George S. Kaufman Movies

Pulitzer prize-winning playwright George Kaufman has co-written many distinguished plays alone and in conjunction with such writers as Ring Lardner, Moss Hart, Edna Ferber and Mark Connelly. Many of Kaufman's plays have been adapted into films including Merton of the Movies(1924, 1947), Animal Crackers (1930), You Can't Take It with You (1938), and The Man Who Came to Dinner (1941). His popularity led to many offers to work in Hollywood, but Kaufman never concealed his disdain for Tinseltown moguls and the way they treated screenwriters. In the early '30s, he finally allowed Sam Goldwyn to convince him to write a comedy script for an Eddie Cantor film, Roman Scandals (1933). While writing the script with Robert E. Sherwood, Kaufman was greatly annoyed by Cantor who kept interfering. By the time the first draft was completed, Kaufman was so fed up that he left the project. In 1935, Kaufman returned to co-pen the script for A Night at the Opera with Morrie Ryskind. Though the film was a smash and earned him a small fortune, Kaufman was not interested in remaining in Hollywood and so went back to New York. He again returned in 1947, directing his first and last film, The Senator Was Indiscreet. ~ Sandra Brennan, All Movie Guide
1934  
 
The Man with Two Faces is based on The Dark Tower, a stage comedy-mystery by Alexander Woollcott and George S. Kaufman. Edward G. Robinson is at his hammy best as flamboyant, temperamental, but withal endearing theatrical actor-manager Dawson Wells. Mary Astor co-stars as Damon's beloved actress sister Jessica, making a stage comeback after a disastrously unhappy marriage. Alas, Jessica's caddish husband Stanley Vance (Louis Calhern) soon returns, exerting a Svengali-like hold on the poor girl and setting her back on the road to ruin. Unable to buy off Vance, Wells plots a clever revenge, and shortly afterward, Vance is visited by one Monsieur Chautard, an effusive European producer with murder on his mind. The central "gimmick" in Man With Two Faces, which was adroitly concealed in the original Dark Tower, is a bit more obvious on screen due to the dynamic personalities involved. Also, the play's ending, in which Vance's murderer is allowed to escape scot-free by a sympathetic detective, was obviously altered at the very last minute to appease the new Production Code. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonMary Astor, (more)
1933  
 
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Based on the Broadway hit by George S. Kaufman and Edna Ferber, Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. Social butterfly Mrs. Oliver Jordan (Billie Burke) arranges a dinner party that will benefit the busines of her husband (Lionel Barrymore). Among the invited are a crooked executive (Wallace Beery), who is in the process of ruining Jordan; his wife (Jean Harlow), who is carrying on an affair with a doctor (Edmund Lowe); a fading matinee idol (John Barrymore), who has squandered his fortune on liquor and is romantically involved with the Jordan daughter (Madge Evans); and a venerable stage actress (Marie Dressler), who since losing all her money has become a "professional guest." Nothing goes as planned, due to various suicides, double-crosses, compromises, fatal illness, and servant problems. But dinner is served precisely at eight. The script by Herman Mankiewicz, Frances Marion, and Donald Ogden Stewart is a virtual enclyopedia of witty lines and scenes, right down to the unforgettable closing gag. ~ Hal Erickson, All Movie Guide

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Starring:
Marie DresslerJohn Barrymore, (more)
1933  
 
Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out by scheming politicians, certain that such an outrage could never have happened during Rome's Golden Days. After a blow on the head, Cantor wakes up in Imperial Rome, where he is sold on the slave auction block to good-natured tribune Josephus (David Manners). Cantor soon discovers that the evil emperor Valerius (Edward Arnold) is every bit a crook and grafter as the politicians in West Rome, and he intends to do something about it. He gets a job as food taster for Valerius -- a none-too-secure position, inasmuch as the emperor's wife Agrippa (Veree Teasdale) is constantly trying to poison her husband -- and does his best to smooth the path of romance for Josephus and recently captured princess Sylvia (Gloria Stuart). Cantor's well-intentioned interference earns him a session in the torture chamber, but he escapes and commandeers a chariot, setting the stage for a spectacular slapstick climax. On the verge of recapture, Cantor wakes to find himself in West Rome U.S.A. again, where he quickly foils the modern-day despots and brings about a happy ending for all his friends.

Co-written by George S. Kaufman, Robert E. Sherwood, George Oppenheimer and Arthur Sheekman (the soon-to-be husband of leading lady Gloria Stuart), Roman Scandals manages to get off a few clever satirical licks, but essentially it's a "lappy" lowbrow vehicle for Eddie Cantor, and in this it succeeds immensely. The Busby Berkeley-staged musical numbers, written by Harry Warren, Al Dubin and L. Wolfe Gilbert, must be seen to be believed: In "No More Love", Ruth Etting, playing the Emperor's cast-off mistress Olga, sings a plaintive torch song as dozens of enslaved Goldwyn Girls (including Lucille Ball and Barbara Pepper), wearing nothing but long, blonde wigs, are chained to a rotating pedestal; and in "Keep Young and Beautiful", these same maidens gleefully cavort around a Roman bathhouse in the near-altogether while Cantor, in blackface, hops about, rolls his eyes and claps his hands -- just before a jet of steam "shrinks" him, at which point he metamorphoses into midget Billy Barty! The quintessence of Depression-era escapism, Roman Scandals is must-see entertainment. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie CantorRuth Etting, (more)
1932  
 
Joan Blondell, borrowed for the occasion from Warner Bros., earned top-billing in this delightful Hollywood parable, but the real star is of course Stuart Erwin as the irrepressible grocery clerk Merton Gill. Paramount screenwriters Saul Mintz, Walter De Leon and Arthur Kober based their witty scenario on Henry Leon Wilson's 1922 novel Merton of the Movies, the 1923 Broadway play by George S. Kaufman and Marc Connelly, and the 1924 Famous Players silent version starring Glenn Hunter. By 1932, the story was indeed well-known: Aspiring to become a famous screen cowboy, small-town delivery boy Merton Gill arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures (read: Paramount), Merton manages to fumble his one line bit in the latest Buck Benson (Dink Templeton) western and is fired on the spot. Unwilling to leave the studio, the hapless thespian survives on leftover scraps from the extra's lunch boxes until discovered by comedy starlet "Flip" Montague (Blondell), who takes pity on him and arranges a meeting with Jeff Baird (Sam Hardy), head of the slapstick comedy unit. Bestowed a new name, Whoop Ryder, Merton is starred in what he assumes to be a serious western melodrama but what in reality is yet another burlesque featuring cross-eyed low comic Ben Turpin. Although a big hit with preview audiences, a humiliated Merton is ready to return to the grocery business when "Flip" persuades him to stay by telling him that he is "darn near perfect." ~ Hans J. Wollstein, All Movie Guide

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Starring:
Stuart ErwinJoan Blondell, (more)
1932  
 
An elderly gentleman finds himself in a difficult situation when he finds himself faced with becoming a burden on his children or going into an old folks home. ~ Sandra Brennan, All Movie Guide

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Starring:
Charles "Chic" SaleDickie Moore, (more)
1932  
 
Based on the stage comedy by Moss Hart and George S. Kaufman, Once in a Lifetime is a satire of Hollywood's early-talkie era. A down-and-out vaudeville trio (Jack Oakie, Aline MacMahon, and Russell Hopton) takes advantage of the confusion attending the talkie revolution by heading to Hollywood and posing as voice experts. George (Oakie), the team's dimwitted straight man, falls in love with a pretty young miss (Sidney Fox) who has come to Hollywood to become an actress -- and won't let her utter lack of talent get in the way. Fast-talking themselves into jobs at the Glogauer Studios, the phony vocal specialists eventually wear out their welcome and are on the verge of being fired. But George, who has been listening to the complaints of a disillusioned screenwriter, suddenly spouts those complaints word for word to Mr. Glogauer (Gregory Ratoff) -- and is lauded as a genius for being the first man to stand up to the despotic studio head. George is made a producer, and immediately sets about filming an expensive movie vehicle for his girlfriend. Unfortunately, George had found the script for his film in a wastebasket, and winds up shooting the wrong picture. He and his vaudeville chums are fired, but when his picture (an incomprehensible farrago shot in darkness because George forgot to turn on the klieg lights) is previewed, it is hailed as a daringly original masterpiece. George is made the supervising producer of Glogauer Studios, and all ends happily for himself and his friends. An interesting precursor to the Singin' in the Rain school of Hollywood kidding itself, Once in a Lifetime has tarnished a bit over the years but is still well worth seeing. ~ Hal Erickson, All Movie Guide

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Starring:
Jack OakieAline MacMahon, (more)
1932  
 
George S. Kaufman's sturdy stage comedy The Butter and Egg Man was the inspiration for no fewer than four Warner Bros. talkie versions. The first of these was The Tenderfoot, starring Joe E. Brown as a wealthy but naive cowboy alone in the Big Apple. The producers of a down-and-out musical revue hope to convince Brown to put his money in their show, sending out cute chorine Ginger Rogers as the "convincer." After having his heart broken a few times and tangling with gangsters, Joe comes through and the show goes on. Warners followed The Tenderfoot with a 1937 musicalization of Butter and Egg Man, Dance Charlie Dance; this in turn was remade as An Angel From Texas in 1942. The final variation on this theme (so far!) was Three Sailors and a Girl (53). ~ Hal Erickson, All Movie Guide

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Starring:
Joe E. BrownGinger Rogers, (more)
1931  
 
A well-meaning but dimwitted electrical worker-turned-lyricist Frederick Martin Stevens (Jack Oakie) arrives in New York determined to become a successful songwriter. He meets a nice girl , Edna Baker (Frances Dee), and a couple of bad ones, one of whom, Eileen Fletcher (June MacCloy), nearly marries him to snag the couple of thousand dollars he's come into. All the while, he tries to make songs out of some of the worst lyrics to be heard in many a year, to the exasperation of pianist/song-plugger Maxie (Harry Akst), who actually ends up feeling sympathy for the poor dope. ~ Bruce Eder, All Movie Guide

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Starring:
Jack OakieFrances Dee, (more)
1930  
 
Previously filmed in 1923, the George S. Kaufman-Marc Connelly stage comedy Dulcy was remade as a talkie in 1929 under the new title Dulcy. Marion Davies stars as Dulcinea, the illogical, cliché-spouting young housewife created by newspaper humorist Franklin P. Adams. Hoping to help her fiance George (Elliot Nugent) get ahead in business, Dulcy invites taciturn executive Forbes (played by William Holden -- no, not that William Holden) for a dinner party. The event turns into a disaster, and it is only through the intervention of Dulcy's butler (George Davis), an ex-convict, that the day is saved. Marion Davies comic expertise is matched by Franklin Pangborn as an epicene novelist and Donald Ogden Stewart (a future Oscar-winning screenwriter) as a libidinous financier. Not So Dumb was remade under the original title Dulcy as an Ann Sothern vehicle in 1940. ~ Hal Erickson, All Movie Guide

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Starring:
Marion DaviesElliott Nugent, (more)
1930  
 
Royal Family of Broadway was an abridged but otherwise literal translation of the George S. Kaufman/Edna Ferber Broadway hit The Royal Family. The title referred not to kings and queens but to a prominent theatrical family named Cavendish--based none too loosely on the famed Barrymore clan. Ina Claire plays the "Ethel Barrymore" counterpart, a beloved stage star who wishes to renounce the theatre to marry a millionaire and move to South America. Fredric March steals the show as the "black sheep" of the family, obviously patterned after the rambunctious John Barrymore (March has John Barrymore's legendary gestures and petulant temper tantrums down pat). When it looks as if the Cavendish legacy will break up with the daughter's marriage and the son's peccadillos, the Cavendish matriarch (Henrietta Crosman) delivers an impassioned "show must go on" speech from her deathbed, reuniting the fragmented family. Reportedly, The Royal Family angered Ethel Barrymore to the point of a threatened lawsuit. She need not have worried; despite the histrionic excesses of the Cavendishes in The Royal Family of Broadway, these ersatz Barrymores are depicted with amusement and affection. ~ Hal Erickson, All Movie Guide

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Starring:
Ina ClaireFredric March, (more)
1930  
 
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Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house. ~ Hal Erickson, All Movie Guide

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Starring:
Groucho MarxHarpo Marx, (more)
1929  
 
While The Four Marx Brothers (Groucho, Harpo, Chico and Zeppo) were appearing nightly on Broadway in Animal Crackers in the spring of 1929, they spent their days shooting their first film, The Cocoanuts, at Paramount's Astoria Studios in Long Island. Based on their 1925 stage hit, The Cocoanuts is set in Miami, where hotel manager Mr. Hammer (Groucho Marx) struggles to keep his establishment from going under. Hammer's only paying guest is Mrs. Potter (Margaret Dumont), whose daughter Polly (Mary Eaton) is in love with aspiring architect Bob (Oscar Shaw). Mrs. Potter would prefer that Polly marry the respectable Harvey Yates (Cyril Ring); what she doesn't know is that Yates is a jewel thief, in cahoots with the slinky Penelope (Kay Francis). The script was written by George S. Kaufman, and the music by Irving Berlin. ~ Hal Erickson, All Movie Guide

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Starring:
Groucho MarxHarpo Marx, (more)
1925  
 
Fred Prouty (Warner Baxter) and his wife, Nettie (Lois Wilson), are living happily until the day that his aged father (Luke Cosgrave) shows up on their doorstep. He immediately begins creating havoc, upsetting the once-orderly household and trying to force his opinions on everyone. Nettie does her best to be patient with the old man, but the day comes when he brings a group of his pals over while she is holding a meeting of a fashionable club. The men eat all the sandwiches and turn the house upside down -- and Old Man Prouty insists on interrupting the meeting, which causes it to break up. Ultimately Nettie tells Fred that either she or his father must go. Luckily for Fred, his pop visits the Old Men's home and realizes he will be much happier there. When he discovers that Nettie is pregnant, he realizes that he will be in the way and is glad to find a new home with his peers. This comedy-drama had a hard time living up to Minick, the stage play by George S. Kaufman and Edna Ferber on which is was based. ~ Janiss Garza, All Movie Guide

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Starring:
Luke CosgraveWarner Baxter, (more)
1925  
 
This satirical film was based on the play by George S. Kaufman and Marc Connelly. Neil McRae (Edward Everett Horton) is a composer who, instead of finishing his symphony, is forced to write jazz music to live. He also has a pupil, Gladys Cady (Gertrude Short), who comes from an eccentric nouveau riche family. His friend, Dr. Rice (Frederick Sullivan), suggests that he wed Gladys so he can complete his symphony. Neil is reluctant to do so, but his sweetheart, Cynthia Mason (Esther Ralston), agrees with the doctor, so he proposes to Gladys. She accepts, but McRae is distraught by his action. Rice gives him some medicine so he can sleep, and he has a fantastic nightmare in which he goes ahead and marries Gladys. Everything in the dream is warped and exaggerated, from the jazzy minister to Gladys' freakish family. McRae goes through the dream in his pajamas and is finally driven so mad by it all that he kills Gladys and her family. He is put on trial for his crime and convicted of being too highbrow. As a result he is sentenced to write jazz forever. McRae wakes up in a panic, but luckily Gladys breaks off the engagement. He happily reunites with Cynthia. ~ Janiss Garza, All Movie Guide

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Starring:
Edward Everett HortonEsther Ralston, (more)
1924  
 
This first of three film versions of the George S. Kaufman/Marc Connelly stage comedy Merton of the Movies stars Glenn Hunter in the title role. A small-town boy with big-time ideas, Merton heads to Hollywood, hoping to become a great dramatic star in films. Before long, he's on the verge of starvation, and no closer to his goal than before. With the help of good-natured stuntwoman Viola Dana, Merton is given a screen test. His overwrought emoting is laughed off the screen, totally crushing Merton's spirits. But a happy ending ensues when Merton is signed to a contract anyway-as a comedy star. Later adaptations of Merton of the Movies starred Jack Oakie and Red Skelton; only the 1947 Skelton version is currently available for reappraisal. ~ Hal Erickson, All Movie Guide

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Starring:
Glenn HunterViola Dana, (more)
1923  
 
This well-cast light comedy was based on the stage play by George S. Kaufman and Marc Connelly. Three clerks for the Kincaid Piano Company -- Leonard Beebe (Edward Everett Horton), Chester Mullin Z. Wall Covington), and Tom Baker (Arthur Hoyt) are in competition for a promotion to factory manager. The boss, John Kincaid (Theodore Roberts), relies on the judgment of his wife (Louise Dresser) when it comes to important decisions, and she favors Baker. But when the Kincaids visit the Beebes, Leonard's wife Elsie (Helen Jerome Eddy) proves to be every bit as dynamic a woman as Mrs. Kincaid. Beebe and Baker are invited to a banquet, and Beebe is expected to give a speech. After intently rehearsing one that is already prepared, Beebe arrives at the banquet only to see Baker give the exact same speech. Beebe is struck dumb, so Elsie takes over with some rousing words, claiming that her husband is feeling ill and winning Beebe the job. Their ruse is discovered, however, and Beebe is demoted. Once again Elsie comes to the rescue, and with Mrs. Kincaid's help, Beebe is reinstated. ~ Janiss Garza, All Movie Guide

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Starring:
Edward Everett HortonTheodore Roberts, (more)
1923  
 
Dulcy--better known as Dulcinea--was the cliché-spouting young bride created by newspaper humorist Franklin Pierce Adams. Given to such homilies as "Don't take any wooden nickels" and "There's never a policeman around when you need one"--the delightfully dunderheaded Dulcy inspired a popular three-act play, written by George S. Kaufman and Marc Connelly. The original Broadway production starred Lynn Fontanne; the first film version of Dulcy top-billed Constance Talmadge. While Dulcy's interminable cliches went by unheard, the Kaufman-Connelly plotline, wherein Our Heroine saves her husband's business during an otherwise catastrophic dinner party, remained intact. Anita Loos, John Emerson and C. Gardner Sullivan, comedy experts all, collaborated on the screenplay. Dulcy was remade in 1930 as Not So Dumb with Marion Davies, and again in 1940 under its original title with Ann Sothern. ~ Hal Erickson, All Movie Guide

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Starring:
Jack MulhallMay Wilson, (more)

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