Edward Keane Movies

Filmed on-location at the Naval Air Training Stations in San Diego, CA, and Pensacola, FL, this black-and-white Warner Bros. drama was dedicated to the U.S. Naval Aviation Service and probably served as propaganda when it was released in 1939, right before the U.S. involvement in WWII. Submarine officer Jerry Harrington (John Payne) goes to Pensacola to train as a flying cadet, just like his father and his brother, longtime airman Cass Harrington (George Brent). Jerry ends up falling for his brother's girlfriend, Irene Dale (Olivia deHavilland), which only increases the competition between the two brothers. After Cass gets injured, Jerry becomes a pilot in San Diego and Irene must choose which man she wants. Also starring Frank McHugh. ~ Andrea LeVasseur, All Movie Guide

Frontier Pony Express is a fast-paced Roy Rogers program western which could stand up on its own with any big-budgeted "A" picture. Per the title, Rogers plays an express rider, working the California-to-Kansas City route. While the Civil War rages in the East, our hero must contend with Yankee and Rebel forces who've encroached upon his home turf, both trying to win California over to their side. Meanwhile, businessman Lassiter (Edward Keane), ostensibly on the Confederate side, is actually a mercenary who hopes to play one army against the other so that he can move in and take over the territory himself. There's an awful lot of plot in this 58-minute oater, but Roy Rogers still finds time to serenade leading lady Mary Hart. ~ Hal Erickson, All Movie Guide

Directed by Richard Thorpe, this costume drama stars Luise Rainer as 16-year-old southern belle Gilberta, who, upon her return to Louisiana after a brief stay in France, discovers her sister Louise Barbara O'Neil) has recently gotten engaged. Gilberta (Rainer) quickly finds herself attracted to her sister's fiance George (Melvyn Douglas), and eventually steals him for herself. Though they marry and have a son together, Gilberta is unable to to cope with the stress and responsibility involved in running a plantation and raising a child at the same time. At Gilberta's request, Louise (O'Neill) agrees to take over the duties of the plantation. Meanwhile, Gilberta begins an affair with a former suitor of hers, Andre Vallane (Robert Young), and agrees to go to New York with him. Upon their return, George (ouglas and Andre (oung) have a duel, which proves fatal for Andre. Shortly after, Gilberta catches a fatal disease. Though much strife had been created due to her sordid affairs, Gilberta comes to terms with her behavior and makes peace with her family shortly before she died. ~ Tracie Cooper, All Movie Guide

Nancy Drew -- Detective was the first in a series of breezy B-pictures based on the teenaged sleuth created by Carolyn Keene. Bonita Granville is perfectly cast as Nancy, while John Litel and Frankie Thomas are equally effective as Nancy's attorney father, Carson Drew, and erstwhile boyfriend, Ted Nickerson, respectively. Things get under way immediately when Mary Eldridge (Helena Phillips Evans), the wealthy benefactress of Nancy's high school, disappears under mysterious circumstances. In direct defiance of her father's orders, Nancy and Ted set off on their own investigation, which leads inexorably (and dangerously) to a highly suspicious rest home. The "ever popular" Mae Busch is her usual nasty self as a phony nurse. ~ Hal Erickson, All Movie Guide

This drama offers a fascinating backstage look at the making of westerns. The story centers around a stunt double working for an egotistical, emotionally fragile cowboy star. When the stunt man sets his romantic sights on the leading lady, the leading man gets huffy and unsuccessfully attempts to frame him. Real trouble ensues when the fall guy finds himself in the midst of a real bank robbery and finds himself accused of being the thief. He is arrested and put in jail. Fortunately, another movie cowpoke helps him escape. The stunt man then goes out and catches the real villains. Included in this video are demonstrations of how the dangerous stunts of the film were performed. ~ Sandra Brennan, All Movie Guide

In this entry in the "Torchy Blane" series, the plucky young reporter tries to expose a ring of counterfeiters led by a man pretending to be a G-man assigned to investigate the case. He asks her not to print any of the information she has gathered so as not to blow his cover. The ploy works until Torchy figures it out and brings the gang to justice. ~ Sandra Brennan, All Movie Guide

Moss Hart and George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play You Can't Take It With You was transformed into a paean to populism by director Frank Capra and screenwriter Robert Riskin. This is the story of the zany Sycamore household, presided over by Grandpa Vanderhof (Lionel Barrymore), a former businessman who has turned his back on commerce to enjoy life. At the Sycamores', everyone does just what he or she pleases. Penny Sycamore (Spring Byington), Grandpa's daughter, has become a novelist because someone delivered a typewriter to her home by mistake. Penny's husband makes firecrackers in his basement with the help of Mr. DePinna (Halliwell Hobbes), an iceman who showed up at the Sycamore doorstep one day and never left. Their daughter, Essie (Ann Miller), imagines that she's a prima ballerina, even though her dour teacher, Boris (Mischa Auer), assesses her work with, "Confidentially, it steenks!" Essie's husband, Ed (Dub Taylor), who'd rather play a xylophone than work, spends his free time selling Essie's candy, wrapping each package in paper from a used printing press that dispenses anarchistic slogans. The one normal member of the household is Alice Sycamore (Jean Arthur), in love with wealthy Tony Kirby (James Stewart).

Naturally, when the stuffy, aristocratic Kirbys come to the Sycamores' for dinner, the event is a disaster, capped with the arrest of everyone in the household. Hart and Kaufman's third act found the previously judgmental Kirby softening his attitude toward the freewheeling Sycamore clan, admitting that he's never had so much fun in his life. Screenwriter Riskin altered the focus of the play by throwing out the third act and concentrating upon Tony Kirby's father, Kirby Sr., who as played by Edward Arnold is transformed from a stock stuffed shirt into a ruthless, grasping tycoon, eager to buy up every house on the Sycamores' block to make room for a munitions plant. The film thus became the story of Kirby's regeneration at the hands of the carefree Sycamores. Enough of the play's screwball elements are retained to compensate for Riskin's speechifying and plot distortions (though the softening of one of the play's vital ingredients, Grandpa's refusal to pay his income tax, borders on the sacrilegious). You Can't Take It With You earned several Academy Awards, including Best Picture and Best Director (Capra's third Oscar). ~ Hal Erickson, All Movie Guide

In this wartime drama, cavalry private Dennis Murphy purchases a nervous horse, Sergeant, after it is deemed unfit for military service. With patience and love, Murphy trains his horse into a champion and later proves his worth by sneaking the steed into England where he enters him in the Grand National. He wins. The plucky private also wins the affection of the colonel's daughter. This film is based on a true story. ~ Sandra Brennan, All Movie Guide

An excellent cast elevates the quality of this ultra-cheap independent effort. Adrienne Ames stars as Helene, the owner of a posh beauty salon and reducing parlor. Most of Helene's clients are from the society's upper crust, but that doesn't prevent them from dishing out vitriolic gossip with reckless abandon. Columnist Terry Kent (William Newell) has a field day printing up the "hot" tidbits bandied about in the salon, causing no end of trouble for Helene and her boyfriend Pat Fenton (Craig Reynolds). The supporting cast is a film buff's dream, consisting of such veterans as Esther Ralston, George Meeker, Pert Kelton and Vivien Oakland. Slander House was based on a novel by Madeline Woods. ~ Hal Erickson, All Movie Guide

Also released as The Gentleman from California, this budget-conscious swashbuckler is strongly reminiscent of The Mark of Zorro. Nineteenth-century California aristocrat Ramon Escobar (Ricardo Cortez) returns after several years' schooling in Spain to discover that his native land is in the hands of corrupt politicians. The villains are systematically forcing the "old" Californian families from their property, using a variety of legal but highly unethical maneuvers. In retaliation, Escobar adopts the guise of a mystery avenger to right all wrongs and re-establish justice. Based on a story by Harold Bell Wright, The Californians was directed by Gus Meins, heretofore most closely associated with Hal Roach's "Our Gang" comedies. ~ Hal Erickson, All Movie Guide

All expense was spared in bringing this sleazy "exposé" to the screen. It's all about Mrs. Miller (Martha Chapin), the virtuous wife of kindly Dr. Miller (Robert Frazer). Alas, our heroine is lured into the questionable gambling emporium run by the shady Lucky Wilder (Wheeler Oakman, who made something of a career of exploitation pictures). "Hooked" by the seductiveness of the gaming tables and slot machines, poor Mrs. Miller goes downhill in record time, eventually retreating into the shadows as a "fallen woman." Vice Racket should not be confused with the like-vintage Crusade Against Rackets, though they're cut from the same melodramatic cloth. ~ Hal Erickson, All Movie Guide

High, Wide and Handsome almost defies classification: Perhaps it's best referred to as a historical musical western comedy melodrama. Irene Dunne plays an itinerant circus performer who marries oilman Randolph Scott. The couple heads to Titusville, Pennsylvania in 1859, where Scott is among the lucky prospectors who strikes oil. With no train service to the refineries, the townsfolk are obliged to build a pipeline, which is accomplished to the accompaniment of several rousing musical numbers by Jerome Kern and Oscar Hammerstein. The villainous element is represented by Alan Hale, who does his best to block the project to serve his own evil ends. Dunne's old circus friends come to the rescue with a herd of trained elephants! High Wide and Handsome confused too many filmgoers to make money in 1937; today it's regarded in some circles as a classic. ~ Hal Erickson, All Movie Guide

German director Joe May brought a decidedly Teutonic ambience to his American film Confession--no surprise, since the film was based on the 1935 German production Mazurka. Kay Francis plays a onetime singer who confesses to the murder of her pianist, Basil Rathbone. In flashback, we learn that Rathbone had been responsible for the breakup of Francis's marriage. Years later, Rathbone came back into her life, this time with the intention of seducing Ms. Francis' grown daughter (Jane Bryan). In a variation of Madame X, Francis was stuck with the dilemma of deflecting Rathbone from his "mission"--and of keeping her true identity secret from her daughter. Prior to Mazurka, the Hans Rameau story upon which Confession was based had been filmed as a silent picture starring Gloria Swanson. ~ Hal Erickson, All Movie Guide