Julie Kavner Movies

Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, All Movie Guide

A couple of med-school wannabes (Steve Guttenburg and Julie Hagerty) can't get admitted to any U.S. medical schools so they end up in a small Central American school run by a dictator director (Alan Arkin). When the students become aware of the medical needs of the local peasants, they swipe drugs and pills from their college lab and set up an underground clinic to serve the needy. ~ All Movie Guide

A workaholic architect, frustrated in his job but determined to make a better life for his family, is bestowed with a powerful universal remote that allows him more control over his life than he ever knew possible in director Frank Coraci's high-concept fantasy comedy. On the surface, Michael Newman (Adam Sandler) seems to have it all, yet with all the demands forced upon him by his ungrateful boss (David Hasselhoff), Michael finds that setting aside time to spend with his loving wife, Donna (Kate Beckinsale), and two picture-perfect children, Ben (Joseph Castanon) and Samantha (Tatum McCann), has grown increasingly difficult. When a frustrating bout with the television remote leads the overworked husband and father to a nearby Bed, Bath & Beyond in search of a universal remote with the power to control all of his electronic devices, a curious peek into the back room leads Michael into the company of eccentric employee and talented inventor Morty (Christopher Walken). It seems that Morty has created a device that will not only allow Michael complete control over his television and stereo, but his entire life as well. As Michael discovers that the remarkable device has the power to muffle the barks of the family dog, zoom himself past an irritating quarrel with his wife, and even allow him to travel back and forth through time to different points in his life, the rush of being able to skip straight to the good parts in life soon leaves him feeling as if he's missing out on the total experience. Only when Michael begins to realize that the he has lost control of his life and the remote is now programming him does he finally learn that life is as much about the moments he'd rather forget as it is the moments he will always remember. ~ Jason Buchanan, All Movie Guide

The second film to be made from Woody Allen's successful stage comedy (following a 1969 feature starring Jackie Gleason), Don't Drink the Water is a made-for-television adaptation directed by and starring Allen himself. The fish-out-of-water premise remains the same: Allen plays Walter Hollander, a caterer from New Jersey who takes his family on vacation to a fictional Eastern European country. The trip turns sour when, thanks to a series of misunderstandings involving some inopportune snapshots, they are accused of espionage. The family goes on the run, taking refuge in the American Embassy. There, with the help of a wily young diplomat, they try to figure out a way to return to America without sparking an international incident. Though this version is set 25 years later than the original film, the changes are mostly cosmetic: the visual style is hand-held and more frantic, and the script replaces numerous references to the Cold War with a few glancing nods to present-day politics. Another notable change, the addition of an opening montage parodying newsreels, was reportedly the result of network pressure after Allen's initial cut proved too short for the planned time slot. ~ Judd Blaise, All Movie Guide

Actor Billy Crystal co-wrote, directed, and starred in this romantic comedy. Forty-something couple Andy (Joe Mantegna) and Liz (Cynthia Stevenson) are about to be married, and as they gather with their friends for dinner not long before the wedding, they are told the story of their mutual friends Mickey (Billy Crystal) and Ellen (Debra Winger) as a cautionary tale of where a relationship can go wrong. Mickey is a top referee with the NBA who has traveled to Paris to bury his father, who wanted to be laid to rest with his Army buddies from World War II. The body is somehow lost in transit, and Mickey has an argument with Ellen, who works for an American airline in France. However, she likes his sense of humor, he is taken with her, and after a few days together in Paris, they decide to marry. However, once they return to Mickey's home in the United States, things get complicated; she's not so sure that she cares for his bachelor apartment ("a shrine to watching ESPN"), or juggling her career against his, while both have problems with their respective families. Several major basketball stars and sports figures appear in Forget Paris as themselves, including Charles Barkley, Bill Walton, Kareem Abdul-Jabbar, and Marv Albert. ~ Mark Deming, All Movie Guide

James L. Brooks' showbiz comedy I'll Do Anything is "The Musical That Almost Was" (after test screenings Brooks removed all the musical numbers in the film, turning the film into a songless romantic comedy). Matt Hobbs (Nick Nolte) is a hardly working actor who finds himself raising his 6-year-old daughter Jeannie (Whittni Wright) after her mother Beth (Tracey Ullman) is sent away to prison. Since Matt now has to support a daughter, he has to develop more regular work habits. As a result, he takes a job as a chauffeur for a William Castle-inspired schlockmeister named Burke Adler (Albert Brooks). As Adler develops a relationship with divorced test-marketing researcher Nan Mulhanney (Julie Kavner), Matt becomes romantically attached to beautiful development executive Cathy Breslow (Joely Richardson). ~ Paul Brenner, All Movie Guide

Judy Berlin allows the audience to take a glimpse of a day at once strange and ordinary with the residents of Babylon, Long Island. Judy (Edie Falco) is an aspiring actress who is quitting her job as a "pilgrim" in a local historical museum's display to take her chances in Los Angeles. Her mother is a gifted but bitter schoolteacher (Barbara Barrie) who has long loved principal Arthur Gold (Bob Dishy) from afar. However, Arthur has a wife, Alice (Madeline Kahn), who's more than a bit eccentric and has driven him to distraction. Arthur and Alice have a son, David (Aaron Harnick), who like Judy has showbiz aspirations (he wants to be a filmmaker), though unlike Judy he has no idea of what to do about it; when Judy and David meet, could romance be lurking around the corner? First-time director Eric Mendelsohn has equipped this offbeat comic drama an outstanding cast, which also includes Julie Kavner, Anne Meara, and Novella Nelson. ~ Mark Deming, All Movie Guide

Originally divided into four segments and now cut to three, National Lampoon Goes to the Movies is a story about a man who is determined to get in touch with himself and sends his wife away so she can do the same thing. The next tale features a female business magnate who wreaks appropriate revenge on her arrogant male colleagues, and the last vignette has a virtuously pure policeman (Robby Benson) becoming as cynical as his partner (Richard Widmark). Each skit makes internal references to other movies, movie directors, or classic movie characters, which may enhance the viewing for movie buffs but does not change the generally dull and unfunny material. ~ Eleanor Mannikka, All Movie Guide

The made-for-TV No Other Love stars Julie Kavner as a marginally retarded young adult. Sent to live in a hostel for the mentally challenged, Julie falls in love with similarly afflicted Richard Thomas Jr. Despite the misgivings of their families and the prejudices of outside world, Kavner and Thomas vow to marry. Cast as one of the hostel's directors is Norman Alden, who'd played a retarded man himself in the 1965 theatrical feature Andy. No Other Love was originally telecast March 24, 1979. ~ Hal Erickson, All Movie Guide

According to the NBC publicity packet, the made-for-TV Revenge of the Stepford Wives was "based on characters created by Ira Levin" -- specifically, those characters created by Levin for his fantasy-suspense novel The Stepford Wives, which was transformed into a theatrical film in 1975. On this occasion, plucky TV journalist Kay Foster (Sharon Gless) is stranded in the "idyllic" New England community of Stepford, populated exclusively by chauvinistic males and their eerily submissive and subservient wives. With the help of Megan Brady (Julie Kavner), a new arrival to the community who hasn't yet been "conditioned," Kay tries to learn the terrible secret behind the robotic Stepford wives -- and to foment a rebellion against the wicked menfolk. Revenge of the Stepford Wives first aired on October 12, 1980. ~ Hal Erickson, All Movie Guide

Woody Allen's black-and-white curiosity piece is a mixture of influences -- from German silent film expressionism to Franz Kafka's nightmare worlds to the contemporary fables of Wim Wenders. Woody Allen plays the nebbish clerk Kleinman (in a throwback to his characters from Sleeper and Love and Death), who is awakened in the middle of the night by a vigilante group who want him to help capture a serial killer on the loose. Kleinman reluctantly agrees, but when he gets to the street, the vigilantes are gone and Kleinmen spends most of the film wandering the shadowy back alleys in search of the citizen's brigade. Meanwhile, a circus is in town. When sword-swallower Irmy (Mia Farrow) catches her creepy clown husband (John Malkovich) getting familiar with trapeze artist Marie (Madonna), she packs her bags and heads for town, where she meets up with Kleinman. This meeting sets up a number of plot lines that has Irmy befriending a trio of prostitutes (Jodie Foster, Lily Tomlin and Kathy Bates) at the local brothel and accepting $700 from a university student (John Cusack) who wants to sleep with her. She finally meets up with her husband, and they then find an abandoned baby which they decide to raise as their own. ~ Paul Brenner, All Movie Guide