Katherine Kath Movies

In this erotic drama based on an infamous novel by the Marquis de Sade, two sisters are raised in a convent, where they suffer all manner of abuse. The girls are eventually expelled for misbehavior, and make their way to London, where they find work in a brothel. One is able to adjust to the realities of her new life, but the other rebels and runs away, only to fall victim to an especially cruel fate. Justine, which was also released under the title Cruel Passion, stars Koo Stark, who gained notoriety in 1982 after it became public knowledge that she had a brief affair with Britain's Prince Andrew. ~ Mark Deming, All Movie Guide

The Assassination Bureau is loosely based on a turn-of-the-century yarn written by Jack London. Nellie Bly-style girl reporter Sonya Winter (Diana Rigg) tries to get the goods on shady businessman Ivan Dragomiloff (Oliver Reed). Ivan is in charge of a wide-reaching organization which, for a price, assassinates those who "need killing." As a challenge, Sonya offers to pay Ivan a huge sum if he'll instruct his minions to assassinate him; Ivan agrees, hoping that it will put a little kick in his work. Despite his profession, Ivan isn't the villain of the piece; that honor goes to evil nobleman Lord Bostwick (Telly Savalas), whose perfidy leads Sonya into joining forces with the Assassination Bureau. A wild climactic chase in a zeppelin caps this tongue-in-cheek escapade. ~ Hal Erickson, All Movie Guide

This story of love and espionage focuses on political turmoil as a small nation struggles to free itself from colonial rule, and one man tries to serve both justice and his own heart. In the late 1950s, the island of Cyprus is under the political control of Great Britain, but groups of Cypriot activists are fighting for the country's independence. Maj. McGuire (Dirk Bogarde) is an English military leader who is on the trail of Haghios (George Chakiris), a terrorist leader who guides the struggle for freedom in Cyprus. Juno Kozani (Susan Strasberg) is an American student of archeology who visits friends on the island, only to discover that they're helping to hide Haghios from the police and the British military. McGuire is convinced that Kozani knows Haghios' whereabouts, but while she has told McGuire nothing, Haghios is convinced that Kozani has turned him in and threatens to kill her. Desperate, Kozani seeks protection from McGuire, who allows her to hide out in his apartment. Put into close contact, McGuire and Kozani fall in love, but when his superiors find out that he's been keeping her in hiding, McGuire is transferred to Greece. Kozani follows him there, only to discover that a mysterious man has been following them. The High Bright Sun has also been released under the titles McGuire Go Home! and A Date with Death. ~ Mark Deming, All Movie Guide

Squire Trevenyan (Peter Cushing), magistrate of an 18th century coastal village where a little smuggling has always gone on (and been tolerated), learns that a group of wreckers have moved into the district, destroying ships and slaughtering their survivors in order to steal the cargo. The local populace, consisting mostly of tradesmen, honest fishermen and some part-time smugglers, all want the wreckers stopped, and appeal to the squire; but Trevenyan also learns that his son Christopher (John Fraser) is involved with the daughter of a tradesman who receives stolen goods. He intends to act on wreckers and smugglers alike, and gets the support of the local nobility (Miles Malleson). But then Christopher Trevenyan is caught up in a killing -- in self-defense -- of one of the wreckers, and the squire is so certain of the corruption of the village, that he declines to use his son as a witness against the wreckers. Rather, he brings in soldiers and starts a campaign against the smugglers and fishermen, the wreckers' leader, Black John (Bernard Lee), standing with him and diverting attention from himself. The citizenry appeals to a local highwayman known as the Captain (William Franklyn), who proceeds to kidnap Christopher, with a vow to kill him if two convicted men are transported to a colony. The squire is now trapped -- Black John, who is eager for the sentences to be carried out so that the troops can be withdrawn and his wreckers return to work, threatens to denounce him if he delays deporting the men; and Trevenyan rationalizes his decision as being in keeping with the law, even though it will cost his son's life. The only way out for the innocent parties on all sides can come from Christopher's bravery and the Captain's sense of honor, and the slim chance that they find a common goal that will spare young Trevenyan's life. ~ Bruce Eder, All Movie Guide

Berlin provides the backdrop for this crime drama that centers on a military doctor falsely accused of dealing illegal drugs. Determined to prove his innocence, he escapes from the MPs and ends up holing up in the apartment his wife rented. He doesn't know that she has sublet the flat to a nightclub singer. When he finds out, he begs the singer to assist him. She is attracted to him and agrees. The doctor believes that his wife is behind the black-market dealings, but in the end, they find the real culprit. ~ Sandra Brennan, All Movie Guide

This British drama chronicles the exploits of a brutal Liverpudlian gang leader/would-be rock star who finds himself inducted into the army. The troubled youth undergoes basic training and emerges a man. Later his best friend from boot camp is killed by the camp bully. Courageously, he stands up to the bully and wounds him. Fearing retribution, he flees the barracks. Time passes and he eventually rights the wrong, matures, and marries his singing partner. Songs include: "Isn't It a Lovely Evening?" "These Dangerous Years," and "Cold, Cold Shower." ~ Sandra Brennan, All Movie Guide

Let's Be Happy is an updated remake of Jeannie (1941), one of the most likable British comedies of the 1940s. The premise is basically the same: A working girl inherits a fortune, goes on a fling, is rescued from a caddish seducer by a down-to-Earth salesman. In Jeannie, the girl uses her legacy to get out of Scotland and tour the continent; in Let's Be Happy, the girl (Vera Ellen) is an American who travels to Scotland to assume ownership of her family's castle. Since stars Vera Ellen and Tony Martin (as the salesman) were musical comedy performers, Let's Be Happy obliging becomes a musical comedy. ~ Hal Erickson, All Movie Guide

Anastasia is adapted from the popular stage play by Marcelle Maurette. The scene is Paris in the early 1920s. Ingrid Bergman plays a would-be suicide who is rescued by Russian expatriate Yul Brynner. Brynner's motives are far from altruistic; together with a group of Russian cohorts, he hopes to pass Bergman off as Princess Anastasia, the daughter of the late Czar Nicholas. If the conspirators are successful, they stand to collect the ten million pounds held in trust for Anastasia in the Bank of England. The biggest obstacle facing Brynner and company is the surviving Romanov empress (Helen Hayes), who must be convinced beyond a shadow of a doubt that Bergman is the genuine article. Anastasia represented Ingrid Bergman's return to Hollywood after several years' exile following her "scandalous" affair with Italian director Roberto Rossellini. ~ Hal Erickson, All Movie Guide

Moulin Rouge is the story of 19th century French artist Henri de Toulouse-Lautrec, portrayed by José Ferrer. The film records his frustration over his physical handicap (the growth in his legs was stunted by a childhood accident), his efforts to "lose" himself in Paris' bawdy Montmartre district, and his career as a painter, which brought him money only when he turned out advertising posters--but what posters! Toulouse-Lautrec's drinking and debauchery lead to his early death, which in the hands of director John Huston is staged (brilliantly) in the manner of a musical comedy finale. This is the film in which Zsa Zsa Gabor actually acts, in the role of demimonde entertainer Jane Avril. As a bonus, the film's musical score (by Georges Auric) managed to hit the Top Ten charts in the U.S. When this immensely successful film was released to television in the late '50s, Moulin Rouge proved to be one of the strongest-ever incentives to purchase a color TV set. ~ Hal Erickson, All Movie Guide

If a French film of the 1940s or 1950s had Claude Dauphin in the cast, the producers were assured of a decent box-office turnover. In Ainsi Finit la Nuit, Dauphin is teamed with another audience favorite, Anne Vernon. The stars play a pair of clandestine lovers, while Henri Guisol is cast as Vernon's insensitive husband. The film is strongest in its first half, where characterization rather than situation dominates. The final portion of the film suffers from the scriptwriter's attempts to wrap things up as quickly as possible. Ainsi Finit la Nuit was also released as L'Affair. ~ Hal Erickson, All Movie Guide