Barry Keegan Movies

Heron of Foix (Assaf Dayan) hears the call of the ocean and leaves his school in Paris to walk to the sea. He meets the fair Claudia (Anjelica Huston) and the two fall in love and journey together to escape the ongoing Hundred Years War. They witness the brutal and bloody murder of a peasant who is drawn and quartered by the sadistic Sir Meles (John Hallam), the unforgiving tax collector who hates the poor. The couple seeks refuge in a monastery where the Father Superior (Anthony Nicholis) refuses their request to be married. This slow-paced but beautifully lensed feature marks the screen debut for Anjelica Huston. ~ Dan Pavlides, Rovi

When a gang of London thieves, disguised as policemen, begin robbing other thieves....well, that's just not cricket. Benevolent burglar Peter Sellers, the man in charge of all "respectable" crooks in town (he even offers such incentives as a vacation plan and filmed training sessions!), sets about to ascertain how the renegade criminals have received inside information concerning upcoming robberies. He arranges a temporary truce with Scotland Yard so that both criminal and constable can work together in nabbing the miscreants. Alas, he must now contend with incompetent peacekeeper Lionel Jeffries, who poses an even greater threat than the "mole" who's been tipping off the phony cops (who is closer to Sellers than he'd ever suspect). Short, simple and sweet, the black-and-white Wrong Arm of the Law manages to pack more solid laughs than any three of Sellers' later overproduced Technicolor vehicles combined. ~ Hal Erickson, Rovi

Billie Whitelaw dominates this crime melodrama, not as a criminal but as vengeful bystander Jackie Parker. Parker's husband, an armored car driver, is killed during a carefully orchestrated robbery. The police have an idea of who's responsible, but they lack proof. On her own, Parker goes after the suspects one by one, using psychological torture (phone calls, poison pen letters) to break them down. She reduces inside man Pearson (William Lucas) to a quivering mass of gelatin, and indirectly sends Monty (Kenneth Griffith) to a sticky end in a mire of quicksand. The film's climax is a showdown between Parker and gang boss Mellors (Michael Craig). Payroll was based on a novel by Derek Bickerton. ~ Hal Erickson, Rovi

This effective crime caper involves an attempted robbery of no one less than the U.S. Army, a heist which has its beginnings when Turpin (Stanley Baker) is drummed out of the service for his black-market activities. Apparently chaffing at this unjust treatment and also fueled by greed, Turpin enlists two cohorts -- Swavek and Fenner (Helmut Schmid and Tom Bell) to help him carry out his revenge. After much rehearsal of his plan, the three put on uniforms and walk into an army camp just before the troops are mustered out to the Middle East during a crisis over the Suez Canal. The trio's intention is to rob the payroll ($700,000), stash the cash in a spare tire, and drive out of there. That is the plan, but the reality turns out quite different, after one of the three gets a reaction to a vaccination and another is called up for KP duty ("kitchen police"). ~ Eleanor Mannikka, Rovi

One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, Rovi

A British secret service agent is killed near a nuclear submarine dry dock. Hoping to solve the murder, Steed poses as a metalurgist and heads to the shipyard himself. Here he comes face to face with his old enemy Kolchek (Peter Arne), whose plans go far beyond simple one-on-one murder. Nyree Dawn Porter, who according to several sources was the producer's original choice for Cathy Gale (the character played by Honor Blackman during The Avengers' second and third season), guest-starred as Liz Wells. Written by James Mitchell, "Death on the Slipway" was originally telecast June 24, 1961. ~ Hal Erickson, Rovi

The "nick" in this standard prison farce is a modernistic, forward-looking jail without bars. At its core of staff are dedicated young psychologist Dr. Newcombe (Anthony Newley) and tough-minded but fair overseer Chief Officer Williams (Harry Andrews). Their jobs are made that much more difficult when four hardened criminals are inexplicably sent to the minimum security prison. The leader of this gang of four is Spider (James Booth) whose main job is to rally his cohorts into defeating a rival gang and lording it over other inmates. Their tactics and the efforts of the good doctor to reform them provide the comic fodder for the film. ~ Eleanor Mannikka, Rovi

In this crime drama, a gentle old woman finds herself involved in a murder after she dials a wrong number and overhears a murderer telling how he killed a man during a robbery. ~ Sandra Brennan, Rovi

Director John Ford traveled to England to film this adaptation of the novel by J.J. Maraca, which details a typical day in the busy life of a detective for Scotland Yard. Inspector George Gideon (Jack Hawkins) begins his working day by confronting one of his fellow officers who is believed to be accepting graft. The sergeant stubbornly denies the charge, but he dies later the same day in a mysterious hit-and-run accident that piques Gideon's curiosity. While confronting internal strife within Scotland Yard, Gideon also has more typical crimes to investigate, including a murder in Manchester and a burglary in London, both of which were performed by the same vicious criminal. Gideon himself becomes the victim of a holdup and is forced to take a bullet for his troubles, while on the home front he finds himself in disfavor with his family when he forgets to bring home salmon for dinner and lets his daughter's recital slip his mind. Along with Jack Hawkins, Gideon's Day features a stellar cast of British actors, including Cyril Cusack, Anna Massey, Laurence Naismith, Dianne Foster, and Billie Whitelaw. For its initial American release, Gideon's Day (also shown as Gideon of Scotland Yard) was cut from 91 minutes to a mere 54, and distributed in black and white prints instead of the original Technicolor. Fortunately, nearly all the prints currently in circulation are of the uncut, color edition. ~ Mark Deming, Rovi

The debate still rages as to whether Alfred Hitchcock's 1956 remake of The Man Who Knew Too Much is superior to his own original 1934 version. This two-hour remake (45 minutes longer than the first film) features more stars, a lusher budget, and the plaintive music of Bernard Herrmann (who appears on-camera, typecast as a symphony conductor). Though the locale of the opening scenes shifts from Switzerland to French Morocco in the newer version, the basic plot remains the same. American tourists James Stewart and Doris Day are witness to the street killing of a Frenchman (Daniel Gelin) they've recently befriended. Before breathing his last, the murder victim whispers a secret to Stewart (the Cinemascope lens turns this standard closeup into a truly grotesque vignette). Stewart knows that a political assassination will occur during a concert at London's Albert Hall, but is unable to tell the police: his son (a daughter in the original) has been kidnapped by foreign agents to insure Stewart's silence. The original script for Man Who Knew too Much was expanded and updated by John Michael Hayes and Angus McPhail. ~ Hal Erickson, Rovi

Jack Hawkins is starred as a gruff, intensely dedicated Scotland Yard superintendent. Working as much by instinct as through scientific methods, Hawkins and rookie sergeant John Stratton tackle the case of a string of unsolved safecrackings, committed by the elusive Richard Leech. This Dragnet approach gives way to suspense as robbery leads to murder. A neat surprise twist caps this finely honed example of British moviemaking know-how. The Long Arm was released in the U.S. as The Third Key. ~ Hal Erickson, Rovi