James Karen Movies

Based on the play by Robert Anderson, I Never Sang for My Father is devoted to the prickly relationship between aged Tom Garrison (Melvyn Douglas) and his grown son Gene (Gene Hackman). A college professor who feels that he has never been fully accepted by his self-made dad, Gene announces that he is going to move from New York to marry a California divorcee. His mother (Dorothy Stickney) approves of the union but worries that her son's move will have a negative effect on the increasingly truculent Tom. When his mother dies just before the wedding, Gene is forced to help his father through his dark days. His sister (Estelle Parsons) urges her brother to break the ties for good and all--or else he'll wind up as bitter and withdrawn as their father. Gene realizes the wisdom of these words when he tries to reach out to his father during a vulnerable moment, only to have the crabby Tom tell him to get lost and leave him alone. ~ Hal Erickson, All Movie Guide

In this family drama, a newly remarried woman finds herself between a jealous 10-year-old son, and her equally jealous new husband. Things get really rough when her son decides to kill his perceived usurper. ~ Sandra Brennan, All Movie Guide

Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. ~ Lucia Bozzola, All Movie Guide

Mary Jane Harper Cried Last Night stars Susan Dey as a young mother with a history of mistreating her 3 year old daughter. Ms. Dey's erratic behavior is rooted in her own unhappy childhood and her failed marriage. Tricia O'Neil plays the doctor who endeavors to help both Dey and her daughter, despite the interference of well-meaning bureaucrats. Joanna Lee's script for this TV movie would have been twice as effective had it not relied so heavily on character stereotypes. The title character of Mary Jane Harper Cried Last Night was played by little Natasha Ryan, who portrayed several battered children during her short career. ~ Hal Erickson, All Movie Guide

Based on a true story, Something for Joey is about Heisman Trophy-winner Jon Cappelletti and his close relationship with his younger brother Joey, who is suffering from leukemia. ~ Stephen Thomas Erlewine, All Movie Guide

When three of his fellow private eyes lose their licenses, Jim (James Garner) risks his own to help them. It turns out that the P.I.'s have been victimized by a "mystery woman" (Katherine Charles) working for a huge detective agency which is determined to eliminate all competition--even if means committing murder. To get even with the villains, Jim and his friends stage an elaborately preplanned break-in at the impenetrable Waterbury Building, an undertaking that bears a startling resemblance to the Watergate burglary, right down to a cameo appearance by an ersatz "Deep Throat". Simon Oakland) makes his first series appearance as detective Vern St. Cloud. ~ Hal Erickson, All Movie Guide

F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, All Movie Guide

This gripping 1979 drama about the dangers of nuclear power carried an extra jolt when a real-life accident at the Three Mile Island nuclear plant in Pennsylvania occurred just weeks after the film opened. Kimberly Wells (Jane Fonda) is a TV reporter trying to advance from fluff pieces to harder news. Wells and cameraman Richard Adams (Michael Douglas, who also produced) are doing a story on energy when they happen to witness a near-meltdown at a local nuclear plant, averted only by quick-thinking engineer Jack Godell (Jack Lemmon). While Wells and Adams fruitlessly attempt to get the story on their station, Godell begins his own investigation and discovers that corporate greed and cost-trimming have led to potentially deadly faults in the plant's construction. He provides evidence of the faulty equipment, which could lead to another meltdown (the "China syndrome" of the title), to the station's soundman to deliver to Wells and Adams at a hearing on nuclear power. However, on the way to the hearing, the soundman is run off the road by evil henchmen, leading Godell to realize that his own life is threatened, possibly by his bosses at the plant. Driven to the edge of a breakdown, Godell takes over the plant's control room at gunpoint and demands to reveal his findings on TV. The plant's management, however, has other plans, and the facility itself is becoming dangerously unstable. Whether or not you agree with the film's clear anti-nuclear bias, its sobering message and riveting, realistic story and performances are still difficult to ignore. ~ Don Kaye, All Movie Guide

Quincy (Jack Klugman) is outraged to discover that an accident victim had died when he was refused admittance to the hospital run by Dr. Chet Rawlins (James Karen). Investigating, Quincy finds out that Rawlins' hospital regularly turns away emergency cases if they are unable to pay for treatment--and that this isn't the first time that someone has died unnecessarily because of this discriminatory policy. It now falls to Quincy to prevent Rawlins from purchasing another hospital and causing future tragedies with his greed and callousness. ~ Hal Erickson, All Movie Guide

Jim (James Garner) reluctantly serves on the jury in the trial of George Bassett (Mills Watson), who has been charged with manslaughter while driving drunk. When a mistrial is declaring thanks to a hung jury, Bassett hires Jim to prove his innocence. The key to the solution would seem to be in the hands of a woman claiming to be the victim's sister--but let's not discount those two brothers (Robert Sampson, James Karen) who run the law firm where George is employed. ~ Hal Erickson, All Movie Guide

Portrait of a Rebel: The Remarkable Mrs. Sanger was written by Blanche Hanalis, a specialist in turning out quality teleplays with a feminist slant. Bonnie Franklin stars as pioneering birth-control advocate Margaret Sanger, who in the early part of the 20th century conducted a 25-year battle to have her views legitimized by the puritanical, male-dominated medical establishment. The film covers the years 1912 through 1917, starting with Sanger's work as a New York City public health nurse. Appalled by the deaths brought about by self-induced abortions, Sanger campaigns to enlighten uneducated "lower-class" women in the proper methods of birth control, eventually opening her own clinic. Her efforts are rewarded with public scorn, attacks from various censorship advocates (her informational pamphlets are deemed "pornographic") and frequent jail terms. In order to spice up an already fascinating story, the film places undue emphasis on the brief romance between Ms. Sanger and British sexual-liberation guru Havelock Ellis (Richard Johnson). Portrait of A Rebel might make a piquant double feature with the 1995 cable-TV Margaret Sanger biopic, which starred Dana Delany. ~ Hal Erickson, All Movie Guide

Jason Robards stars as the ailing, 62-year-old President Franklin Delano Roosevelt in F.D.R.: The Last Year. Though visibly frail and weary, Roosevelt runs for a precedent-setting fourth term. He also oversees plans for the D-Day Invasion and engages in tempestuous summit meetings with his wartime allies Stalin (Nehemiah Persoff) and Churchill (Wensley Pithey). Eileen Heckart co-stars as Eleanor Roosevelt, while Kim Hunter plays his "great and good friend," artist Lucy Rutherfurd, who is at his side when he suffers his fatal cerebral hemorrhage in April of 1945. The 3-hour, made-for-TV F.D.R.: The Last Year was first telecast May 15, 1980. ~ Hal Erickson, All Movie Guide