Maurice Kaufmann Movies

In this thriller, a wheelchair bound beauty must escape the unwanted attentions of a homicidal maniac. ~ Sandra Brennan, All Movie Guide

In this violent, grim thriller, a baby-sitter's routine job turns out to be anything but when she and her young charge are terrorized by an escaped mental patient who bursts in and holds them hostage. He claims to be the three-year-old boy's father and has come to murder his ex-wife. Meanwhile to stall for time until the cops can save them, the baby-sitter seduces the fugitive father. A deadly stand-off ensues when the cops finally surround the place and he begins threatening to slice the throats of the girl and his son. ~ Sandra Brennan, All Movie Guide

Moon (Michael Latimer) is the mercenary hired to steal 90 million dollars in gold from an Arab country decimated by political chaos. Sex, violence and mayhem accompany the group of double-crossing heavies who covet the purloined loot. Burgess (George Belbin) is the crook who poses as a cop, and Nixon (Derek Aylward) is the criminal who poses as a policeman. A bevy of females willingly submit to seduction, and a sadistic homosexual murderer trails Moon and his malevolent gang for the gold in this uneven crime drama. ~ Dan Pavlides, All Movie Guide

Based on an Edgar Wallace murder mystery this chiller centers on a Scotland Yard investigation of a series of puzzling deaths plaguing a traveling circus and the hunt for loot stolen from an armored car robbery. Suspects include the mask-wearing and disfigured lion tamer, a vengeful ringmaster, an insanely jealous knife-thrower, and a blackmailing dwarf called "Mr. Big." The film is also known as Circus of Fear. A German version was shot simultaneously with Psycho-Circus but used a different director. Though available in color in Great Britain, most of the American copies of the film are in black-and-white. ~ Sandra Brennan, All Movie Guide

This Hammer film production is a surprisingly frightening horror thriller and a hoot-fest for lovers of over-the-top acting. Young Pat Carroll (Stefanie Powers) goes to the home of her dead fiancé to meet his beloved mother, Mrs. Trefoile (Tallulah Bankhead). There, she discovers that Mrs. Trefoile is not the loving mother she had anticipated, but rather a grieving psychopath who blames Pat for the death of her son. Tallulah Bankhead, in her last film, has never been know for her subtle acting, but in this she lets go of all restraint and gives a performance equal to that of Bette Davis in What Ever Happened to Baby Jane? Her maniacal intensity is comic, camp, and surprisingly effective. Stefanie Powers, who underplays her role, is a great contrast as the puzzled and then terrified Pat. This movie is a must-see for all lovers of camp horror movies or fans of the memorable Tallulah Bankhead. Die! Die! My Darling! was also released as Fanatic. ~ Linda Rasmussen, All Movie Guide

A murder has been committed at the palatial Parisian residence of Benjamin Ballon (George Sanders). All the evidence points to sexy, wide-eyed housemaid Maria Gambrelli (Elke Sommer). Police inspector Dreyfuss (Herbert Lom) is prepared to make an arrest -- and then the gloriously, monumentally inept Inspector Clouseau (Peter Sellers) arrives on the scene. Clouseau may have difficulty getting through the day without falling into ponds, knocking people cold with opened doors, and pocketing flaming cigarette lighters, but his instincts are right on target when he decides that Mme. Gambrelli is being framed by someone else in the Ballon household. Even as the murder victims pile up, Clouseau is determined to prove Mme. Gambrelli's innocence. As he cuts a bumbling, destructive swath through Paris, Clouseau drives Dreyfuss literally insane. This fact leads to the literally explosive climax, and to the ultimate vindication of Mme. Gambrelli. While we first met Inspector Clouseau in The Pink Panther, Shot in the Dark is the film that truly established the Clouseau mythos: the festive clumsiness, the convoluted dialogue ("You shot him in a rit of fealous jage!"), the Fractured French ("A beump on zee head!"), the twitching lunacy of poor Inspector Dreyfuss, the unexpected "judo lessons" of Clouseau's houseboy Kato (Burt Kwouk), and of course the hilariously macabre jokes involving dead or seriously injured bystanders. You'd never know it, but A Shot in the Dark was inspired by a standard three-act stage comedy by Harry Kurnitz, which in turn was adapted from the French play L'Idiote by Marcel Achard. ~ Hal Erickson, All Movie Guide

One's enjoyment of On the Beat rests solely upon one's tolerance of British comedian Norman Wisdom, who can be described as a Jerry Lewis without the discipline. Wisdom plays a Scotland Yard parking attendant who seemingly can't draw breath without breaking something or knocking someone down. He wants to become a detective, but the Yard isn't quite ready for such a catastrophe. He proves his worth--and wreaks more havoc--by going undercover and trapping a gang of jewel thieves. The slapstick is serviceable in On the Beat; as for the "serious" moments, Wisdom's notion of pathos is to scream at the top of his lungs. You may want to join him. ~ Hal Erickson, All Movie Guide

In this spooky drama, newlyweds move into a charming old house and find that they share it with spirit who tells them of the house's grim, gory history. ~ Sandra Brennan, All Movie Guide

A perennial of the "Shock Theatre" TV circuit of the 1950s, The British The Giant Behemoth owes a great deal to the earlier American sci-fier The Beast from 20,000 Fathoms. A Cornish fisherman is found covered with what looks like radiation burns. Before he dies, the fisherman utters the word "behemoth," citing a monster alluded to in the Bible. It isn't long before England is besieged by a dinosaur-like monstrosity, evidently the by-product of atomic fallout. Only a high-powered torpedo stands between the Giant Behemoth and the helpless British citizenry. The film's stop-motion animation is pretty good, considering the tight budget; all the title character lacks is the distinctive personality of a King Kong, Godzilla or Gorgo. ~ Hal Erickson, All Movie Guide

The "crowning touch" of the title is a fancy woman's hat. It has been specially set aside at a posh British headwear shoppe, but no one comes to claim it. At this point the film takes a prismatic approach, with three of the shoppe's employees offering different reasons as to why the pretty young girl who'd ordered the hat never showed up. The Crowning Touch is a serviceable British shaggy-dog story, graced by the presence of such top talents as Greta Gynt, Griffith Jones, Sydney Tafler, Dermot Walsh and Irene Handl. ~ Hal Erickson, All Movie Guide

In this charming children's adventure, a big game hunter's son doesn't share his father's love of killing; he prefers his animals alive. He dreams of having his very own coatimundi. Trouble begins when one of the rare creatures disappears from the local zoo. A newsreel cameraman is blamed for the theft until the boy steps forward and confesses his crime. ~ Sandra Brennan, All Movie Guide

In this thriller, an American visits England and finds himself entangled with international spies after they kidnap a famous scientist and he ends up with a briefcase containing a secret formula. Rather than call the Yard, the fellow decides he will solve this by himself. But it is too much for him and eventually he teams up with the Yard inspectors and the case is solved. ~ Sandra Brennan, All Movie Guide