James Karen Movies

Aesthetically and thematically, director Larry Blamire's outrageous camp-fest Trail of the Screaming Forehead resuscitates and satirizes bottom-of-the-barrel 1950s sci-fi movies such as X the Unknown and The Creeping Terror. Blamire's tale revolves around the scientific discovery that foreheads (and not brains) house human intelligence. In a misguided attempt to prove this axiom, scientist Dr. Sheila Bexter (Fay Masterson) injects a serum called "Foreheadazine" into the cranium of her colleague, Dr. Phillip Latham (Andrew Parks) -- whose head rapidly balloons to the size of a watermelon. Meanwhile, a spaceship packed with "furrowed brows" crash-lands on Earth, and the brows promptly attach themselves to every human in sight. To complicate matters, dozens of locals also get wind of the scientists' project and decide to investigate; before long, the entire seaside community is swarming with addicts of the Foreheadazine drug, a problem that doubles in size when two liquor-happy sailors arrive in town with a boatload of frozen human bodies. Blamire re-creates the visual look of '50s sci-fi films such as The Blob by shooting in shockingly bright rotogravure colors -- a photographic process he dubbed "Crainioscope." Stop-motion demigod Ray Harryhausen -- who reportedly inspired this work thanks to such classics as Jason and the Argonauts and The 7th Voyage of Sinbad -- is listed as "presenter," and his influence can be seen via the special effects of the ballooning heads. ~ Nathan Southern, Rovi

The Man of Steel returns to the big screen with this continuation of the icon's film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn't need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his. Directed by Bryan Singer from a script by the writing team of X-Men 2, Superman Returns marks a return to the screen for the man in tights, whose production history has seen many failed attempts including a famous near-miss from Tim Burton and Kevin Smith with Nicolas Cage in the lead role, along with another from director McG and writer J.J. Abrams (Lost). Singer eventually won the prestigious gig when he pitched the idea to not tackle the origin story again, but continue with director Richard Donner's original vision. ~ Jeremy Wheeler, Rovi

Hoping to utilize the Supreme Court in the same dramatic manner that West Wing utilized the White House, the weekly, 60-minute CBS series First Monday focused on the nine Justices who laid down the law for the United States. Joe Mantegna headed the cast as Joseph Novelli, the newest member of the nine-person Supreme Court. Entering a political arena that was evenly divided between Conservative and Liberal, the "moderate" Justice Novelli generally acted as the tie-breaker in matters of national jurisprudence (though supposedly noncommittal politically, Novelli's beard and pugnacious personality indicated that he was the "champion of the underdog" type). James Garner co-starred as staunchly conservative Chief Justice Thomas Brankin, who displayed his contempt for contemporary political correctness by puffing away on a cigarette in his "officially" smoke-free private office. Brankin's chief ally was the whimsical, womanizing Justice Henry Hoskins (Charles Durning), while on varying extremes of the political spectrum were Jewish jurist Esther Weisenberg (Camille Saviola) and black Justice Jerome Morris (James McEachin). Created by Jag's Donald P. Bellisario, First Monday premiered on Tuesday, January 15, 2002, before settling into its standard Friday-night slot. ~ Hal Erickson, Rovi

David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. Betty befriends the injured woman, who begins calling herself "Rita" after seeing a poster of Rita Hayworth. While Betty's audition impresses a casting agent, and she catches the eye of hotshot director Adam Kesher (Justin Theroux), Kesher's producers and moneymen insist with no small vehemence that he instead cast a woman named Camilla Rhodes. As Rita attempts to put the pieces of her life back together, she pulls the name Diane Selwyn from her memory; Rita thinks it could be her real name, but when she and Betty find a listing for Diane Selwyn and visit her apartment, they discover the latest victim of a mysterious killer who is eluding police detective Harry McKnight (Robert Forster). Rita's emotional identity soon takes a left turn, and it turns out that neither woman is quite who she once appeared to be. David Lynch originally conceived Mulholland Drive as the pilot film for a television series; after the ABC television network rejected the pilot and declined to air it, the French production film StudioCanal took over the project, and Lynch reshot and re-edited the material into a theatrical feature. The resulting version of Mulholland Drive premiered at the 2001 Cannes Film Festival, where David Lynch shared Best Director honors with Joel Coen. ~ Mark Deming, Rovi

A young boy named Ray (Miko Hughes) and his grandfather (James Karen) have one important thing in common -- they both love airplanes, and Gramps often joins Ray as he flies his model planes in the park. But Ray's parents think that Gramps has grown too old to care for himself -- and that it's time to put him in a nursing home. But Gramps doesn't want to go; Ray isn't sure if he can do anything to stop them, but he does think that he might be able to arrange for the one-time pilot to take an old prop plane back into the air one last time. Also released as Fly Boy, One Last Flight features Kathleen Lloyd, Gregory Itzin, and Joshua Boyd in supporting roles. ~ Mark Deming, Rovi

Assembled by film historian Kevin Brownlow and narrated by actor Kenneth Branagh, this 90-minute special celebrates the classic horror films that emanated from Hollywood's Universal Studios. Beginning with such silent classics as The Phantom of the Opera and The Cat and the Canary, Universal went into full gear in the early '30s, launching such valuable properties as Dracula, Frankenstein, The Invisible Man, The Mummy, and (in the 1940s) The Wolf Man, and making stars of the "twin titans of terror," Bela Lugosi and Boris Karloff. The studio maintained its horror quota well into the 1950s with its Creature From the Black Lagoon series, but the emphasis in this special is on the pre-1948 scare fests. Highlights include interviews with surviving Universal actors and technicians (Gloria Stuart is particularly amusing), and rare clips from Dracula [Spanish-language version]. Universal Horror made its American TV debut on the Turner Classic Movies cable service. ~ Hal Erickson, Rovi

Diagnosed with terminal cancer, Chicago attorney Susan Morton (Nancy Travis) returns to her home town of California to wait out her final months. She also brings along her 11-year-old daughter Carson (Jamie Renee Smith), in hopes of finding a good home for the girl when the time comes. Unexpectedly, Susan falls in love with Michael Blake (Scott Bairstow), a much-younger busboy; alas, faced with the prospect of "instant" fatherhood, Michael breaks off the engagement. With nowhere else to turn, Susan entrusts Carson's future with her own elderly parents (James Karen, Holland Taylor)...and then Michael returns. Orginally telecast by ABC on January 25, 1999, My Last Love has since been rerun on the Lifetime cable channel as To Live For. ~ Hal Erickson, Rovi

Writer-director Joshua Beckett also stars in this romantic comedy, winner at the 1997 Hollywood Film Festival. Self-confident wedding photographer Nick Evans (Beckett) has a domineering Jewish mother, Muriel (Liz Sheridan) and a pregnant sister, Donna (Polly Draper). But womanizing maneuvers are Nick's central preoccupation. Thus, Nick is somewhat taken aback to find himself developing a more lasting interest in clothing-designer Anne Kidwell (Marcia Cross). They begin living together and all is well until Anne begins to question Nick's commitment. At the same time, Nick starts to contemplate his career choices. ~ Bhob Stewart, Rovi

A story about a career television journalist who eclipses her mentor, this drama's plot resembles that of A Star Is Born, and it shares the same screenwriters as those who penned the 1976 version of that film, John Gregory Dunne and Joan Didion. It's based loosely on the real-life story of newscaster Jessica Savitch. Sally Atwater (Michelle Pfieffer) gets a job at a Miami TV station based on a demo tape from her hometown of Reno, Nevada. The station's news director is Warren Justice (Robert Redford), a former high-profile Washington newsman whose career has suffered from his insistence on integrity. He makes Sally his gofer and criticizes her clothes and appearance while she begs him for a chance to go on-air. She becomes the station's weathercaster and Warren gives her the stage name of Tally. With Warren's constant advice, she breaks into news reporting and her star rises quickly as the two become romantically involved. She takes a better job in Philadelphia, with Warren's blessing, and there she soon eclipses the anchorwoman Marcia McGrath (Stockard Channing). From there, Tally's career continues to flourish, while her relationship with Warren takes some strange twists and turns. ~ Michael Betzold, Rovi

Good gorillas meet bad gorillas while human beings search for treasure in this jungle advnture saga. R.B. Travis (Joe Don Baker) is the ruthless head of Travi-Com, a telecommunications firm on the cusp of a major breakthrough in laser communications technology. However, Travis needs diamonds to finish the project, so he sends a group of men to Zaire, where he's told that a large supply of the gems can be easily found. When the men go missing, Travis sends his trusted assistant Karen Ross (Laura Linney), a one-time CIA associate, into the jungle to find both his staff and the jewels. Hoping to keep her mission a secret, Karen travels to Zaire in the company of Peter (Dylan Walsh), a researcher on primate development who is hoping to return Amy, a gorilla who has been taught sign language and can "speak" English with the help of a glove-controlled computer device. Also travelling with them is Herkermer (Tim Curry), a Romanian with a secret agenda: he's convinced that Amy can guide him to the Lost City of Zinj, where he believes that King Solomon's Mines are located. Upon arrival, the group is met by Monroe Kelly (Ernie Hudson), a self-described "great white hunter who happens to be black," and they discover that the jungle holds a menace that they weren't counting on: a tribe of bloodthirsty gray gorillas. Congo was based on the best-selling novel of the same name by Michael Crichton. ~ Mark Deming, Rovi

In this actioner, a smart alecky bounty hunter teams up with a G-man to take on a drug-smuggling ring. ~ Sandra Brennan, Rovi

In the tradition of Fatal Attraction, this thriller follows an obsessive man as he stalks a the woman with whom he had a brief, passionate affair. Matilda, a young advertising executive, had a lot of fun and hot sex with Kurt whom she met in a bar while her boyfriend, Michael, was away working as a medical resident. Kurt had so much fun that he has chosen Matilda as his one true love. Unfortunately Matilda rejects him and chooses to stay with Michael. The determined and psycho Kurt, begins to stalk and harass her. Matilda's secretary and her best friend become the film's real victims. ~ Sandra Brennan, Rovi