Ele Keats Movies

Three of the world's most gifted filmmakers offer their own unique perspectives on love and lust in this omnibus film. The initial episode, "The Hand," was directed by Wong Kar-Wai, and tells the story of Zhang (Chang Chen), a young, virginal dressmaker's assistant who finds it difficult to control his desire when he is sent to the home of Hua (Gong Li), a beautiful and refined prostitute, for a fitting. Steven Soderbergh directed the film's second story, "Equilibrium," in which Nick Penrose (Robert Downey Jr.) spends a session with his analyst (Alan Arkin) discussing a recurring dream of a beautiful naked woman in his apartment, but he keeps wandering off on tangents about alarm clocks and hair loss. Finally, Italian virtuoso Michelangelo Antonioni brings his short story The Dangerous Thread of Things to the screen, a story of a jaded couple, Christopher (Christopher Buchholz) and Chloë (Regina Nemni), whose relationship comes to a crossroads when both husband and wife become infatuated with the same woman, Linda (Luisa Ranieri). ~ Mark Deming, All Movie Guide

Telemovie mainstays Richard Crenna and Patty Duke (who co-starred in the 1982 sitcom It Takes Two) reteamed for this 1996 prime-time docudrama. Crenna is John Porter, a husband and father whose emotional isolation from his wife (Duke) and children springs from his own ingrained fear of mortality. When the Porters' twentysomething daughter, Sarah, is kidnapped, crisis pulls the family together in a desperate attempt to find the young woman before time runs out. It also forces John to overcome his fear of intimacy and connection, by reaching out to his family at an intensely difficult time. This feature, unsurprisingly, was based on a true story. ~ Nathan Southern, All Movie Guide

The events leading up to a young man's death are chronicled in this gritty drama. It all begins during a night of youthful carousing. Johnny is a Vegas hustler and just before the event, he and his good friend Grant begin fighting in a blind alley. One has a two-by-four and the other a gun. Watching the scuffle are Gale, Grant's girlfriend, and Martin and Amy. Unfortunately when the death occurred, each of these three saw something different. After the incident, the survivors take off across the Nevada desert toward the California border and their different viewpoints are chronicled via flashback. The story then begins jumping from recent past to present as they try to figure out how everything went so terribly wrong. ~ Sandra Brennan, All Movie Guide

Similar to the premise of American Graffiti, this film centers on eight California high school students whose lives intersect over two nights in the hot summer of 1965. As the Watts riots begin, the young people make decisions that will impact their entire lives. Writer-director Floyd Mutrux examines at the graduating class of 1965 of Westwood High School in Los Angeles, which was featured on the cover of Look magazine in 1961. The story is narrated by the class valedictorian, Mary Beth (Lucy Deakins). Kelli Williams plays Sunshine, a prototypical flower child. Characters played by Dermot Mulroney and Rick Schroder and others struggle with decisions about the Vietnam war, aspire to be rock musicians, and take divergent paths on politics while navigating various romantic entanglements. ~ Michael Betzold, All Movie Guide

This is the first mainstream film to deal with the harrowing true story of a Uruguayan rugby team whose plane crashed in the Andes mountains in October of 1972 and who were forced to resort to cannibalism to survive more than two months of isolation. (The only other film to tackle the subject, Rene Cardona's Survive! was a seedy little mess that delighted in exploiting the cannibalism aspect.) The events depicted are primarily based on the novel of the same name by Piers Paul Read. The interview-style prologue features an uncredited John Malkovich as one of the survivors, whose spiritual ruminations on the disaster kick off the film's main action. We are briefly introduced to the characters before disaster strikes, in the film's most horrifying set-piece -- the depiction of the crash in grueling detail. The handful of survivors who manage to extricate themselves from the twisted wreckage seem incapable of working through their panic as they hope against all odds that a rescue party will locate them. One of the survivors, Nando (Ethan Hawke), awakens from a coma and makes a remarkable recovery -- enough to demonstrate level-headed leadership after team captain Antonio (Vincent Spano) begins to lose his nerve. As the weeks wear on and rations are depleted, the survivors are forced into a moral dilemma: the only remaining source of food seems to be the bodies of the dead. Those who choose for religious reasons not to consume their former companions must face the realization that they will soon starve or freeze to death. In the end, three men who choose survival above all else find the strength to set out on a treacherous mission to a ridge, where hopefully one of them will make it to civilization. Director Frank Marshall infuses the proceedings with sufficient intensity to keep the story moving, but the film fails to fully explore the often-recounted spiritual aspects of the ordeal as established in the opening monologue. Ironically, the writers' apparent attempts to remain true to Read's account of events -- resulting in some rather odd stretches of dialogue -- impede the drama even more than the Hollywood glamorization of the story's nominal "heroes," who remain rugged and handsome despite months of malnutrition and severe frostbite. ~ Cavett Binion, All Movie Guide

A failed effort to revive the big-budget movie musical, Newsies attempted to create toe-tapping, song-and-dance excitement out of the true story of an 1899 strike by newspaper boys against publishing magnate Joseph Pulitzer. The "newsies" band together to protest a pay cut by Pulitzer (Robert Duvall), organizing a union to protect their rights and ensure fair wages. They are helped along the way by Medda (Ann-Margret), a local dance-hall performer who befriends the boys and provides an opportunity for an additional song or two. Director Kenny Ortega had previously choreographed Dirty Dancing, and composer Alan Menken had provided the acclaimed scores for Beauty and the Beast and Little Shop of Horrors, but their work here failed to capture the spark of their popular successes. Unable to connect with older or younger viewers, Newsies gained a reputation as a major bomb that cut short an attempt to bring back the live-action musical, though in the intervening years it has gained a small but appreciative cult. ~ Judd Blaise, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide