Howard Keel Movies

Clark Gable is the largely nonheroic hero of the sprawling western Across the Wide Missouri. A cunning trapper who lives purely by his wits, Gable avoids being scalped by the Blackfoot Indians by marrying Maria Elena Marques, the chief's daughter. This marriage of convenience also allows Gable to trap to his heart's content in Blackfoot territory. After bearing a child, Marques is killed by a warring tribe; the opportunistic Gable at first considers abandoning the child, but at long last does right by the boy. Adolphe Menjou steals the show as an eternally inebriated French trapper, while Ricardo Montalban and J. Carroll Naish are convincing (and noncondescending) in their Native American characterizations. Evidently, Across the Wide Missouri tested poorly when it was first previewed: the final release version runs a surprisingly brief 78 minutes, with narrator Howard Keel (who otherwise does not appear) filling in the continuity gaps. ~ Hal Erickson, All Movie Guide

Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years. ~ Hal Erickson, All Movie Guide

In December of 1944, while the Battle of the Bulge rages in the Ardennes, the American 7th Army settles in to what most of its officers and men figure to be a routine and peaceful occupation of the Vosges-Alsace area. The region is mountainous and treacherous, and there are still German forces nearby, but everyone from division intelligence on down figures those forces to have been stripped to support the Ardennes offensive -- everyone except Col. Mark Devlin (Howard Keel), who keeps reminding everyone that the Germans would never leave their forces stretched that thin so near their own border; but his warnings fall on deaf ears. Meanwhile, at the front lines, an infantry platoon finds a woman wounded in the snow. Alexandra Bastegar (Tina Louise) is an Alsatian and speaks all the local languages and dialects, which is more than the American interpreters can do, and she's only too happy to help the people who rescued her -- except that she was shot as a cover and is working on behalf of the Germans. Can Devlin find the proof he needs of a German offensive-in-the-making before Alexandra completes her mission? ~ Bruce Eder, All Movie Guide

Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, All Movie Guide

Having closed its fourth season with the unidentified body of a young woman floating in the Ewing family swimming pool, Dallas launches its fifth season by casting suspicion of murder on both of the series' chief antagonists: the cunning, consciousless Texas oil tycoon J.R. Ewing (Larry Hagman) and J.R.'s lifelong enemy, attorney Cliff Barnes (Ken Kercheval). For a while, it appears as though J.R. is the guilty party, since he had the most motive. The dead girl turns out to be Kristin Shepard (Mary Crosby), the same person who had shot J.R. full of holes at the end of season three. Once this matter is settled, there are plenty of other crises to dwell upon. On the verge of breaking up her marriage with J.R., Sue Ellen (Linda Gray) sues for custody of her son, John Ross, at the behest of her current lover, Dusty Farlow (Jared Martin). This results in a confrontation between J.R.'s mother, Miss Ellie (Barbara Bel Geddes), and Dusty's millionaire dad, Clayton Farlow (Howard Keel) -- though this adversarial relationship will eventually dissolve in a surprising matter. Meanwhile, J.R. schemes to get even with Sue Ellen by temporarily shacking up with Serena Wald (Stephanie Blackmore)and scheming to financially ruin the Farlows; but at the end of the day, he relents and embarks upon a campaign to win Sue Ellen back (not for her sake, but so that he can wrest away custody of his son).

Elsewhere, the marriage between J.R.'s niece Lucy (Charlene Tilton) and medical student Mitch (Leigh McCloskey) comes to an end. Unable to have children of their own, J.R.'s brother Bobby (Patrick Duffy) and his wife, Pam (Victoria Principal), adopt a child named Christopher -- without revealing the fact that the child's biological parents are the late Kristin Shepard and her blackmailing paramour Jeff Farraday (Art Hindle). Cliff Barnes goes to work for his entrepreneur mother, Rebecca Barnes Wentworth (Priscilla Pointer), hoping to beat J.R. at his own game in the marketplace -- and in the process becoming almost as greedy and duplicitous as his rival! Conspicuous by his absence this season is Miss Ellie's husband, Jock Ewing. Although actor Jim Davis had died the previous season, the producers decided not to completely write out Davis' character of Jock Ewing, instead contriving a scenario whereby Jock is in South America on a mission for the government. Ultimately, Jock perishes in a helicopter crash, whereupon a grieving Miss Ellie finds solace in the arms of her former enemy, Clayton Farlow. In the series' traditional cliffhanger ending, Cliff Barnes, financially ruined and in disgrace thanks to the machinations of J.R., tries to commit suicide -- and if he dies, it will mean disaster for several of the main Dallas characters. ~ Hal Erickson, All Movie Guide

The fire that trapped J.R. Ewing (Larry Hagman), his wife, Sue Ellen (Linda Gray), their son, John Ross (now played by Omri Katz), and J.R.'s half-brother, Ray (Steve Kanaly), in the Southfork mansion at the end of Dallas' sixth season is still raging as season seven begins. Fortunately, J.R. et al. are rescued at the last minute by his younger brother Bobby (Patrick Duffy). And speaking of Bobby, he has been divorced by his wife, Pam (Victoria Principal), who then takes up with Mark Graison (John Beck). Meanwhile, Pam's half-sister, Katherine Wentworth (Morgan Brittany), has set her sights on Bobby, making it clear that if she can't have him, no one will. But Bobby prefers the company of his old flame Jenna Wade, played by Priscilla Presley (in previous episodes, Jenna was portrayed by Morgan Fairchild and Francine Tacker). J.R. encourages Bobby to pursue a relationship with Jenna, if only to strike out at J.R.'s hated rival Cliff Barnes (Ken Kercheval) -- who of course is Pamela's brother. J.R.'s own marriage is on the rocks again, thanks to the arrival of his son John Ross' camp counselor Peter Richards (Christopher Atkins), whose schoolboy crush on Sue Ellen rapidly develops into something far more serious. As J.R. deals with this, he must also reconcile himself to the fact that his mother, Miss Ellie (Barbara Bel Geddes), is dead set on marrying millionaire Clayton Barlow (Howard Keel), the father of Sue Ellen's former (and now missing) lover Dusty Farlow. And in another branch of the Ewing family, J.R.'s half-brother, Ray (Steve Kanaly), disposes of his troublesome cousin Mickey (Timothy Patrick Murphy) -- who the previous season had been canoodling with J.R.'s niece Lucy (Charlene Tilton) -- in a dramatically direct fashion. As the season comes to an end, a double wedding is planned involved Ellie and Clayton and Bobby and Jenna -- but events conspire to keep the couples apart. And in the cliffhanger finale, yet another stalker fires another shot in the office of J.R. Ewing -- but this time it is Bobby who falls wounded to the ground! ~ Hal Erickson, All Movie Guide

The infamous ninth season of Dallas begins with Pamela Ewing (Victoria Principal) grieving over the death of her ex-husband Bobby, who was killed saving Pamela from her vengeful half-sister, Katherine Wentworth. To Pamela, the whole situation seems like one horrible nightmare -- and as it turns out, she may be right! In other developments, Barbara Bel Geddes returns to the role of Miss Ellie, mother of the redoubtable J.R. Ewing (Larry Hagman) -- a bit of retrospective casting that prompted Donna Reed, who'd taken over as Miss Ellie during Bel Geddes' absence in season eight, to sue the series' producers. Also back is Dusty Barlow (Jared Martin), whose millionaire father, Clayton (Howard Keel), has become Miss Ellie's husband. Now an embittered paraplegic, Dusty becomes deeply involved in a custody battle between his former lover Sue Ellen Ewing (Linda Gray) and her husband, J.R., over their son, John Ross. In the midst of this courtroom intrigue, J.R. pulls strings to have the alcoholic Sue Ellen committed to a sanitarium, but her mom, Patricia (Martha Scott), bails her out. Another returnee to the series is Mark Graison (John Beck), who hopes to offer love and comfort to his disconsolate ex-sweetheart Pamela. Newcomers to Dallas include Dack Rambo as cousin Jack Ewing, to whom Bobby's onetime inamorata Jenna (Priscilla Presley) turns after Bobby's death; Barbara Carrera as ruthless shipping magnate Angelica Nero, who aligns herself with J.R.'s sworn enemy Cliff Barnes (Ken Kercheval) -- who in turn is romancing Jack's sister Jamie (Jenilee Harrison); and Marc Singer as Matt Cattrell, a childhood friend of Pamela who talks her into financing a dangerous mining venture in South America. That the viewers sorely missed Patrick Duffy was painfully evidently in the fact that Dallas ratings were rapidly plummeting. Both the series' producers and star Larry Hagman approached Duffy, offering him all sorts of attractive incentives to get him to return to the show. The results of their entreaties are revealed in the season finale, when, after a horrific explosion that apparently kills half the cast, the action suddenly shifts to Pamela, who is aroused from her slumbers by a familiar voice emanating from her bathroom.... ~ Hal Erickson, All Movie Guide

Although Victoria Principal had left Dallas at the end of season ten, by the time the series' 11th season rolled around, Principal's character, Pamela Ewing, was still lingering about, swathed in bandages after being seriously injured in a car accident. As if to lead viewers to the conclusion that Pamela would suddenly make a complete recovery in the tradition of her husband Bobby Ewing's (Patrick Duffy) "return from the dead" at the outset of season ten, the ultimate fate of Pamela was left unresolved for several weeks -- and further complicated when the poor girl suddenly vanished from her hospital bed. Elsewhere, it appears as though ruthless oil tycoon J.R. Ewing will finally get his comeuppance when he loses control of Ewing Oil to his brother Bobby after proof of J.R.'s illegal maneuverings are made public. Setting up another oil firm, J.R. works hand and glove with Casey Denault (Andrew Stevens) to undercut Bobby and regain his power, which also involves our "hero" secretly buying up the stock of a rival firm, Westar Oil. At the same time, Casey has a brief fling with J.R.'s niece Lucy (welcome back, Charlene Tilton). In other developments, Bobby is tormented by Lisa Alden (Amy Stock), who claims to be the mother of his adopted son, Christopher. Meanwhile, Bobby's old flame Jenna Wade (Priscilla Presley) marries his half brother, Ray Krebbs (Steve Kanaly) -- a union that seems doomed from the start when Ray has a fling with a certain Connie Hall (Michelle Scarabelli). Newcomers to the cast include the aforementioned Andrew Stevens and Amy Stock, as well as Jack Scalia as banker Nicholas Pearce, who has an affair with J.R.'s estranged wife, Sue Ellen (Linda Gray), after helping her get her lingerie business off the ground -- and who turns out to have a hidden agenda that only April Stevens (Sheree J. Wilson) is fully aware of. Finally, this season marks the first appearances of recurring characters Harrison "Dandy" Dandridge (Bert Remsen) and Kay Lloyd (Karen Kopkins). In an echo of the celebrated "Who shot J.R.?" season finale of 1980, the 11th season of Dallas ends with another burst of gunfire -- and this time, it is Sue Ellen who is taking aim at J.R. ~ Hal Erickson, All Movie Guide

As Dallas enters its 13th season on the air, only actors Larry Hagman and Ken Kercheval, cast respectively as ruthless oil tycoon J.R. Ewing and his lifelong enemy, attorney-executive Cliff Barnes, have been seen in every season. Though rumors occasionally spread that Hagman was poised to leave the show, the fact that he had been appointed one of the executive producers pretty much put the kibosh on such talk. The season opens as a Ewing Oil tanker collides with a tanker from rival Westar Oil, thereby laying the groundwork for a full-scale government investigation of the Ewing empire, spearheaded by the vengeful Cliff Barnes. With the assistance of high-pressure PR agent Stephanie Rogers (Lesley-Anne Down), Barnes is elected United States energy czar -- all the more reason for J.R. to spite Cliff and step up his efforts to bring about his enemy's downfall. Meanwhile, J.R.'s brother Bobby (Patrick Duffy), reconciled to the fact that his wife Pamela is dead (Victoria Principal had long since exited the series), proposes to April Stevens (Sheree J. Wilson). This turn of events permits the writers to introduce a new character, April's younger sister Michelle, played by Kimberly Foster. Also making their first appearances this season are Gayle Hunnicutt as J.R.'s former lover Vanessa Beaumont, and Sasha Mitchell as James Richard Beaumont, J.R. and Vanessa's illegitimate son. A true chip off the old block, 20-year-old James bids fair to be even more conniving, underhanded and untrustworthy than his father. But even as "new blood" is pumped into Dallas, we lose an old favorite: namely, J.R.'s mom, Miss Ellie, played by Barbara Bel Geddes. As the season rushes to a close, James conspires with J.R.'s new wife, Cally (Cathy Podewell), to gain full control of Ewing oil -- while J.R., having fraudulently committed himself to a mental institution in order to get a controlling interest in Westar Oil from Jessica Montford (Alexis Smith), the insane sister of J.R.'s stepfather, Clayton Barlow (Howard Keel), finds that he is unable to leave the institution, and may spend the rest of his life in a padded cell! ~ Hal Erickson, All Movie Guide

Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus! ~ Hal Erickson, All Movie Guide

In this musical comedy, a young woman inherits a race horse. She wants to race it but encounters difficulty with its trainer who wants to be able to buy the horse for himself. To do so, he makes sure the horse keeps losing races. The woman refuses to sell it. Later, race track con artists try to scam her. The trainer comes to her aide, and soon they fall in love. ~ Sandra Brennan, All Movie Guide

In this feature-length continuation of the popular husband-and-wife television detective series, the fabulously wealthy and impossibly attractive Jonathan (Robert Wagner) and Jennifer (Stephanie Powers) Hart travel to the town of Kingman's Ferry to mourn the death of Jennifer's mentor. Suspecting foul play, the duo launch an investigation that reveals that burg's idyllic appearance masks a seething underbelly of deception. ~ Sandra Brennan, All Movie Guide

Esther Williams' long association with MGM came to an abrupt end with Jupiter's Darling, which even she will admit was her silliest film. Based on Robert Sherwood's satirical play The Road to Rome, the film cast as Williams as Amytis, fiancee of vacillating Roman statesman Fabius Maximus (George Sanders). When it appears as though the forces of Hannibal (Howard Keel) will conquer Rome, Amytis takes it upon herself to halt the invasion. In the process, she and Hannibal embark upon a tempestuous romance, much to the consternation of the barbarian general's aide-de-camp Mago (William Demarest) and the bemusement of Hannibal's official chronicler Horatio (Richard Haydn). A subplot concerns the romance between Varius (Gower Champion), who tends Hannibal's fabled elephants, and spunky slave girl Meta (Marge Champion). Somewhere along the line Williams performs a water ballet with "living statues", and Varius and Meta come up with a herd of pink elephants. The Burton Lane-Harold Adamson songs are as forgettable as the film itself. Curiously, Jupiter's Darling opened to good reviews, but the film was killed by word of mouth. ~ Hal Erickson, All Movie Guide