Jonathan Banks Movies

With this western saga, the TNT network pays tribute to the Spaghetti westerns of Sergio Leone. Featuring the original crew responsible for the Italian helmer's most famous genre entries A Fistful of Dollars and The Good, the Bad and the Ugly, the film was primarily shot in Spain. The tale is set just after the American Civil War and follows the efforts of a tormented cowboy and his strange partner to seek out a cache of gold hidden in the badlands by Confederate soldiers. The all-star cast includes Emilio Estevez and William Forsythe. ~ Sandra Brennan, All Movie Guide

First telecast May 16, 1977, Alexander: The Other Side of Dawn is the gender-switch follow-up to the 1976 TV movie Dawn: Portrait of a Teenage Runaway. While Dawn concentrated on the sordid descent of a young girl into crime and prostitution, Alexander devotes its time to the exploits of a teenaged boy (Leigh J. McCloskey), whose character was introduced in the earlier film. A former Oklahoma farm boy, Alexander takes to the streets of LA, where he becomes a hustler and gigolo. After falling in love with Dawn (Eve Plumb), Alexander strives to escape his dead-end world and begin life anew. Director John Erman uses moody overtones to capture the darkness and despair of Alexander's life. Erman, an accomplished director of television movies, also directed the highly-acclaimed, touching AIDS drama, An Early Frost. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Francie's evil double (Merrin Dungey) implants Will (Bradley Cooper) with phony retinal DNA, thereby framing him as a traitor. Worried about the fugitive Will's fate, Sydney (Jennifer Garner) blows her cover in the presence of the phony Francie -- meaning that now she, too, will have to be eliminated. And a "new" Sloane (Ron Rifkin) tries to strike a deal with Jack (Victor Garber). This is the one in which star Jennifer Garner dons a skimpy dominatrix outfit -- all in the line of duty, of course. ~ Hal Erickson, All Movie Guide

In Armed and Dangerous, John Candy plays a cop who has been kicked off the force on a trumped up charge. Eugene Levy costars as a disbarred lawyer. The two outcasts take low-paying jobs as security officers at a company controlled by mob boss Robert Loggia. In their own stumblebum fashion, Candy and Levy uncover a smuggling operation masterminded by Loggia. Meg Ryan also shows up in an early leading role. ~ Hal Erickson, All Movie Guide

What's that wisecracking young black guy (Eddie Murphy) in that beat-up Chevy Nova doing in lily-white Beverly Hills? He's Axel Foley, a Detroit detective who's been sent on involuntary vacation because he refuses to drop his intention of avenging his friend's murder. Warned by Beverly Hills police chief Ronny Cox to stay out of trouble, Foley nonetheless dogs the trail of above-the-law Steven Berkoff, the British crime czar who was responsible for the murder of Foley's friend. With the help of sympathetic local cops Judge Reinhold and John Ashton and lady friend Lisa Eilbacher, Foley attempts to corner Berkoff in his mansion, which leads to a wild slapsticky shootout. ~ Hal Erickson, All Movie Guide

Photographer Robert Patrick skyrockets to fame with his bizarre layouts, depicting faked scenes of death and sexual violation. One of Patrick's clients is Michelle Johnson, the look-alike of a famous rock star. Developing an obsession with Johnson, Patrick is the prime suspect when she's murdered. From here on in, we're in Vertigo country, with a little Blow-Up thrown in for good measure. While the mystery is easily solvable, the tension level in the film's final scenes is enough to compensate for its "borrowings" from earlier films. ~ Hal Erickson, All Movie Guide

Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, All Movie Guide

A cop's personal code of justice begins to change after a number of incidents lead his city to a tragic wave of violence in this police drama. Eldon Perry (Kurt Russell) is a veteran cop with the LAPD's Special Investigations unit, a man who isn't above bending the law if it means putting people behind bars who deserve the treatment. As Los Angeles waits on the verdict in the Rodney King police beating trial, Perry is presenting testimony to Assistant Chief of Police Arthur Holland (Ving Rhames), who is well aware of the corruption in the SIS unit and wants to stop it. Perry, however, twists some facts as he speaks in the defense of his new partner, Bobby Keough (Scott Speedman), who is being investigated for inappropriate use of deadly force. For lack of honest testimony, Keough is let off the hook, and soon he and Perry have a new case to investigate -- a robbery at a liquor store than turned into a quadruple homicide. Perry and Keough quickly track down two likely suspects, Orchard (Kurupt) and Sidwell (Dash Mihok), but Perry is surprised when the head of SIS, Van Meter (Brendan Gleeson), tells him to let Orchard and Sidwell go, and instead points the finger at two ex-cons who should be taken off the street, even though they're innocent of this crime. Perry follows Van Meter's orders, despite Keough's misgivings, but in the wake of the L.A. riots, Perry has a change of heart, and decides to start working with Holland against Van Meter's corrupt methods. In the midst of it all, Perry is trying to hold together his troubled marriage to Sally (Lolita Davidovich), while Keough finds himself romancing a fellow officer, Beth (Michael Michele). Dark Blue was adapted from an original screenplay by noted crime novelist James Ellroy; originally set against the backdrop of the 1965 Watts riots, the story was later updated to 1992. ~ Mark Deming, All Movie Guide

The surrealistic ABC cop drama Day Break was aptly characterized by most observers as "24 Meets Groundhog Day." Taye Diggs starred as police detective Brett Hopper, whom when first we met him had just endured the worst day of his life, culminating in his arrest for the murder of Assistant District Attorney Alberto Garza. Although he had an airtight alibi, Hopper was unable to convince anyone of his innocence, suggesting that his arrest was part of a conspiratorial frame-up. While being aggressively grilled by homicide detectives Spivak (Mitch Pileggi) and Choi (Ian Anthony Dale), Hopper suddenly lost consciousness, awakening in an other-worldly hideaway presided over by a sinister shadowy figure (Jonathan Banks) -- who "entertained" the protagonist by showing a tape in which Hopper's girlfriend Rita Shelten (Moon Bloodgood) died horribly.

At this point, Hopper was whisked back in time to the morning of his "worst day," only to find that he was condemned to live that same day over and over again until he was able to change its outcome. Alas, no matter how hard he tried to alter events, the day ended inexorably with his being arrested for murder and his witnessing of Rita's demise. Moreover, when the day started over again, Hopper found that the decisions he made during his previous "reliving" had had profound and disturbing consequences. In each episode, Hopper (the only person who knew that he and everyone around was trapped within the same ever-repeating time arc) was armed with knowledge he hadn't previously possessed, along with vital clues as to why all this was happening to him. Other players in this déjà vu nightmare were Hopper's partner, Andrea Battle (Victoria Pratt), who may or may not have been in on the conspiracy; his ex-partner (and Rita's ex-husband) Chad Shelten (Adam Baldwin), head of Internal Affairs and apparently a man with more than his share of dark secrets; Hopper's sister, Jennifer (Meta Golding), whose miserable domestic life weighed heavily on the plotline; and alleged gang leader Damien Ortiz (Ramon Rodriguez), who turned out to be even more a victim of circumstance than the hero. Created by Paul Zbyszewski, Day Break first aired on November 15, 2006. ~ Hal Erickson, All Movie Guide

Down payment on Murder is a fact-based TV movie starring Connie Sellecca as a battered wife. For ten years she has been the punching bag of her real-estate agent husband, played with brilliant repugnance by Ben Gazzara. When Connie moves out, Gazzara is convinced that it's because of another man; his twisted ego suffers a further blow when she is given custody of the children and police protection. With the help of a security guard with mob connections, Gazzara hires a hit man (G.W.Bailey) to kill his estranged wife. Down payment on Murder is drawn out far too long to sustain its suspense, but its neat surprise ending compensates for the duller passages. ~ Hal Erickson, All Movie Guide

A homeless derelict named Garret (Jonathan Banks) may hold the key to locating a kidnapped woman. Unfortunately, Garret is nowhere to be found--and there's every possibility that he abducted the woman himself. As Fraser (Paul Gross) conducts a city-wide search for Garret with the bumbling assistance of FBI agents Ford (Alex Carter) and Deeter (Mark Melymick), Ray (David Marciano) wrestles with another dilemma--mainly, finding out if his sister Francesca (Ramona Milano) and Fraser have gone "all the way." First broadcast on Canadian television, this final episode of Due South's inaugural season made its US debut on June 16, 1995. ~ Hal Erickson, All Movie Guide