James Karen Movies

Character actor Karen has had a 40-year career as an actor. He made his Broadway bow with Marlon Brando in A Streetcar Named Desire, directed by Elia Kazan. Since then, he has worked continuously in theater, television and film, with such greats as his idol Buster Keaton, and on up to director Oliver Stone. His best-known films include Return of the Living Dead (1985) and Return of the Living Dead II (1988). Karen has also appeared in All the President's Men (1976), China Syndrome (1979), Poltergeist (1982), and Wall Street (1987). He was a regular on Eight is Enough (1977-81), starred in the science fiction series The Powers of Matthew Star as Major Wymore (1983) and had a recurring role on the cable series The Larry Sanders Show. ~ All Movie Guide
2008  
 
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At the peak of their popularity, there were nearly seven thousand drive-in movie theaters operating in the United States, where families could see a show in the great outdoors complete with popcorn and teenagers could park for a few hours without being bothered. While many drive-ins showed traditional Hollywood fare, the majority tended to screen exploitation movies -- horror, science fiction, biker flicks, soft-core sex -- especially in the Sixties and Seventies as they primarily became a center for young people. Rising land values and a decline in attendance has caused most drive-in theaters to close, but if they're largely gone they're not forgotten, and this documentary pays homage both to America's drive-ins and the sort of movies that often played there. Drive-In Madness includes trailers for dozens of vintage exploitation films as well as classic snack shop commercials and intermission "countdowns." In addition, a number of noted figures in exploitation film history talk about their work and their place in drive-in history; interview subjects include scream queens Linnea Quigley and Bobbie Bresee, Night of the Living Dead director George A. Romero, gore effects wiz Tom Savini, veteran distributor Sam Sherman, and Famous Monsters of Filmland editor and horror movie expert Forrest J. Ackerman. ~ Mark Deming, All Movie Guide

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2007  
 
Aesthetically and thematically, director Larry Blamire's outrageous camp-fest Trail of the Screaming Forehead resuscitates and satirizes bottom-of-the-barrel 1950s sci-fi movies such as X the Unknown and The Creeping Terror. Blamire's tale revolves around the scientific discovery that foreheads (and not brains) house human intelligence. In a misguided attempt to prove this axiom, scientist Dr. Sheila Bexter (Fay Masterson) injects a serum called "Foreheadazine" into the cranium of her colleague, Dr. Phillip Latham (Andrew Parks) -- whose head rapidly balloons to the size of a watermelon. Meanwhile, a spaceship packed with "furrowed brows" crash-lands on Earth, and the brows promptly attach themselves to every human in sight. To complicate matters, dozens of locals also get wind of the scientists' project and decide to investigate; before long, the entire seaside community is swarming with addicts of the Foreheadazine drug, a problem that doubles in size when two liquor-happy sailors arrive in town with a boatload of frozen human bodies. Blamire re-creates the visual look of '50s sci-fi films such as The Blob by shooting in shockingly bright rotogravure colors -- a photographic process he dubbed "Crainioscope." Stop-motion demigod Ray Harryhausen -- who reportedly inspired this work thanks to such classics as Jason and the Argonauts and The 7th Voyage of Sinbad -- is listed as "presenter," and his influence can be seen via the special effects of the ballooning heads. ~ Nathan Southern, All Movie Guide

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Starring:
Brian HoweDan Conroy, (more)
2002  
 
Hoping to utilize the Supreme Court in the same dramatic manner that West Wing utilized the White House, the weekly, 60-minute CBS series First Monday focused on the nine Justices who laid down the law for the United States. Joe Mantegna headed the cast as Joseph Novelli, the newest member of the nine-person Supreme Court. Entering a political arena that was evenly divided between Conservative and Liberal, the "moderate" Justice Novelli generally acted as the tie-breaker in matters of national jurisprudence (though supposedly noncommittal politically, Novelli's beard and pugnacious personality indicated that he was the "champion of the underdog" type). James Garner co-starred as staunchly conservative Chief Justice Thomas Brankin, who displayed his contempt for contemporary political correctness by puffing away on a cigarette in his "officially" smoke-free private office. Brankin's chief ally was the whimsical, womanizing Justice Henry Hoskins (Charles Durning), while on varying extremes of the political spectrum were Jewish jurist Esther Weisenberg (Camille Saviola) and black Justice Jerome Morris (James McEachin). Created by Jag's Donald P. Bellisario, First Monday premiered on Tuesday, January 15, 2002, before settling into its standard Friday-night slot. ~ Hal Erickson, All Movie Guide

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2001  
 
A retired architect returns to work at the behest of unlikely patrons in this low-key drama. Richard and Kate Banks (Jack Conley and Rebecca Staab) are a well-to-do couple who want to buy a home in Southern California. While house-hunting, Kate discovers the charred remains of a house that was never completed -- and she is highly intrigued by what she's found. Kate discovers the property belongs to Mercedes (Shirley Knight), who informs Kate that the unfinished house was one of the last works from Harry Mayfield (Philip Baker Hall), a once-famous architect who left his career behind when his marriage broke up years before. Kate and Richard buy the unfinished house and contact Harry, inviting him to complete his project for their new home, and Harry agrees. Sensing this could be a major event in contemporary architecture, Kate persuades her friend Gaby (Laura San Giacomo), a filmmaker, to make a documentary about Harry and his new project. As Gaby speaks at length with both Harry and his younger assistant Arthur (Henry Rollins), she and Kate discover just how strong-willed (and how difficult) Harry can be, and as Harry struggles to complete a difficult and deeply personal work, Kate finds a new personal strength through his efforts. A House on a Hill marked a return to dramatic filmmaking for director Chuck Workman after directing a pair of acclaimed documentaries about iconoclastic artists, Superstar: The Life and Times of Andy Warhol and The Source. ~ Mark Deming, All Movie Guide

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Starring:
Philip Baker HallLaura San Giacomo, (more)
1998  
 
Assembled by film historian Kevin Brownlow and narrated by actor Kenneth Branagh, this 90-minute special celebrates the classic horror films that emanated from Hollywood's Universal Studios. Beginning with such silent classics as The Phantom of the Opera and The Cat and the Canary, Universal went into full gear in the early '30s, launching such valuable properties as Dracula, Frankenstein, The Invisible Man, The Mummy, and (in the 1940s) The Wolf Man, and making stars of the "twin titans of terror," Bela Lugosi and Boris Karloff. The studio maintained its horror quota well into the 1950s with its Creature From the Black Lagoon series, but the emphasis in this special is on the pre-1948 scare fests. Highlights include interviews with surviving Universal actors and technicians (Gloria Stuart is particularly amusing), and rare clips from Dracula [Spanish-language version]. Universal Horror made its American TV debut on the Turner Classic Movies cable service. ~ Hal Erickson, All Movie Guide

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Starring:
Kenneth BranaghForrest J. Ackerman, (more)
1998  
 
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Diagnosed with terminal cancer, Chicago attorney Susan Morton (Nancy Travis) returns to her home town of California to wait out her final months. She also brings along her 11-year-old daughter Carson (Jamie Renee Smith), in hopes of finding a good home for the girl when the time comes. Unexpectedly, Susan falls in love with Michael Blake (Scott Bairstow), a much-younger busboy; alas, faced with the prospect of "instant" fatherhood, Michael breaks off the engagement. With nowhere else to turn, Susan entrusts Carson's future with her own elderly parents (James Karen, Holland Taylor)...and then Michael returns. Orginally telecast by ABC on January 25, 1999, My Last Love has since been rerun on the Lifetime cable channel as To Live For. ~ Hal Erickson, All Movie Guide

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1998  
 
An mishap involving Kramer (Michael Richards) during the annual Puerto Rican Day parade is the reason that this particular Seinfeld episode was withdrawn from NBC's rerun package (it did, however, make a return appearance in syndication four years later). Elsewhere, Elaine (Julia Louis-Dreyfus) worries about not getting home to see 60 Minutes, a vital part of her "weekend wind-down." George (Jason Alexander) is tormented by a laser pointer while trying to make a joke during the "Hindenburg" movie. And Kramer resorts to using a phony name during an urgent call of nature. But never mind all that: can the Mets pull out of an 8-0 downslide? ~ Hal Erickson, All Movie Guide

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1996  
 
Monica (Roma Downey), Tess (Della Reese) and Andrew (John Dye) are hired as coordinators for the wedding of Alison Miller (Brigid Walsh) and Kevin Abernathy (Ed Kerr). The sudden and unwelcome appearance of Alison's much-despised father Stan (Richard Gilliland) prompts her to question the whole concept of marriage, and to seriously consider calling the whole thing off. With this in mind, Monica cannot figure out what possessed Tess to invite Stan--until it is revealed that Alison's "perfect" mother Harriet (Linda Kelsey) is just as responsible for the the transgressions of the past as her prodigal father, and just as much in need of forgiveness. Sally Kellerman contributes a sparkling performance as a scatterbrained novelist. ~ Hal Erickson, All Movie Guide

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1995  
 
In this actioner, a smart alecky bounty hunter teams up with a G-man to take on a drug-smuggling ring. ~ Sandra Brennan, All Movie Guide

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Starring:
Billy BlanksRoddy Piper, (more)
1994  
 
A computer with a mind of its own is the subject of this made-for-television thriller. Set sometime in the future, the film tells the story of a female writer who goes to a secluded cabin to work. She decides to take a programmable male android with her for company. She changes his programming to suit her specific needs but gets more than she bargained for when the android gets his own ideas on what she wants. ~ Bernadette McCallion, All Movie Guide

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1994  
 
In the tradition of Fatal Attraction, this thriller follows an obsessive man as he stalks a the woman with whom he had a brief, passionate affair. Matilda, a young advertising executive, had a lot of fun and hot sex with Kurt whom she met in a bar while her boyfriend, Michael, was away working as a medical resident. Kurt had so much fun that he has chosen Matilda as his one true love. Unfortunately Matilda rejects him and chooses to stay with Michael. The determined and psycho Kurt, begins to stalk and harass her. Matilda's secretary and her best friend become the film's real victims. ~ Sandra Brennan, All Movie Guide

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Starring:
Al CorleyPaula Trickey, (more)
1994  
 
The silly spirit of Revenge of the Nerds lives on in this made-for-television sequel. Curtis Armstrong returns as Booger, and this time around the nerds are gathering for his wedding to a wealthy upper-class girl. As the nerds plan a wild bachelor party, the girl's father is busy hiring an investigator to look into Booger's past and hopefully stop the wedding. ~ Bernadette McCallion, All Movie Guide

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1993  
 
Unsatisfied with the negotiating tactics of his current, more laid-back agent, Larry (Garry Shandling) decides to go for the gusto in his upcoming contract negotiations by hiring a new, more aggressive agent who isn't afraid to deal with the network on his own terms. Guest stars include Barry Levinson, James Karen, John Pleshette, Tommy Newsom, Doc Severinsen, and Bob Odenkirk. ~ Jason Buchanan, All Movie Guide

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1992  
 
The premiere episode of Garry Shandling's searing television satire The Larry Sanders Show finds talk show host Larry Sanders (Garry Shandling) struggling against an intrusive suggestion of on-air advertising. Faced with the prospect of promoting "The Garden Weasel" on his popular late-night talk show, Sanders balks at the prospect and finds himself in a battle of wills with a tenacious network executive. This episode of The Larry Sanders Show features guest stars Deborah May and Robert Hays. ~ Jason Buchanan, All Movie Guide

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1992  
 
Television contract negotiations are the stuff of legends in the entertainment industry, and viewers get a healthy dose of the outlandish demands of television stars in this episode of The Larry Sanders Show. It's contract negotiation time for Larry's (Garry Shandling) sidekick, Hank (Jeffrey Tambor), and Hank has set his demands at an all-time high. In addition to demanding a raise, it seems that Hank could also use a new golf cart. Guest stars in this episode of The Larry Sanders Show include Robin Williams and George Foreman. ~ Jason Buchanan, All Movie Guide

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1992  
 
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This made-for-TV thriller stars Ben Gazzara as a publishing magnate framed for murdering the call girl with whom he was having an affair. ~ Jason Ankeny, All Movie Guide

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1991  
 
In 1988, Nancy Klein, the pregnant wife of Long Island accountant Marty Klein, was involved in a car accident that left her comatose. Convinced that Nancy would never recover if she went to full term with the baby, Marty asked the doctors to perform an abortion. Almost immediately, Nancy Klein became a cause celebre for pro-life and pro-choice activists alike. Made for television, Absolute Strangers recreates this traumatic event and the drawn-out courtroom litigation that followed. Henry Winkler, who produced the film, returned to acting after a long absence to play Klein; others in the cast include Jennifer Hetrick as Nancy, Richard Kiley as Dr. R. J. Cannon, Karl Malden and Audra Lindley as Nancy's parents, and Patty Duke as a lower-court judge. Though it is clear that the filmmaker's sympathies are clearly on Marty Klein's side, the script remains even-handed throughout, observing that the pro-choicers can be just as narrow-minded and contentious as the "absolute strangers" who wish to usurp Marty Klein's rights concerning his wife's wellbeing. Written by playwright Robert Anderson (Tea and Sympathy, I Never Sang For My Father), Absolute Strangers premiered April 14, 1991. ~ Hal Erickson, All Movie Guide

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Starring:
Henry WinklerRichard Kiley, (more)
1990  
 
"A good man is hard to find. A rich man is worth the effort." This advertising tagline could just as easily have been applied to Gold Diggers of 1933 or How To Marry a Millionaire as to the made-for-TV Rich Men, Single Women. Three attractive women of a certain age decide to pool their resources and land wealthy husbands. The first step is to convince their victims-er, potential soulmates-that they are "the women of their dreams." Suzanne Somers, Heather Locklear and Deborah Adair star as the Gold-diggers of 1990, who, according to one reviewer, "could set feminism back 20 years." Concocted by Aaron Spelling and Douglas S. Cramer-the folks who inflicted The Love Boat on an unwary nation--Rich Men, Single Women premiered January 29, 1990. ~ Hal Erickson, All Movie Guide

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1990  
 
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Shattered Dreams is a "based on a true story" TV movie starring Lindsay Wagner and Michael Nouri. Wagner is a Washington DC attorney; Nouri is her husband, also an attorney, but one with a profound violent streak. Suffering constant beatings, Wagner tries to keep up appearances, but after seventeen years of this treatment she can stand no more. Despite public opinion favoring her husband, now a powerful government official, Wagner successfully brings the facts of her miserable marriage out in the open, then sets about to reassemble her own fragmented life. Shattered Dreams is at its most convincing in detailing Ms. Wagner's life after the split; the domestic violence scenes are only adequately staged. ~ Hal Erickson, All Movie Guide

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Starring:
Lindsay WagnerMichael Nouri, (more)
1989  
 
In this black comedy, a wealthy but flaky family tries to deal with their lives after their bizarre father suffers a fatal heart-attack on Thanksgiving and falls face first into the turkey. Now the family must somehow get their act together enough to pay bills and make funeral arrangements. ~ Sandra Brennan, All Movie Guide

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1989  
 
During the 70th anniversary of Phil's bar, Murphy (Candice Bergen) flashes back to 1977, when she az first auditioned for a job with "FYI"--and her chief competition consisted of her current coworker Frank Fontana (Joe Regalbuto) and NBC commentator Linda Ellerbee (as herself in both the new scenes and in stock footage from 1977). As a bonus, we get a glimpse of Murphy's producer Miles (Grant Shaud) back when he was a precocious thirteen-year-old (played by Jason Marsden). Meanwhile, back in The Present, Eldin (Robert Pastorelli) develops a crush on Corky (Faith Ford). ~ Hal Erickson, All Movie Guide

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1989  
 
This documentary presents interviews and clips with some of cinema's best loved cult figures. ~ Sandra Brennan, All Movie Guide

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1987  
 
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Billionaire Boys Club is the two-part TV adaptation of a book by Sue Horton (unpublished at the time of the film's first telecast). In flashback form, the story recounts the murder of Beverly Hills con artist Ron Levin (Ron Silver). The culprit is yuppie Joe Hunt (Judd Nelson), a sharp young commodities trader who has organized an investment firm with several of his prep school buddies, known as the Billionaire Boys Club. Part one, originally telecast November 8, 1987, traces Hunt's meteoric rise to wealth and power, and the means by which Levin worms his way into Hunt's confidence. In part two, shown the next evening, Hunt has already murdered Levin and carefully disposed of the body. The next step of the scheme is take over where Levin left off by conning an Iranian millionaire out of a huge sum of money. Meanwhile, other members of the Club begin to have qualms over Hunt's finagling. Their whistle-blowing leads to Hunt's arrest and convinction for murder. ~ Hal Erickson, All Movie Guide

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Starring:
Judd NelsonRon Silver, (more)

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