James Keane Movies

Charles Bronson at 63 or so, continues his vigilante persona in this run-of-the-mill crime drama about a Richard Speck-style killer who knifes young nurses to death. There is no doubt that the film exploits both the heinous, 1966 Speck murder of eight nurses in Chicago and an audience's willingness to go along with the Bronson character, Leo Kessler, when he uses illegal means to entrap criminals. The captured killer, Warren Stacey (Gene Davis) manages to go free because of red tape and the need to wait for the outcome of his insanity plea. When he returns to his murderous predilection, Kessler takes action to permanently stop him. ~ Eleanor Mannikka, All Movie Guide

High schooler Angus (Charlie Talbert), a jumbo-sized lad, seems underappreciated in all aspects of his life: he is a standout offensive lineman on the football team, but golden-boy quarterback Rick (James Van der Beek) gets all the accolades for his blood, sweat, and pass-blocking; he is also an outstanding student, but his classmates still regard him as a dork; the girl of his dreams (Arian Richards), Rick's girlfriend, seems to ignore him. Only when Angus musters the courage to put on a maroon tuxedo and head off to the school dance at the urging of his loving, free-spirit mom (Kathy Bates) does he finally get the recognition he deserves (as does Rick, who attempts to publicly humiliate Angus with a cruel prank). While the story is familiar, director Patric Johnson and the entire cast infuse the film with real warmth, making Angus a winner (as does its refreshing attitude toward violence). ~ Jeremy Beday, All Movie Guide

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era. ~ Lucia Bozzola, All Movie Guide

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide

A drunken, embittered country singer and a burgeoning journalist form an unusual bond in this drama adapted from the novel by Thomas Cobb. His spirit broken by multiple failed marriages, too much time on the road, and too many nights with the bottle, Bad Blake (Jeff Bridges) had started to feel like he was headed down the path of no return. When probing young writer Jean (Maggie Gyllenhaal) digs deep enough to unearth the broken man behind the legend, however, Bad realizes that redemption may not be such a long shot after all. Robert Duvall and Colin Farrell co-star. ~ Jason Buchanan, All Movie Guide

Written and directed by Max Myers, Don't Let Go reflects on the musical past of siblings Jimmy Ray (Scott Wilson) and Billy Joe (Justin Shilton), who headed a rockabilly band called "The Texas Tumbleweeds" in the late '50s. Unfortunately, Jimmy Ray (Wilson) leaves the band for the bottle after his brother is murdered in a dispute over a woman. Forty years down the line, Jimmy Ray is an alcoholic and a distant father to his two children, young Billy Joe (Levi Kreis), and Johnny Blue (Brad Hawkins). At first, Jimmy Ray refuses to attend the concerts of his sons, who are burning up the rockabilly circuit themselves as leaders of "The Texas Two-Tones." The young band decides to hold a fundraiser in honor of the late Billy Joe (Shilton), and as a tribute to the 40 year anniversary of their father's former band. Though it seems that there is no chance of their father attending, Jimmy Ray happens upon his brother's old guitar in a junk shop and slings it over his shoulder in spite of himself. Don't Let Go also features Katharine Ross and Irma P. Hall. ~ Tracie Cooper, All Movie Guide

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide

Stuart Rosenberg, under the guise of Alan Smithee, directed this action film concerning a soldier of fortune sent into a South American country to rescue a kidnapped American during a revolutionary upheaval. Harry Burk Jr. (Mark Harmon) and United States Ambassador Douglas (Bruce Gray) are held hostage by Colombian drug dealers who demand the release of associates who are imprisoned in the United States. But the U.S. government refuses to negotiate with the drug dealers. In disgust, Harry's brother Corey (Michael Schoeffling) and three of his friends (Tom Wilson, Glen Frey, and Rick Rossovich), along with an adventurous auto dealer named Jack (Gary Busey), hire mercenary soldier Shrike (Robert Duvall) to sneak into Columbia and rescue Harry. ~ Paul Brenner, All Movie Guide

Charles Bronson is out for revenge (and doesn't that sound familiar) in this action drama. Jackie Pruit (Jill Ireland) is the girlfriend of notorious gangster Joe Bomposa (Rod Steiger). When it looks as if Jackie's life is being threatened by Bomposa's goons, the FBI moves in to protect her, in hopes that she'll have incriminating evidence that the Bureau can use against Bomposa in court. Veteran agent Charlie Congers (Bronson) is assigned to watch over Jackie, and while it soon becomes obvious that she knows almost nothing about Bomposa that would be of any use to the FBI, he also falls in love with her. However, Bomposa decides that it would be a lot more convenient to have Jackie out of the way, and he orders her to be executed. Bomposa's henchmen manage to slip through FBI security and murder her, but now they have to answer to the angry and vengeful Congers. Love and Bullets also features Strother Martin, Bradford Dillman, Henry Silva, and Paul Koslo. ~ Mark Deming, All Movie Guide

This shocking prison drama was inspired by a true story. In 1938, Henri Young (Kevin Bacon), sentenced to Alcatraz for stealing $5, attempted to escape from prison with three other prisoners. One of the escapees was captured, and to curry favor with Warden Glenn (Gary Oldman), he informed on the others. Young was soon brought back to custody, and was to be punished by spending 19 days in solitary confinement. Nineteen days stretched into three years, in which Young was kept in a pit with no light, no toilet, no furniture, and nothing to read. Young emerged from solitary a vengeful madman, and he quickly murdered the convict who turned him in. Young was put on trial for the killing, and assigned a first-time public defender, James Stamphill (Christian Slater). Stamphill was horrified by Young's tales of the conditions at Alcatraz, and he used them as the basis of his defense for his client, believing that anyone would be driven to madness and murder if they had been treated the same way as Young. Murder in the First also features Embeth Davidtz, William H. Macy, Brad Dourif, and R. Lee Ermey. ~ Mark Deming, All Movie Guide

Well, it's only a few months into the Clinton administration, and Murphy (Candice Bergen) has once again gotten herself banned from the White House. In flashback, we learn how this humiliation came to pass. It seems that, in order to wangle an interview with the President, Murphy took her baby Avery to the White House Easter hunt...and... Look for prolific voiceover actress Maggie Roswell (The Simpsons' Maude Flanders) in a supporting role. ~ Hal Erickson, All Movie Guide

The omnibus film New York Stories is the product of three powerhouse filmmakers. The film is divided into three stories, each exploring a different aspect of life in the Big Apple. Life Lessons, directed by Martin Scorcese, is a Dostoevsky-like tale of the rarefied Art World, with Nick Nolte as a self-indulgent abstractionist who loves Rosanna Arquette, but can't bring himself to lie to her about her negligible artistic talents. Life Without Zoe, directed by Francis Ford Coppola, is more than a little reminiscent of Kay Thompson's Eloise stories, with 12-year-old Zoe (Heather McComb) running amok at the Sherry-Netherland hotel while her parents are embarked upon a world-girdling vacation. The last and is Woody Allen's Oedipus Wrecks, wherein a schnooky lawyer (guess who?) inadvertently "creates" the Jewish Mother From Hell: thanks to a misguided magic trick, Allen's mama (the incomparable Mae Questel) becomes a huge spectral vision on the New York skyline, telling everyone within earshot about her son's inadequacies. The cinematographer lineup on New York Stories includes Nestor Almendros, Vittorio Storaro and Sven Nykvist. ~ Hal Erickson, All Movie Guide