Christine Kaufmann Movies

In this mystery/thriller based on a novel by Patricia Highsmith, Nico Thomkins (Udo Schenk), a writer, and his wife Helen (Anke Sevenich) are in the habit of playing games with one another. Even while they are breaking up, they are sufficiently in tune with one another to continue this practice. When the writer's wife takes off without leaving a note behind, people begin to suspect that he may have murdered her, and he plays along with this notion to the point of planting clues which would incriminate him. Obviously, no one with a shred of common sense would do such a thing, and these tricks get him into trouble. However, his troubles don't really begin until he starts to search for her in earnest. ~ Clarke Fountain, All Movie Guide

This is the only Moonlighting episode in which neither Cybill Shepherd nor Bruce Willis appear. Instead, the focus is on nerdish detective Bert Viola (Curtis Armstrong), who has gone into a deep blue funk over an imagined slight from Blue Moon secretary Agnes Dipesto (Allyce Beasley). In the course of a very long night in which Bert is required to guard an "experimental grapefruit", he dreams of his future with Agnes, in sequences inspired by Rudolph Valentino's silent "Shiek" pictures and the 1940s classic Casablanca (in which "As Time Goes By" is replaced by "Chopsticks"!) ~ Hal Erickson, All Movie Guide

When a filmmaker and a young film student make love, the man is accused of statutory rape by the girl's father. ~ All Movie Guide

This film is a superficial extravaganza on the "roaring 1950s" in West Germany and West Berlin, when the rich, according to director Peter Zadek, were partying through the decade with little else on their minds than hedonistic pleasures, and the poor were struggling to become richer. Documentary clips bring in the realities of the Berlin Wall and the Cold War, and their honesty stands in sharp contrast to the exaggerated lifestyles that permeate the screen. The story focuses on the super-rich Jakob Formann (Juraj Kurkura) and his exploits and friends in high and low places. ~ Eleanor Mannikka, All Movie Guide

A group of former student revolutionaries meets to reminisce and view old newsreels of their protest years. Three people in the group -- a husband and wife (and their child), plus a friend -- have moved into an abandoned railroad station near Cologne, intent on staying there for keeps. One of the men is a filmmaker who, in the course of his work, encounters some verses about an old fighter at the wall before a firing squad saying good-bye to his friends - and he is haunted by his former days of revolutionary ardor. Next, he runs into a scientist and the two discuss infinity and the beginnings of the universe. This "larger picture" transforms the vision of the filmmaker as he makes his plans for his own future and rethinks his past. ~ Eleanor Mannikka, All Movie Guide

Part of Rainer Werner Fassbinder's The Entire History of the German Federal Republic trilogy, Lola stars Barbara Sukowa in the title role, a seductive cabaret singer and dancer in the 1950s who is romantically involved with Von Bohm (Armin Mueller-Stahl), a straight-as-an-arrow building inspector. Recently appointed Building Commissioner, Von Bohm is committed to eradicating corruption. Consequently, he's given quite a shock when he is called into inspect the brothel where Lola works and discovers her dancing there. With that, Von Bohm is left to question whether he is more loyal to the woman he loves so passionately or the career he believes in so strongly. The other entries in the trilogy are Veronika Voss and The Marriage of Maria Braun. ~ Matthew Tobey, All Movie Guide

German cabaret star Lili Marleen inspired a song that was extremely popular with the German soldiers during WW II. This war drama offers a fictionalized account of her story that begins in 1938 while she performs in a Zurich cabaret. It is her boyfriend, a Swiss Jew who also turns out to be a resistance fighter who pens her famous song. She sings it in Germany and it becomes a hit with the German troops. As a result, Hitler himself invites her to perform for him. This does not set well with the songwriter's powerful who, upon learning that Marleen has become a famed singer in Germany, seek to have her barred from Switzerland. This does not stop the songwriter from loving her though and desperate to see her one last time, he sneaks into Berlin for a tryst. Unfortuantely he is arrested and she gets blacklisted. They do not see each other again until after the war. By this time, their lives have changed considerably. This is not considered among the best of Fassbinder's best films. ~ Sandra Brennan, All Movie Guide

Things run steadily downhill for Maxmilian (Towje Kleiner), a divorced journalist who is trying to sell a novel he has written. On the very day his divorce is finalized, he meets a divorced woman and begins an affair with her. At the same time he learns that he is about to be fired from his newspaper job, he discovers that the one publisher expressing interest in his novel wants him to write some sex scenes for it. Meanwhile, his new girlfriend has moved into his two-room apartment with all her furniture, practically crowding them out of it, and she is urging him to move to the countryside with her. ~ Clarke Fountain, All Movie Guide

Good guys chase bad guys and vice versa, only instead of horses, they use automobiles in this "western on wheels." ~ Clarke Fountain, All Movie Guide

The fourth film to explore Edgar Allan Poe's classic tale, this clever adaptation takes some rather broad liberties with the source material. A flamboyant Jason Robards plays Cesar Charron, owner of a Grand Guignol theatre in 19th-century Paris, who is launching a stage adaptation of "Murders in the Rue Morgue" -- much to the dismay of his young daughter Madeleine (Christine Kaufmann), who is tormented by nightmares filled with images from the play. A spate of gruesome murders among the theatre's regular stable of actors leads Charron to suspect the return of his deranged, disfigured former partner René Marot (Herbert Lom), who had been presumed dead after the murder of Charron's wife. Madeleine's nightmares eventually come true when Marot makes his presence known and reveals his intentions to her on the eve of the production's opening night. Director Gordon Hessler's creative handling of the dreams-vs.reality premise is rendered a bit confusing thanks to AIP's sloppy re-editing, but the overall production is still effectively chilling. ~ Cavett Binion, All Movie Guide

In this comedy, a Yankee musician is working in Paris when he encounters a movie star chasing after her naughty French poodle Monsieur Cognac. The name is most apropos for the little doggy is quite the lush when it comes to booze. This suits the hard-drinking musician just fine and the two go out on a bender. Later the star and her father find the toasted twosome. The star begins falling in love with the musician. Despite her father's objections, the two get married. Unfortunately, Mr. Cognac accompanies them on the honeymoon. He becomes quite jealous of the woman's new husband and ruins their wedding night. Because she refuses to relinquish the dog, their new marriage is nearly destroyed. They separate until the husband manages to bring home Pink Poupee, a charming female poodle. Suddenly Mr. C forgets all about his jealousy. ~ Sandra Brennan, All Movie Guide

Director Akos von Rathony, perhaps best known for his 1960 Mrs. Warren's Profession, guides a talented cast of American and German actors in this entertaining comedy that pokes fun at cultural morés on both sides of the Atlantic. Helmut (Michael Hinz) is an orphan with plenty of Yank friends, enough to make him desperate to get to the U.S. To that end, he nabs an Air Force uniform and the proper credentials and then makes a brave attempt to hop on an American military jet. In the meantime, Inge (Christine Kaufmann) has her own ideas about Helmut's future and they do not include any trip that takes him away from her. ~ Eleanor Mannikka, All Movie Guide