Viola Keats Movies

Previously filmed in 1929 as S.O.S. (also the title of the Walter Ellis play that is its basis), Her Last Affaire switches the sexes of its leading characters so that the protagonist is now a male, Alan Heriot (Hugh Williams). Heriot is the secretary to Sir Julian Weyre (Francis L. Sullivan) a politician of increasing power and influence; he also has designs on Weyre's daughter (Sophie Stewart), and wishes to marry her. Weyre and his new wife, Lady Avril (Viola Keats), are against the marriage, primarily because Heriot's father was involved in a criminal scandal. As the film unfolds, the viewer comes to doubt the sincerity of Heriot's affection toward the boss' daughter, for he arranges a suspicious assignation at a country inn with Lady Avril. Eventually, however, it becomes clear that he has done so because he knows Lady Avril has information that could clear his family's name, and he is attempting to force her to sign a document to that effect. Unfortunately, while he is trying to persuade her, Lady Avril suffers a heart attack and dies. Panicking, Heriot flees and thus becomes the prime suspect in what is declared to be a murder. With motive and without a valid alibi, things look bleak for the young man, who comes to rely upon a maid at the inn to help him out of this difficult situation. Thought lost for many years, the film was rediscovered and restored in the 1980s. ~ Craig Butler, Rovi

In this murder mystery, a popular German performer becomes an amateur sleuth so she can prove her sister innocent of murder. ~ Sandra Brennan, Rovi

Alfred Lynch and Sean Connery star as a pair of klutzy RAF members, during World War II, who are more interested in running petty confidence scams that toting rifles. Though they doggedly avoid extra effort of any kind, Pope (Lynch) and Pascoe (Connery) are sent on a top-secret mission. The more the duo screws up, the more they succeed in pulling off their assignment, and through no real input of their own they become heroes. On the Fiddle more closely resembled an American service comedy than a British film, thus it was logical that its U.S. title was Operation SNAFU. During the James Bond craze, the film was retitled Operation Warhead and Sean Connery's participation was played up in the ads -- complete with the anachronistic inclusion of bikini-clad starlets! ~ Hal Erickson, Rovi

In this confused parody, a lovely South Seas island girl travels to England following her father's death and becomes the ward of her cousin. The women is exotically beautiful and men turn into fools whenever she passes by. But the innocent lass has no idea that she is so lovely and seductive. At one point she poses nude for an artist and nearly starts a riot amongst the normally staid upper-crust gentlemen. In the end, the beautiful native girl marries the son of her kindly cousin who eventually becomes the head of his father's school. Meanwhile his father moves to the girl's native island. ~ Sandra Brennan, Rovi

Based upon the play Murder Party by Roland Pertwee and John Hastings Turner, Night of the Party uses one of the murder mystery genre's favorite conventions, that of a parlor game gone wrong. In this instance, the game is being held after a dinner party thrown by the ruthless publishing tycoon, Lord Studholme, in honor of the visiting Princess Amelia of Corsova. The guests at the dinner party are a wide range of business and personal associates, each of whom has a strong grudge against the host. When the lights are turned out for a game of Murder in the Dark, Lord Studholme is discovered dead. Arriving shortly thereafter, Scotland Yard's Sir John Holland begins an investigation, and Studholme's secretary, Guy Kennington, is arrested under suspicion of murder. Studholme, however, is not convinced of Kennington's guilt, believing that any of the guests -- including his own daughter, who was present at the party -- could have slain the host. However, it is not until Kennington's trial at the Old Bailey is well underway that he identity of the killer is finally and conclusively revealed. ~ Craig Butler, Rovi

Vivien Leigh plays Karen Stone, a middle-aged actress whose career is in a tailspin. To assuage her hurt feelings, Karen goes on a vacation to Rome with her husband, who dies en route. Her best friend (Coral Browne) compassionately arranges for a young Italian escort (read: gigolo) to keep Karen from wallowing in her grief in Rome. The man hired for the task is sneering, contemptuous Pablo di Leo, played by Warren Beatty. Despite Pablo's rude behavior, the lonely Karen throws herself at him, showering him with expensive gifts and demanding his undivided attention. This being an adaptation of a Tennessee Williams novel, Blanche Dubois --er, Karen Stone must pay the piper for her eleventh-hour surfeit of passion; she is dispensed with by an "Angel of Death" in the form of psycho Jeremy Spencer. More operatic than dramatic, The Roman Spring of Mrs. Stone represents the only feature-film directorial effort of experimental-theatre maven Jose Quintero; his assistant was future Bullitt helmer Peter Yates. ~ Hal Erickson, Rovi

In this romantic comedy, a millionairess tires of being badgered by the paparazzi and trades places with her maid so she can rest. While disguised as a commoner, she meets and falls in love with an aspiring artist. In the end, she decides that love is more important than money and wedded bliss ensues. ~ Sandra Brennan, Rovi

Having flunked out as Sam Goldwyn's answer to Greta Garbo, Russian actress Anna Sten retreated to Britain for the 1936 historical drama A Woman Alone. Based on a novel by Fedor Ozop, the film is set in 19th century Russia. Sten plays a peasant girl who falls in love with military captain Henry Wilcoxon. The subsequent emotionally supercharged complications are reminiscent of the similar ill-fated romance in Tolstoy's Resurrection (which Sten had earlier filmed as We Live Again). Produced by Anna Sten's husband Eugene Frenke, A Woman Alone was originally released in Britain as Two Who Dared. ~ Hal Erickson, Rovi

In this spooky horror film set in an old English village, the trouble begins when a man endeavors to dig up a cemetery containing the charred bodies of witches burned at the stake 300 years before. The warlock who looks after the family cemetery tries to stop him, but cannot. As soon as their graves are disturbed, the witches arise and strange things begin to happen to the family of the man who dug them up. Later the true culprit behind the mayhem is revealed. ~ Sandra Brennan, Rovi