as his father is arrested after a bad brawl. Tommy believes his father must have killed someone and rather than return home, he heads to Tower Bridge to set up housekeeping there. The atmosphere and life around the bridge are a secondary protagonist in the story, introducing several interesting characters. ~ Eleanor Mannikka, All Movie Guide

In this uneven but well-acted mystery story with a few gaps in the plot here and there, Alec Guiness plays a double role. He is John Barratt, a British teacher on vacation in France who is conned into taking on another identity. The identity he assumes is that of his double, Count Jacques de Gue, who has none of John's upright, moral character. Once ensconced as the Count, John discovers that the Count's mother (Bette Davis) is addicted to morphine, his wife (Irene Worth) believes he is out to kill her, and the Count's brother-in-law (Peter Bull) is embezzling funds away from the family business. And those are just a few of his problems, alleviated somewhat by his mistress (Nicole Murray). Once John realizes how decadent and immoral the Count really is he feels duty-bound to challenge him to a duel. ~ Eleanor Mannikka, All Movie Guide

The power of hypnotism provides the basis of this film that was released in "Hypnovision" (yet another promotional gimmick) A budding and frustrated mystery writer takes extreme steps to insure that his latest thriller contains accurate descriptions of horrible murders in this gory horror thriller. He decides that the best way to do this is to set up and witness similar murders first- hand, so, not wanting to bloody his own hands, he hypnotizes his assistant, turns him into a deformed monster and has him do the dirty work using a few devilishly clever gadgets that include binoculars equipped with spring-loaded spikes, a secret guillotine poised above a young woman's bed, and deadly ice tongs. Afterward, the writer drops the bodies in a vat of acid. Several people die before the assistant rebels and gets bloody revenge. ~ Sandra Brennan, All Movie Guide

The Birthday Present is a bitter half-hour anecdote stretched to 100 minutes. Tony Britton plays a British toy salesman who purchases a watch for his wife's birthday while visiting the Continent. Not wishing to pay the customs duties, he hides the watch upon his return to England. Britton is caught with the goods, and his life is never the same afterwards. Intended as a slice of raw realism, Birthday Present plays more like a cautionary social studies film. ~ Hal Erickson, All Movie Guide

Town on Trial! begins with the murder of a good-time girl in a small suburb of London. Scotland Yard inspector John Mills is called on the scene, immediately launching his investigation by bullying everyone in sight. Mills is particularly aggravated by the prejudicial, hypocritical attitude of most of the suspects. He is so determined to blame the whole town for the poor girl's death that he nearly lets the actual killer slip through his fingers. Town on Trial! was based on a series of magazine articles by Francis Durbridge, published under the umbrella title The Nylon Murders. ~ Hal Erickson, All Movie Guide