Jonathan Banks Movies

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, All Movie Guide

Christopher Plummer has all the best dialogue in the hokey made-for-TVer Desperate Voyage. Plummer plays a modern-day pirate who hijacks private yachts, steals the valuables on board, and, weeping crocodile tears, sends the passengers to Davy Jones' Locker. His captives on this voyage are Cliff Potts, Christine Belford, Lara Parker and Nicholas Pryor, none of whom have any intention of being tossed into the briny. Much was made of the fact that Desperate Voyage was filmed entirely at sea, with no studio work. Those who didn't suffer from "mal de mer" were able to watch this film from start to finish when it debuted November 29, 1980. ~ Hal Erickson, All Movie Guide

Husband, father, rapist. All three succinctly describe the character portrayed by David Soul in the made-for-TV Rage. Though he would seem to be a hopeless case, Soul is subjected to prison therapy sessions, on the theory that he might be curable. As the sessions continue under the guidance of therapist James Whitmore, Soul pours out a lifetime worth of anger, revealing the deep psychological wounds that have formed his warped personality. Contrasted with Soul is Yaphet Kotto, as an allegedly rehabilitated prisoner. Based on several case histories as recorded by New Jersey's Avenel Adult Diagnostic and Treatment Center, Rage was originally telecast September 25, 1980 ~ Hal Erickson, All Movie Guide

This spoof of the Airport series of disaster movies relies on ridiculous sight gags, groan-inducing dialogue, and deadpan acting -- a comedy style that would be imitated for the next 20 years. Airplane! pulls out all the clichés as alcoholic pilot Ted Striker (Robert Hays), who's developed a fear of flying due to wartime trauma, boards a jumbo jet in an attempt to woo back his stewardess girlfriend (Julie Hagerty). Food poisoning decimates the passengers and crew, leaving it up to Striker to land the plane, with the help of a glue-sniffing air traffic controller (Lloyd Bridges) and Striker's vengeful former captain (Robert Stack), who must both talk him down. Along the way, we meet a clutch of stock disaster movie passengers like the guitar-strumming nun, a sick little girl, a frightened old lady, and two African-American travelers whose "jive" has to be subtitled. Leslie Nielsen portrays the plane's doctor, launching a new phase of the actor's career that carried him through the next two decades in several similarly comedic roles. The trio of directors Jim Abrahams, Jerry Zucker, and David Zucker responsible for the film would eventually go on to solo careers, but not before making Top Secret! and Ruthless People. ~ Perry Seibert, All Movie Guide

J.D. Pickett (Lewis Arquette) and his male employees laugh out loud when Mary Ellen (Judy Norton-Taylor) and Erin (Mary McDonough) enter a "ride and run" horse race staged by Pickett to raise money for the war effort. Defiantly, Erin bets J.D. a week's wages that she will win the race -- a very long shot indeed! And back at the Walton home, Jeffrey (Keith Mitchell) loses faith in humanity when he finds out that his favorite movie star didn't really sign the autographed photo on his wall. ~ Hal Erickson, All Movie Guide

Made quickly on videotape to capitalize on celebrated kidnap victim Patty Hearst's recent rescue, Ordeal of Patty Hearst stars Lisa Eilbacher as the beleagured newspaper heiress. Hearst's secure existence is shattered when she is seized by a tiny terrorist group calling itself the Symbionese Liberation Army. As the abductors deliver their ransom demands to Hearst's publisher father, they brainwash her into obedience to their cause. Unlike the much-later theatrical feature Patty Hearst, the made-for-TV Ordeal is told from the point of view of the FBI agent (Dennis Weaver) assigned to the case; in fact, more time is spent on the private life of the agent (who is on the eve of his retirement) than on Ms. Hearst herself. Ordeal of Patty Hearst works within its limited parameters, though it can hardly be considered the last word on the subject. ~ Hal Erickson, All Movie Guide

Spoofing the entire 1940s detective genre, and his own performances as a bumbling private detective, Peter Falk plays Lou Pekinpaugh, a San Francisco private detective accused of murdering his partner at the instigation of his mistress, the partner's wife, Georgia Merkle (Marsha Mason). Police Lieutenant DiMaggio (Vic Tayback) has his eye on Lou and blunders around in a way which complicates Lou's efforts to clear his name. Lou gets a new client when Mrs. Montenegro (Madeline Kahn) and her cronies (John Housman, Paul Williams and Dom DeLuise) hire him to search out a dozen diamond eggs. Marlene DuChard (Louise Fletcher) also comes to him for help of a complicated nature. In this madcap comedy written by Neil Simon, obstacles and complications appear every few minutes, and a great many famous actors show up in hilarious cameos. ~ Clarke Fountain, All Movie Guide

First telecast May 16, 1977, Alexander: The Other Side of Dawn is the gender-switch follow-up to the 1976 TV movie Dawn: Portrait of a Teenage Runaway. While Dawn concentrated on the sordid descent of a young girl into crime and prostitution, Alexander devotes its time to the exploits of a teenaged boy (Leigh J. McCloskey), whose character was introduced in the earlier film. A former Oklahoma farm boy, Alexander takes to the streets of LA, where he becomes a hustler and gigolo. After falling in love with Dawn (Eve Plumb), Alexander strives to escape his dead-end world and begin life anew. Director John Erman uses moody overtones to capture the darkness and despair of Alexander's life. Erman, an accomplished director of television movies, also directed the highly-acclaimed, touching AIDS drama, An Early Frost. ~ Hal Erickson, All Movie Guide