Robert Emmett Keane Movies

News Hounds has more plot than usual for a "Bowery Boys" film-too much plot, so far as diehard fans of the series were concerned. Much of the action takes place at the Daily Chronicle, where Slip Mahoney (Leo Gorcey) works as a copy boy and Sach Jones (Huntz Hall) as a junior photographer. Aspiring to become reporters, Slip and Sach try to get the goods on elusive underworld chieftan Dapper Dan Greco (Anthony Caruso). They manage to escape the clutches of Greco's henchmen, but not before Sach has snapped a picture of Greco in conference with supposed philanthropist Timothy X. Donlin (John Hamilton). Printing a story about Donlin's collusion with Greco, the Chronicle faces a libel suit until Sach is able to recover his photos, which he earlier managed to lose. Gabriel Dell, the Bowery Boys' resident straight man, is here cast as a conscience-stricken mob flunkey. At base, News Hounds is a reworking of the "East Side Kids" entry Bowery Champs. ~ Hal Erickson, All Movie Guide

Filmed not long after the actual events, The Beginning or the End is a sober, intelligent account of the development and deployment of the Atom Bomb. Step by step, the film details the progress of The Manhattan Project, from its inception in the early stages of the war through the dawn of the Atomic Age over the city of Hiroshima on August 6, 1945. Brian Donlevy stars as Brigadier General Leslie Groves, assigned by President Roosevelt (Godfrey Tearle) to act as military supervisor of the top-secret project at Oak Ridge, Tennessee. After a grueling trial-and-error period, the first atomic bomb is tested before an assemblage of scientists and military personnel-even though there's the disturbing possibility that the explosion may cause a chain reaction that will wipe out all mankind. Woven into the proceedings is an unnecessary but innocuous romance between idealistic young scientist Matt Cochran (Tom Drake) and his new bride Anne (Beverly Tyler), who cannot understand why she and her husband are forced to live in isolation with scores of other scientists and their families because Matt, like his associates, has been sworn to total secrecy. Though the Cochrans are fictional, many real-life participants in the Manhattan Project are depicted herein, including J. Robert Oppenheimer (played by Hume Cronyn), Enrico Fermi (Joseph Calleia), Albert Einstein (Ludwig Stossel) and Col. Paul Tibbetts (Barry Nelson), pilot of the bomb-bearing Enola Gay. Refreshingly free of propagandizing, Beginning or the End would make an excellent companion feature to Fat Man and Little Boy (1990), a highly politicized retelling of the same events. ~ Hal Erickson, All Movie Guide

I Wonder Who's Kissing Her Now is the heavily laundered musical biopic of sentimental songwriter Joe E. Howard. As played by Mark Stevens (whose singing voice was dubbed by Buddy Clark), Howard is a humble 19th century organ salesman who rises to Broadway fame as the composer of maudlin ballads like "What's the Use of Dreaming" and jaunty ditties like "Hello My Baby". Along the way, he enjoys several romantic interludes, but it is fresh-faced American chorine Katie (top-billed June Haver) who lands Howard as her hubby. In real life, Joe E. Howard, who lived well into his eighties, was married several times; he was also a notorious "lifter" who regularly claimed credit for songs he never wrote (including this film's title tune!) But producer George Jessel chooses not to let the facts get in the way of a good story, maintaining a policy established by his earlier The Dolly Sisters and sustained through such subsequent musical life stories as Oh, You Beautiful Doll The I Don't Care Girl. Singer/dancer/director Gene Nelson makes his screen debut as Tommy Yale. ~ Hal Erickson, All Movie Guide

In this earnest, sentimental drama, a mother does all she can to keep her rebellious daughter from making the same tragic mistakes as she did. ~ Sandra Brennan, All Movie Guide

The Shadow Returns was the first of three above-average Monogram features based on the popular radio melodrama The Shadow. Kane Richmond stars as wealthy man-about-town Lamont Cranston, who years ago in the Orient had learned the hypnotic power to "cloud men's minds," thereby transforming himself into the crime-fighting Shadow. When Inspector Cardona (Joseph Crehan) is unable to solve a high-profile jewel theft, Cranston goes into his mind-clouding act to investigate. He is "helped" by his lady friend Margo Lane, who though an intelligent and resourceful character on the radio series is herein portrayed as a blithering idiot by Barbara Reed. In fact, Margo comes off far stupider than the film's official comedy relief, Cranston's chauffeur Shrevvie (Tom Dugan). Outside of the irksome Margo Lane, The Shadow Returns is an entertaining mystery, with the "disappearing" gimmick handled with subtlety and inventiveness by director Phil Rosen. ~ Hal Erickson, All Movie Guide

This initial entry in Monogram's Bowery Boys series is also the second remake of the 1933 film He Couldn't Take It (the original script was by no less than Dore Schary, billed for reasons best known to himself as Jeb Schary). Leo Gorcey stars as Slip Mahoney, a pugnacious type whose volatile temper loses him one job after another. Slip's sister Mary (Pamela Blake), secretary to construction executive Sayers (John Eldredge), persuades her boss to use his influence to get Slip a job as a process server. After successfully repossessing a car belonging to nightclub thrush Jeannette (Claudia Drake), Slip and his fellow "skip tracer" Sach Jones (Huntz Hall) endeavor to serve a subpoena to homicidal gangster Patsy Clark (Mike Mazurki). Though the boys get quite a going over from the "playful" Patsy, they not only successfully complete their mission, but also prove that the supposedly respectable Sayers is a criminal mastermind. Essentially a vehicle for Leo Gorcey, Live Wires pushes the rest of the Bowery Boys (Bobby Jordan, Billy Benedict et. al.) into the background; it wasn't until the second series entry In Fast Company that the former "East Side Kids" truly became a team again. Bernard Gorcey, who later played sweet-shop owner Louie Dumbrowski, is seen herein as a small-time gambler. ~ Hal Erickson, All Movie Guide

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide

"You can live a long time in three days -- sometimes when you're in a tight spot, you can live a year in ten seconds." US Army Air Force Major Bob Collins (Robert Cummings), Captain "Shakespeare" Anders (Don Defore), and Lt. "Handsome" Janoshek (Charles Drake) are three happy-go-lucky combat pilots, decorated heroes who are on a tour promoting War Bonds. Their public relations representative from the Treasury Department, Ivy Hotchkiss (Lizabeth Scott), finds at first that can't do much more than tag along, picking up after them and observing their carousing, especially Collins, who seems to have a wide array of female acquaintances in every city they visit. Indeed, although she says little about it, their carousing is out-of-proportion to their circumstances -- yes, their current mission involves a lot of cramped traveling cross-country. shaking hands, endless speechifying, and even more endless listening to tributes to the heroism of the air corps, all of which gets boring and tiring very fast; but these men act like they're burning the candle at both ends, almost manic in their pursuit of women and laughs, and just as devoted to the three of them enjoying anything they do together, past the point of pilots' usual comraderie. They go so far as to sneak out ahead of one extremely important rally, but eventually Ivy gets them to straighten up and fly right, at least when they're supposed to, and the trio -- who has taken a liking to her for being such as good sport -- agrees to behave, at least when they're supposed to be meeting the public. After a few more misunderstandings, some of them comical, she actually gets to like the trio; the four of them become friends, and Ivy starts getting especially close to Bob, despite his womanizing ways -- but whenever she asks Handsome and Shakespeare about Bob's story, they get very close-mouthed and vague. She doesn't think too much of it, enjoying the time she's having with them, until the truth is accidentally dumped in her lap by a well-meaning medical officer (Rhys Williams) -- that Bob, for all of his freewheeling, happy-go-lucky outlook on life and love, is terminally ill. She suddenly understands their behavior and the true depth of the friendship that Handsome and Shakespeare share with him -- she's also nearly shattered, but she dares not let Bob know that she knows, for fear of destroying what little time he has left. The trio at last becomes a true foursome, bound together around Bob and Ivy. ~ Bruce Eder, All Movie Guide

Based on a play by Ruth Gordon, Over 21 represents the felicitous teaming of two middle-aged but attractive film favorites. Alexander Knox plays newspaper editor Max Wharton, who despite his age, patriotically signs up for Officer Candidate School. The humor arises from the fact that Wharton has trouble adjusting to the rigors of Army life, not to mention the good-natured competition of much-younger OCS aspirants. Meanwhile, Wharton's wife Paula (Irene Dunne) does her best to accommodate her husband's peripatetic military existence, and to ward off Wharton's boss Robert Gow (Charles Coburn), who insists that Max give up this "nonsense" and return to civilian life. Sharply directed and cleverly cast, Over 21 still delivers a full quota of laughs despite the dated quality of the storyline. ~ Hal Erickson, All Movie Guide

In this crime drama a young woman leaves her unhappy life at home to become a sophisticated night club singer. Her first job is nearly fatal when she entangles herself with the mobsters who own the joint and learns too much about their operation. Her boss decides to kill her and make it look like suicide. An intrepid reporter disbelieves the report and exposes the truth to the public. ~ Sandra Brennan, All Movie Guide

In this romantic comedy, three man-hungry sisters consult a fortune-teller to help them with their romantic futures. ~ Sandra Brennan, All Movie Guide

At least 30 percent of Universal's "vest-pocket" musicals of the 1940s included the word "Hi" in the title. Such was the case of 1944's Hi, Good-Lookin', an agreeable vehicle for songstress Harriet Hilliard and her bandleader husband Ozzie Nelson. The barely existant plot finds aspiring singer Kelly Clark (Hilliard) falling in love with incognito radio star King Castle (played by future Sky King star Kirby Grant). As a punch line, Castle, working under an assumed name, is hired as his own summer replacement, with Kelly in tow. Eddie Quillan provides chuckles as talent agent Dynamo Carson (who evidently doesn't lack for self confidence), while the Delta Rhythm Boys show up for a mellow rendition of "Paper Doll." ~ Hal Erickson, All Movie Guide